The conscious (one)

He is conscious. He is conscious. He is totally awake. That’s understandable. He is fully conscious. He doesn’t know how to speak. He is conscious. He is awake. It’s not because he is asleep that he can’t speak. He is not asleep. He is totally conscious. He has all his wits about him. He has not lost his wits. He is in a conscious state. While being conscious he doesn’t know how to articulate. The drive is unique. He doesn’t know how to speak. There is a drive. The senses alert. All his senses are alert. His eyes are open. He is front-on. He is conscious. He has all (the) breadth. He is elastic. He is broad, he has breadth. He has all (the) breadth to make use of everything. He has no sleepiness. It’s a fact that he’s conscious. He is awake. He articulates with everything, he has all (the) breadth. He cannot articulate by speaking, he doesn’t know how to speak. He can’t speak, he has all other means. He doesn’t begin at a specific point, he’ll catch everything on the fly, he’s going to catch everything on the fly. He is totally awake. He has numerous means. He is front-on. He obstructs. He is a bag. The articulation of some spoken, he doesn’t speak, he doesn’t know how to speak. He is broad. He is driven, he has all the breadth of the drive in order to achieve his disorganised goals. He doesn’t have swimming. He has the drive. He has a significant mass of responses. His eyes are open. Because he doesn’t have a beginning, a point to start out from, from which to start in order to bring things to a point. He has no other choice than to dig himself in deeper, he’s woken up. He is awake. He is a bag. He deforms his bag. He can stretch it. He can extend it. He can make it turn into a long tube. By deforming it, by pulling or inflating it, he is a bit elastic. He is not asleep. He is in a state of perfect consciousness. He obstructs with what he is. He is front-on. He has complete consciousness of, of the fact that. You couldn’t say he’s asleep. He is completely conscious of what happens. He obstructs as best he can. He is capable of the mass of the obstacle. He knows what happens. You have to remember that he is conscious. He is not asleep. He is conscious of it. He is conscious. He can’t speak but he understands what happens. He can’t speak. He is conscious. He cannot articulate. He doesn’t have the central point from which you can articulate. He has in his breadth elastic. He is elastic. He mixes. It doesn’t take off. He doesn’t take off. He is totally conscious. We’re not dealing with someone asleep. His eyes are open. He looks. He breathes. He has what you need to breathe. He does a bunch of breathing. Everything that looks. He looks. He is totally awake. Everything that happens. He is conscious of it. He is the beginnings of an obstacle. He can wait from his breadth and see what comes. He has breadth. He mixes. What’s going to happen. What happens. He managed to make himself a bag. He’s made himself a bag. It’s his first bag. He knows how to wait. He’s conscious of it. He is awake. Does it all in one thrust. He is advanced, is pushed, has go. He has all the drive in breadth. He has all (the) breadth. Breadth drives in a single go. He remains. He remains awake. He doesn’t fall asleep. Let it be pretty elastic. It is elastic. He remains. He does makes plays the bag. He leans. He has what you need to lean. His eyes are wide open. It’s alertness. It is the time of alertness. The bag leans. He has consciousness and doesn’t know how to speak. He has complete consciousness. He doesn’t know how to turn it into articulate words. The time of waking. He is conscious of it. He mixes. He could do what he could. He can lean. Complete waking that owes nothing to no one. He is not asleep. He is visible. All the breadth of what he sees. Look at his face. His face grimaces. He mixes. He is totally conscious of it. He is not asleep. He gets shifted. Even as he gets shifted he’s still there. He takes the shape he wants. He has the shape of the drive. He drives. He has to divulge the contents of his bag. He has to spread it out. He can move from one spot to another without changing simply by elasticity. The drive can drive because he is elastic. He is conscious. He doesn’t articulate, he mixes. He doesn’t know how to articulate. He can’t speak. His breath helps the drive. He breathes. His breath breathes duration. He can catch things. He has breadth. He is awake. He is subjected to it. He is subjected. He has no memory. He doesn’t remember. He is front-on. His eyes are open. He is conscious. He needn’t remove himself, he has continuity. He doesn’t remove himself. He has drive. In taking form he drives. Is drawn by force, is extracted. Extraction, the fact of being subjected, the fact of having submitted to it, of submitting yourself. The fact that he has no more than what you see. He looks. What follows follows immediately. Whatever manner he adopts in order to extend indefinitely. He has no reaction, reactivation, accentuation. He is conscious. He reacts to what touches him. He is touched. That doesn’t lead. That doesn’t lead to anything. There’s nothing more important. He is conscious. He is steerable. He has mass. He has breadth. He mixes. He undoes forms. He has the gift of undoing the forms he has made himself. He doesn’t melt. He doesn’t fall asleep. He remains. His eyes are open, he is awake. He is always conscious. He promises. He transfers. He can’t do everything in one go. He is underneath. He doesn’t perturb. He is disturbing. He is delicate. He is illicit. He is delicious. He smells good. He has consciousness. The acme smells good.

Le conscient

Il est conscient. Il est conscient. Il est totalement réveillé. Cela est compréhensible. Il est en pleine conscience. Il ne sait pas parler. Il est conscient. Il est réveillé. Ce n’est pas parce qu’il est endormi qu’il ne peut parler. Il n’est pas endormi. Il est totalement conscient. Il a tous ses moyens avec lui. Il n’a pas perdu ses moyens. Il est dans un état de conscience. Tout en étant conscient il ne sait pas articuler. La poussée est unique. Il ne peut pas parler. Il y a une poussée. Les sens en éveil. Il a tous les sens en éveil. Il a les yeux ouverts. Il est de face. Il est conscient. Il a toute la largeur. Il est élastique. Il est large, il a de la largeur. Il a toute la largeur pour tout utiliser. Il n’a pas d’endormissement. Le fait est qu’il est conscient. Il est éveillé. Il articule avec tout, il a toute la largeur. Il ne peut pas articuler avec la parole, il ne sait pas parler. Il ne peut pas parler, il a tous les autres moyens. Il ne commence pas à un point, il va tout attraper au vol, il attrapera tout au vol. Il est totalement réveillé. Il a plusieurs moyens. Il est de face. Il fait barrage. Il est un sac. L’articulation du parlé, il ne le parle pas, il ne sait pas parler. Il est large. Il est poussé, il a toute la largeur de la poussée pour arriver à ses fins tous azimuts. Il n’a pas la nage. Il a la poussée. Il a une importante masse de réponses. Il a les yeux ouverts. Parce qu’il n’a pas un début, un point d’où partir, d’où commencer pour faire le point. Il n’a pas d’autre choix que de s’enfoncer, il s’est réveillé. Il est éveillé. Il est un sac. Il déforme son sac. Il peut l’étirer. Il peut l’étendre. Il peut lui faire faire un long tuyau. En le déformant, en le tirant ou en le gonflant, il est un peu élastique. Il n’est pas endormi. Il est dans un état de parfaite conscience. Il fait barrage avec ce qu’il est. Il est de face. Il a entièrement conscience de, du fait de. On ne peut pas dire qu’il soit endormi. Il a entièrement conscience de ce qui arrive. Il fait barrage comme il peut. Il peut la masse du barrage. Il sait ce qui arrive. Il ne faut pas oublier qu’il a conscience. Il n’est pas endormi. Il en a conscience. Il est conscient. Il ne peut pas parler mais il comprend ce qui se passe. Il ne peut pas parler. Il est conscient. Il ne peut pas articuler. Il n’a pas le point central d’où pouvoir tout articuler. Il a dans la largeur de l’élastique. Il est élastique. Il brasse. Ça ne se déclenche pas. Il ne se déclenche pas. Il est totalement conscient. On n’a pas affaire à un endormi. Il a ouvert les yeux. Il regarde. Il souffle. Il a de quoi souffler. Il fait de la soufflerie. Tout ce qui regarde. Il regarde. Il est totalement réveillé. Tout ce qui arrive. Il en a conscience. Il est un début de barrage. Il peut attendre de voir venir depuis la largeur. Il a de la largeur. Il brasse. Ce qui va arriver. Ce qui arrive. Il a pu se faire un sac. Il s’est fait un sac. C’est un premier sac. Il sait attendre. Il en a conscience. Il est réveillé. Fait tout en une poussée. Il est poussé. Il a toute la poussée en largeur. Il a toute la largeur. La largeur pousse en une seule fois. Il reste. Il reste réveillé. Il ne s’endort pas. Que cela soit assez élastique. Cela est élastique. Il reste. Il fait le sac. Il s’appuie. Il a de quoi s’appuyer. Il a les yeux grands ouverts. C’est l’éveil. C’est le temps de l’éveil. Le sac s’appuie. Il a une conscience et il ne sait pas parler. Il a entièrement conscience. Il ne sait pas la muer en paroles articulées. Le temps du réveil. Il en a conscience. Il brasse. Il a pu faire ce qu’il pouvait. Il peut s’appuyer. Du réveil complet qui ne doit rien à personne. Il n’est pas endormi. Il est visible. Toute la largeur de ce qu’il voit. Voilà sa figure. Sa figure grimace. Il brasse. Il en a totalement conscience. Il n’est pas endormi. On le déplace. Même en le déplaçant on le retrouve là. Il prend la forme qu’il veut. Il a la forme de la poussée. Il pousse. Il a à divulguer son sac. Il doit le répandre. Il peut passer d’un endroit à l’autre sans se changer simplement par élasticité. La poussée peut pousser parce qu’il est élastique. Il est élastique. Il est conscient. Il n’articule pas, il brasse. Il ne sait pas articuler. Il ne peut pas parler. Son souffle aide la poussée. Il souffle. Son souffle souffle la durée. Il peut attraper. Il a la largeur. Il est réveillé. Il le subit. Il subit. Il n’a pas de souvenir. Il ne se souvient pas. Il est de face. Il a les yeux ouverts. Il est conscient. Il n’a pas à s’exclure, il a la continuité. Il ne s’exclut pas. Il a la poussée. En prenant forme il pousse. Est tiré de force, est extrait. L’extraction, le fait de subir, le fait d’y être soumis, de se soumettre. Le fait qu’il n’a plus que ce qu’on voit. Il regarde. Ce qui fait suite suit instantanément. Quelle que soit la manière qu’il prend pour s’étendre indéfiniment. Il n’a pas de réaction, de réactivation, d’accentuation. Il est conscient. Il réagit à ce qui le touche. Il est touché. Cela ne conduit pas. Cela ne conduit à rien. Il n’y a rien de plus important. Il est conscient. Il est dirigeable. Il a la masse. Il a la largeur. Il brasse. Il défait les formes. Il a le don de défaire les formes de sa fabrication. Il ne fond pas. Il ne s’endort pas. Il reste. Il a les yeux ouverts, il est réveillé. Il est toujours conscient. Il promet. Il transfère. Il ne peut pas tout faire d’un coup. Il est dessous. Il ne brouille pas. Il est troublant. Il est délicat. Il est délictueux. Il est délicieux. Il sent bien. Il a conscience. Le summum sent bien.