- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones
Ian Gibbins
Sedimentary
Relaxed, way out to sea, way out of my depth, unable to touch bottom, reef, bullkelp, urchin spine, I tread water, monitor backwash and rip, listen for dolphin jump, osprey, gulls in pairs, catch Southern Ocean surge, with neither compass …
Posted in 82: LAND
Tagged Ian Gibbins
LAST SHAVE
ants: again / thousands (pavementcracks). milling: triplefile / blind. Originals? Bios? mistakecheck: scrapdrop / nestpilfer / navigationmapswitch. Virts? gaitperfect: spacing (Fibonacci). Turings? translationcircuits: facialrecognition / 100% / insidious. childhood: insectswarm / stormbrew / electricroil / ozonebraze. nowaday: isobargradients (coincident). lives: …
Posted in 77: EXPLODE
Tagged Ian Gibbins
Light Thief
CodeBlockID: LightThief; /alias=BlackBox; /loc=?; /act=?; /run=true; DeviceLog: _VisPort01: PhotoScabard/stat=on /arm; _VisPort02: SpectraTrap/stat=on /arm; _VisPort03: QuLock/stat=on /arm; DataStream_SoundList: _HeadQuote01: <<Every photon is precious>> /src=SciMag@2016-03-11,l=8; _BaseQuote01: <<Light only goes where time is least>> /src=QED@FeynmanRP-1985,p=45; CrossCheck: waste=true /cess {/@re /@ex}; ServeVox01: /see /plain_night; …
Posted in 75: FUTURE MACHINES
Tagged Ian Gibbins
Review Short: Ian Gibbins’s and Judy Morris’s Floribunda
How far we are from the radical days of realism. Prior to Adorno’s dismantling of Lukacs and the Stalinist led state institutionalisation of it, realism may have laid claim to being an innovative aesthetic with agreeably progressive political inclinations.
Posted in BOOK REVIEWS
Tagged Ian Gibbins, Judy Morris, Robert Wood
SPSS
Please allow a few (or quite a few) moments for this film to load. Vimeo buffers at varying rates depending on where you are on Earth and when accessed. It is WELL worth the wait.
Posted in 68: NO THEME IV
Tagged Ian Gibbins
Rebecca Giggs Peers into The Microscope Project
In 2012 Flinders University decommissioned a set of powerful microscopes. Technologies long since surpassed, ETEC, JEOL, LEITZ and the VANOX ‘twins’ (scanning electron and fluorescence scopes) had been marked for scrap; their manuals, notes and schematics boxed for collection.
Posted in ESSAYS
Tagged Catherine Truman, Deb Jones, Ian Gibbins, Rebecca Giggs
Synaptic Organisation (1998)
1. Unexposed our final site of integration trees, the size of which this idea, previous, rare aggregated around, closely associated, at odds with raise the question, regardless only random, the other hand directly, unambiguously our differences, clear, final 2. Processing …
Posted in 63: COLLABORATION
Tagged Ian Gibbins
Twelve Sights of the Sea
{sea-anemone} barely inside and out, the rippling enfoldment that adheres to your nerve-tips, that draws you further away, abandons any comfortable reassurance {sea-breeze} through your voice, strained to breakpoint, hastily called upon, past your lips, parched, cracking into bloodlines, blisters …
Posted in 60: SILENCE
Tagged Ian Gibbins
Conference Leave
All blank, all white, inhaling jellyfish, coughing up thylacines, my best intentions entangle, disentangle, bleach to silicon dust. Scrubbed to translucency, my equilibrium fails, both scabby knees bleed. Below the exit sign, you sit, head in hands, ringlets loose across …
Posted in 59: GONDWANALAND
Tagged Ian Gibbins
Dateline
>> this message could not be delivered because it was sent before it was received << POPmail born a day apart we are here today, yesterday but we are counting and the telephone rings and we stop, on time, today …
Posted in 54: TRANSPACIFIC
Tagged Ian Gibbins
Waiting for the Big One, West LA, 1982
We never did understand how that old pair of shoes ended up in the bathroom; neither could we fathom how our bed dropped like a rock, moments before sunrise; and, although we knew perfectly well why the moon turned red …
Posted in 54: TRANSPACIFIC
Tagged Ian Gibbins
