Brian Castro



Phantasmagorically Noh: The Blindness and Rage of Brian Castro Deconstructed

‘write prose and cut your margins,’ a friend and editor advised — Brian Castro (22) Blindness The blindness presented here is metaphorical, if not phantasmagorical, for Castro calls his verse novel a ‘Phantasmagoria […] in thirty-four cantos’. For me, actual …

Posted in ESSAYS | Tagged , , , ,

Review Short: Brian Castro’s Blindness and Rage

Blindness and Rage is the latest addition to an oeuvre that has established Brian Castro as a prodigy of hybridity. Castro’s heritage (Portuguese, Chinese, and English) is as uniquely mixed as the generic categories of his work, such as the blend of fiction and autobiography that won him such acclaim in Shanghai Dancing (2003).

Posted in BOOK REVIEWS | Tagged ,

600 Lines of Blindness & Rage

Blindness & Rage is a verse novel in 34 cantos. Lucien Gracq, suffering from a terminal illness, moves to Paris from Adelaide to live out his last days.

Posted in CHAPBOOKS | Tagged

John Kendall Hawkins Reviews Poetic Revolutionaries: Intertextuality and Subversion

As I read Marion May Campbell’s new book, Poetic Revolutionaries: Intertextuality and Subversion, I was reminded of the still seemingly sacred notion of a democratic historical progress. This notion celebrates cultural alterity (and all that that implies), and makes an urgent appeal to textual revolution as a means to political resistance. Campbell’s work is rooted in the relativist revolution – the book is part of publisher Rodopi’s Postmodern Series – and her intense, erudite study addresses a state of disunion that has loosely bound the dwindling body of progressives ever since.

Posted in BOOK REVIEWS | Tagged , , , , , , , , , ,