- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- NO THEME VIII Editorial
- ‘A means of resistance’: Susie Anderson Interviews Alison Whittaker
- 10 Works by Richard Bell
- Shipwrecks in Modern European Painting and Poetry: Radical Mobilisation of the Motif as Political Protest
- 4 Self-translations by Danijela Trajković
- Brutalism: Poems by Alex Creece
- Imperfect Growth: a Travel Log
- 4 Translated Kim Seung-hee Poems
- Residence: Dwelling with The Shards (an essay)
- The Shards
- in yr swimming pool
- Sonar for Conception
- The slow clock
- nanny on the water
- Vernal Funks & Bluffs
- I’d Have Called Her Sooner
- Call of Summer
- Sunday, call me a squid
- Mother Bird
- The Wrong Colour
- Milk River
- House fitting : surprisingly
- Farewell to Sweet Pea
The title of Rachel Blau DuPlessis’s new book is a reversal of Hesiod’s Works and Days, which introduced the character of Pandora to the world. At the front of the book, before even the title page, is the statement ‘We are living in late catapultism’.
Lisa Samuels’s introductory essay, ‘What Do We Mean When We Say Transpacific’, begins with a quotation from Pam Brown that is particularly well-chosen for this volume. Brown claims that the ‘authentic’ pertains to someone who isn’t manipulated or being alienated from their context. There’s a good deal in this book about alienation relating to identity and culture; many of the authors have had to fight to preserve authenticity.
The publication of these notebooks completes the series that begins with Sidetracks – Notebooks 1976-1991 (Auckland University Press, 1998) and ends with Crankhandle – Notebooks November 2010-June 2012 (Cordite Books, 2015), the latter winning the Victoria Premier’s Literary Award for Poetry 2016.
Murray Edmond is a New Zealand poet of long-standing achievement. He published the first of twelve previous collections, Entering the Eye, way back in 1973 with Caveman Press; the most recent was Three Travels (Holloway Press, 2012). He is a dramaturge, with a career ranging from the experimental Red Mole Theatre Company to the present Indian Ink Theatre Company.
a pottery angel rises from the mantelpiece to the gallus energy of new morning the entelechy of words works through sleep, we dream repeats, we have all the time in the world to design cities weed vegetable beds watch pittosporum …