Emperor of 32 Bella Vista Drive

Terracotta Warriors guard their Emperor. Fifteen
archers in the al fresco dining area, a four-car garage
full of foot soldiers. The Emperor is damp
with middle age and dawn dew, askew

on a banana lounge, his dressing gown unhitched.
The High Chariot and team of bronze horses
spent in the master bedroom. Bins line the street,
neighbours sleep. Soldiers will decamp with the sun,

night shadows lost in the civil dawn; he’ll miss them.
He’s found affection for their sandalled feet,
learned to accommodate their placid foment. The sun
will rise over half built mansions. His daughter

has not returned. There have been boys aiming rocks
at her window, quartz pebbles through the night air,
neat parcels of intent. The infantry have reported.
Secrets have passed through the ranks, a ragged, worried

line to his ear. She carries his devious blood. The only
heartbeats in this house belong to his wife and their dog
as it wanders between the ranks. They are a family shuffling
toward roundabouts, born in the first dust of subdivision.

His daughter has outgrown the suburban vista,
outlived artless childhood devotion, now a tussle twists
in every conversation. She rails against these ancient guards,
their empty hands, their ceramic topknots. They

are his alone. The troops bear eight faces of despair.
Rumours arrive hidden in sheafs of silk,
hugged in the dimple of lacquered bowls; cradled
by foot soldiers who lived through the nuclear birth,

The Long March, had their memories cleansed
by one hundred torrents of mercury. They say
– silver will bring gold, the canopy of wealth; still,
young love will arrive with a darkened tooth, a tattoo

behind the ear, a labourer’s inflection. These desires
deboss the blood. He hefts himself from the banana lounge,
takes a step toward an archer, stands eye to eye
and tilts to kiss; holds his lips against the cool surface.

When he draws away there are flecks of ancient paint
on his lips, the taste of clay and fealty; these mute servants
are the body of another epoch. The morning birds start,
the swimming pool filter churns. He imagines kissing his wife

with terracotta lips; wonders if she will remember
his fingertips on her, each touch a scalpel of morning dew.

Posted in 80: NO THEME VI | Tagged

Yet

The self is uncontiguous, undone,
parceled out, then simmered to a sum:
a rivermix of round-run rocks and foam,
cattle piss that tinges a green stone.

One can’t believe in monsters, being one,
or else one’s self would cause one’s self to run.
More than forgiving trespass, God forgets.
We know this; it is written. Still—

the art of self-abridgment
is removal; our essence, the perusaled gift
that stays beyond the shards of what it shatters,
where only what still could’ve been still matters.

Posted in 80: NO THEME VI | Tagged

Clown Face

Moon, all these years
we’ve circled each other:
me, for the most part, indifferently
-­‐ obiter dicta, the back of my neck
-­‐ you, elliptically; that sidestep dark face,
the pale face you keep for daylight,
the sometimes red flush we all live under,
the way you’ll cling to sky
with barely a fingernail.

You hosted us in the classroom
TV honoured guest,
the astronauts strange as starfish
then bouncing around the screen
like little children on a trampoline,
the power glow of pedagogic light
reflected off our shiny foreheads
and back to that visible horizon,
showers of brilliant black and lunar
white. Not bone, far from it,
yet the rocks in your head
have so many names, Moon,
each of your proliferating phases
labelled, no doubt, with exemplary
diagnoses written up, and down,
in some swollen Book of Manuals.

Moon, you are the big pill
day swallows to face the sun.
Though guess what?
I’m no closer to a cure.

Now, this morning’s bag of fog
spills loose across the treetops,
more chill up there than underneath,
and I’m wondering how you’ll fit;
but you do, as ever,
zeppelin descending, drone cold, obese,
easing gently into that bath of dry ice.

This could be a good time, Moon,
to roll up, show the world a clown face.

Posted in 80: NO THEME VI | Tagged

Requiem for a War, with Refrain

Upon the eviction and relocation of Housing New Zealand tenants as part of
the North Glen Innes ‘Regeneration’ Project in Auckland, New Zealand

Not past but present
Not present but protest
Not protest but asset
Not asset but upset
Not upset but redevelopment
Not redevelopment but real developments
Not real developments but housing shortage
Not housing shortage but sanctuary
Not sanctuary but opportunity
Not opportunity but community

Not community but tax credit
Not tax credit but security
Not security but eviction
Not eviction but action
Not action but auction
Not auction but exploitation
Not exploitation but economics
Not economics but envy
Not envy but opportunity
Not opportunity but community

Not community but gravy train
Not gravy train but tipuna
Not tipuna but trickle down
Not trickle down but safety net
Not safety net but progress
Not progress but political redress
Not political redress but freewill and freehold
Not freewill or freehold but family
Not family but opportunity
Not opportunity but community

Posted in 80: NO THEME VI | Tagged

Guard Duty

This side of my eyelids is a dark that lacks
density, matt patches of light tempering
the spread of shadow, wrinkles of glass-shatter

frozen just short of a drop, a millimetre
of airy perspective with a hint of
comic-book stars that follow a knock-out punch

or the thirty-six candles of the French
translation from the graphic, a black and white
negative of the New Year pyrotechnics,

son et lumière, fridge-hum and a faint spill
of streetlight. Bonne Année indeed, bonnier
than the last one or the one before, if I lived

my life backwards or were legally blind
to all the evidence. I wait for sleep to shut
the world off like a falconer’s hood.

Posted in 80: NO THEME VI | Tagged

one for the dads

you think there are no strings attached
you tear up the coast on a whim
on a belly full o’ thunder
rumbling iamb iamb iamb
o’ the world four strokes to a line
on the road like me! a belly
full o’ thunder like me! just-strung
like me! poorly tuned saying no-
thing echoing what tugs in the
blood like a song that even now
is our only drum beating no-
madic! & each step is a-tom
a-tom to nothing just say yes!
be a fork in the wind over
a few jars & though each word’ll
jar each word will jar! it’ll be
a song when it’s late & Friday
when you’re rounding the last bend out
o’ Aubury when I’m losing
light just out o’ Winchester there
hiking listening: making a flat
strum of dust on a river bridge
thunder iamb iamb iamb

Posted in 80: NO THEME VI | Tagged

Reeds Move

Reeds move. Might such eavesdrop
hearing forest: hide the bruised hips.
Slug hands call the shell its shadow—
never phone baby, but I pear. Light the seasons:
sleeping of collapse, slight bending,
five white in trees rather than puddles
warped away.
Symmetry of violet. Museum ahead:
analogue yesterday. Witching meat
but swim daughter, noise: the rain, the rain.

Posted in 80: NO THEME VI | Tagged

[20] Calcium

A flask is laid on the electronic scale
and tared to zero. I start with a small job lot,
topped up with smaller and smaller

increments. Index finger gently taps
the silver spatula’s side, loosing a miniature
sheet of fine unseasonable snow.

In nature this white powder begins
as millions of tiny skeletons, compressed
by their own multitudinous weight

and the roaring bulk of the sea. Now it will buffer
the pH of the medium, allow me to cultivate
many crinkled circular sheets of mould.

I don’t know why I’m growing mould.
I don’t know what I will do with my life.
But watching and measuring I accrete

habits of precision, observation; learn
the power of purposeful repetition, the thrill
when the first portion added is exact.

Posted in 80: NO THEME VI | Tagged

Venus and Mars

Sandro Boticelli, c1485

Awake now. Remember our love
in the shade of a wild myrtle forest.
Your red, silk pallium softens our bed
of bracken and leaf. The air is cool here,
broken by swallow song and the hum
of wasps that swarm and crown
your abundant hair. I study your ecstatic
slumber-a sole crease of brow, an easy
parting of lips, your brave span of chest.
I want the burn of your eyes, the brine
of your skin. Far from bloodshed
and the din of battle, you abandon it all:
your lance, cuirass and beloved blue helmet.
Naked and fearless you surrender to me.
A little death that strands you oblivious
to lewd taunts of drunken satyrs. Fat bellied
with goat leg and horn they thieve, thrust
and sound a conch but still you do not stir.
This is no time for sleep. Gather your strength.
For I am your bright star and when you wake

I will ruin you again.

Posted in 80: NO THEME VI | Tagged

Do Not Read This Wall

The caves etched with charcoal mammoths eating spears are long gone but the prophet with the writing stick still instructs on the wall of your local park: DO NOT READ THIS. You read it twice to be sure, before walking on to peruse older bulletins, pastel now in their sandstone rows – RESPECT Che Lives! To be thus is nothing – no-one ever messes with those. Newer scribes unleash red swirls of friendly fire: eat the rich Dig up ya dog erin is confused DARREN IS A SLUT. Disembarked day-trippers refuse to decode these dots and dashes, and retreat to the coach, walking sticks tapping elegies to older signatures: starbursts of wattle in the hatband, bullocks’ sad faces lit by lanterns on a pole.

Down the straight path, love is nudged by DESTRUCTION; donald Satan trump has the reverential space of hard news, while COPS KILLED JOHNNO!!! every decade. Beyond rosy joggers and a barking terrier (moulting, like its owner, from an overdose of city), a rebel finger salutes: O WET CONCRETE, HOW I DO LOVE THEE. At the very end, a mapmaker blows back incoming dust to chisel a telegram just for you: THIS IS NOT PEACE.

Posted in 80: NO THEME VI | Tagged

Settlerismo

The radio, for the serial, ’s propped
against a turnip to maximise reception
It’s a kind of stereo for the neighbour

My very head’s a paddock he says
checking a hedge for catching pricks
He’s been crutching poems since six

Let’s see what the surface’s doing, its
job’s to hide the depths. Turn to me
reflected image: you are nobler

than a pineapple. This fence is the fence
from my dream, the one I wrote the Queen
I sometimes see her reply winging

over the cliffs so dolce, as they say
He makes shade as the hay dies in Jersey
jaws, as trinkets spill off ferries

scoffs red cherries. If his name was Raymond
he’d be a diamond, cutting up rugs
like ice. Lyrebirds flayed his shower

curtain, now he’s condemned to do
the same. He takes his kids to boxing
school so they’ll protect their lunches

from thieving roos. A tulip’s worth
its weight in Chinese takeaway he jokes
His bread is heavy. I’m not gay

like Tennyson he says in town
Pass the gravy. WW-
I didn’t weigh down my

lip. Skip sympathy, with its rotten bags
of laundry and defunct toasters. He waves
the flag but wants to secede, to be

a king of cane, to ride into glory
on a black swan with slippers of cygnet
down. Ugh! See him on his

ride-on mower having
a heart attack. No, he’s just grabbing
his hat, which has flown like a bat into

the cucumber patch. Felt is a kind
of feeling. So is a hearty greeting
or memory of shaking a black man’s

hand while flying a kite. He’d
never felt so white as when
he saw the clouds go over, spelling

his name, forming his face, raining
on his drought-stricken self-parade
He had an orangeade spider

later to celebrate. He went off
the juice when he turned forty-two
I want to survive my second marriage

he claimed. In order to write the novel
he explained to his mates. They were great
not like some. He always knew what they

were on about, even when
they were sketchy. The judge not
excluded. He finds a painted

egg in his dressing gown pocket
Must be Easter. Happy chocolate
he says to his indifferent ex-wife

when she rings about the shares
portfolio. Get ex-
husband sectioned she scrawls, along

with a camel and an upside-down
umbrella on the pad. Get
well’s all she says. She has a rabbit’s

foot in a drawer somewhere. She walks
to yoga but accepts lifts home
from instructors. She pulls out weeds

in the late afternoon singing Barbra
Streisand to the wrong tune for the hell
of it. I want to dance with some-

body she tells the dog in a ro-
bot voice. She has a shed
of her own and a secondhand Rolls

Royce. She stares at goat videos
like she’s the wicked queen of Disney’s
Snow White. This is what

being out of love’s like. She writes
a sarcastic review of a rest-
aurant and a movie. The reviews are

the same with a verb or two changed
Let nouns be metaphors
she concludes. She takes off her shoes

Let shoes be the blockers of the honey
of life. She squeezes them like
daffodils for their wisdom or wine

Posted in 80: NO THEME VI | Tagged

Cover Reflections

for Michael1

1

Your cover is the khaki-green of earth, a colour that
distills soils and hints at your vocation. It frames a landscape:
Pencarrow – bisected by a dark defining strip,
the land reclining on its hip, before narrowing to a tail.
Somewhere further off it will vanish, as you vanished, an otter,
into the sea. Clouds are streaked with guano, although the birds –
there must be birds – have been absorbed. The foreshore
is bleak, stripped of all but breeds of bush, which angle
themselves against the wind’s unbroken onslaught.
But the sand catches fire, there is a light coming off
the sea and even the sky looks ready to ignite,
were it not for those earth-coloured bands
that marry with the scene, holding the present steady.

2

The question is not whether, but how it will come back,
the land, the winter afternoon. Will it return in its raw state,
as a plenitude of little bays, each joined to its horizon,
the primitive, the unconstructed moment? Or shrink,
the instant you start trying to recall, to a handful
of windswept crescents – each one of which tugs at you,
eyes, mind, heart, and demands of you language?
Remember how, expended, a shimmering spot will dwindle
like a star. Words that hatch in its place let in contrast,
other homes and habitations that wash alongside
in your bloodstream. Washing Pencarrow out?

Someone will ask. Shaped by encounters with elsewhere,
you possess answers. No one more attuned to catch
the twang of solitude adjusting to the ancient, variously
grounded, call of home. But let them turn your cover over.
You were born to that backdrop, to rock-littered bays
where tussock grass is blown towards the shore. There,
puffs of pale colour transcribe the wind’s elation.
Ivory through yellow, they light this stretch of beach,
witness to a kind of rapture in this unpeopled landscape,
passed on to your daughter, resilient as a gene.

Posted in 80: NO THEME VI | Tagged

West Coast, Ireland

We follow high grass and dipping fields where a horizon is painted lead white and dark strokes lather the ocean. You speak of memory, but it doesn’t hold. Granite and limestone patch the landscape like obduracy and words are grabbed by wind even as the mouth lets them go. This is Gaelic territory, part of the tanistry, knowing its borders—men bartering and chewing privilege, or throwing song like hurled grain into a gale; where low houses are sparse as an invader’s dropped coin. The hewn land speaks in axe marks: beith, fearn, saill, duir, coll, naming the trees. Stone walls and bogland repel invaders, and untranslatable chants and cries—though Viking and Norman took what they could. A dip in the road is an empty begging bowl, left after the sóernemed travelled through. Old ways die hard; this country trusts no outsiders.
Posted in 80: NO THEME VI | Tagged

Thirteen Swifties

i. Australian English

The water
we drink from the tap
is the same
warder
who keeps us all jailed —
in drought.


ii. Balancing Act

The body understands
first hand the gravity
of its position.


iii. Intent …

Do you know
what the last word
of your sentence will be
when you open your mouth
to speak?


iv. Her Clumsiness

Like fingers fallen
into the wrong hands.


v. His Sweatheart

The sweat stain
on the back of his green T-shirt —
an almost perfect
heart.


vi. Another Beautiful Loser

Only the rain
knows how to celebrate
its downfall.


vii. Dangerman

I see the crashes
up and down the scarparks
of his arms.


viii. Negative Growth (After Adam Zagajewski)

In the car park
cigarette butts grow,
not daisies.


ix. Sonic Simile

The drip of a tap:
a blind woman’s stick
on bone-dry footpaths.


x. False Generosity

Like a dead battery,
free of charge.


xi. Beneath Agitation Hill

White faces in a wet tent.

They flinch in the rain
at a painted face,
a red head-band, the glimpse
of a spear. Feel them flinch
in their trenches,
the chill thought
of gold behind them —

living, steadying.


xii. Loyalty

Do sunflowers
turn their heads
from a full moon?


xiii. That Girl’s Clear Eyes

for Tiara

You outstare skies
with those
wideopen
video eyes.

Posted in 80: NO THEME VI | Tagged

No Poem for Weeks Now

for David Brooks

Nothing for weeks, no urgent need,
no jolt. Instead, I sit in a café reading,
only occasionally looking up to see
students wearing expensive
headphones, as they text or talk
on their mobiles. I think about my life,
nothing much is ever truly planned,
so much just fallen into. But there’s pleasure
in the sometimes lonely drift, the tender
space between the trees as I remember
the old man sitting under the pawlonias
on his rush seat in the winter sun,
gathering poems and holding a cup
of treasured wine – occasionally looking
through his round gate at the bare trees
and at boys walking the muddied lane
beyond his walls – richer lads chattering
in groups and picking up their robes
to save their silks, poorer ones in workers’
drab cloth, arms tanned by the sun
of the sorghum fields. They laugh and chatter
sharing secrets as they drudge or pick
their way through mud and dung, oblivious
to the old poet, tying a red, deliberate ribbon
around his sheath of poems.

The title, ‘No poem for weeks now’ is borrowed from a poem in David Brooks’s collection Open House.

Posted in 80: NO THEME VI | Tagged

The Political Poem

No-one offers appropriation
of the physical.

I won’t

sit myself in the chair,
lay my hands on its arms
watch the shackles click shut
panic, as the hood is placed
over
my
eyes …

*

They say don’t start with political poetry
that’s like opening up too soon
in the front bar of the Braidwood Pub
collared by assumptions
of what the regular means
when he says there’s no riverbed for that
bottle of red in a brown paper bag.

*

I think I would think of the small birds
who have visited me out of interest
southern emu wren, scrubber, blueys,
yellow robins, the fire tails.

Picture them hopping by my feet
pecking up crumbs of panic.

I listen for the burr of fast wings flying in
to roost in the darkness of fear.

*

My kitchen-sink understanding –
the way he swivels the Stop Go sign at work
and twists his schooner in that quiet corner

we all look up

to the TV and the hooded boy
strapped to a chair in Darwin.

The regular says, that is no way
to fix a broken boy.

He doesn’t say, the riverbed was a flood
of artesian prejudice. I pour
two glasses of red,
its drowning within reach.

*

This is what I torture.

I would rather it be me
than an itty bitty bird
a hood tied by tiny string
around its feathered neck.

Posted in 80: NO THEME VI | Tagged

Young Animism

A white-blonde boy
stands toe-to-wave on a surf beach
in Queensland, midwinter. He
has just dug from the shallows
a small, ruddy shell. Some kind of ark, perhaps

although the plump red-lipped
mouth—that cups his right ear, nibbles it, hisses into it
—and fetid stench almost class
the prize animal—crablike.

With his right pointer, he dings the dull
bell. Silted with sand, warm seawater swells his cheeks
to bulging, because he is a puffer fish.

And throughout the dinging the boy listens to the rollers
quaking through the stinger nets
as if the stinger nets are seagrasses, and the rollers
seeking out the grasses so as
to tell him secrets in hiding.

Posted in 80: NO THEME VI | Tagged

Fleet of Foot

Quiet at the pool today
lake-like in its repose, no youth
ripping the air asunder
with howls and whoops.
After my swim, in the change-room,
a centurion on twig legs
steps into the showers.

Below his shiny head, his face maps
a thousand trails, a thousand yarns,
eyes and mouth near forfeited
in the jagged topography.

Wisps of hair like sleet
line the ridges of his shoulders.
His cock (retired) snuggles
in a little glade of groin.
The man appears to have on socks
but the night blue colour
is actual skin.

The centurion turns.
Turf wars play out over his back:
wrinkles, liver spots, blotches,
gangs of colonisers all vying
for carrion. Two skimpy carry bags
of skin denote his arse, the pits
of his knees house tangles
of angry veins.

The man shuts off the water,
rubs a towel across his skin,
drapes clothes over his skeleton.

He departs across the grass where,
flanking the compost heap,
some dead vines latch onto
his foot. He kicks them off
with a two-step, turns fleet of foot
and gives me the finger.

Posted in 80: NO THEME VI | Tagged

Neos Kosmos

You laid the city out for me in constellations
nocturnal (and always on foot)
plotting its key configurations—
Monastiraki, Keramikos, Omonia…
Scorpio had chased Orion
from the sky, its expanses benign
warm pewter to etch on.

Now, as he inches back
for a season of game (a sanctioned
but no less fatal hunt) we chart
new corners, the cold reaches
of Metaxourghio, Neos Kosmos, Sigrou Fix
So my map is indelible with the art
of a mathematician’s hand—
though your body, like your physics
would elude me in it, always slipping
through the blanks in the diagram.

By day, I trace its lines underground
dark, clanging journeys coursing
between elements and compounds.
It is milk, you tell me—gala—a revelation
of white particles, viscose, barely substantial
cohering against the probability of motion.
Elated, you marvel at its sum—an amalgam
of all the preceding, still existing, moments.

But unscientific, I could not reach back to them
discern the echoes of an expiring cosmos
or lapsed seconds from light-years
since your footfall on Solonos.
Gauging the distance between stars
I hold up an index finger, two digits,
a hand-span, and measure the emptiness in units.

And when I buy a pomegranate for my sill
(to lure you) I’m given a pair. They sit
axis tilted, in erratic unstable orbit
a two-body problem. Later they will
hear you lay back, still shuddering
and say the universe has changed
but it is always changing, I say
and so it did—shifting and fragmenting too fast
to grasp, before I’d even registered its range.

Posted in 80: NO THEME VI | Tagged

Cobber

I will summon again the wise, unreliable counsel of what remains
of childhood memory, to make what I can from the times
I saw myself in the eyes of the animals who lowered or turned

their heads to me. I was curious, and while not without fear
I wanted to be close, if not to touch, then to inhale
and understand, my senses tactile and raw. When a goat came to

the end of its rope where I was waiting on my knees on a carpet
of thistledown and the bones of sticks from a dying cottonwood
it looked at me, its breath like bits of wind off a wet paddock.

When it put its face to mine in a gesture I saw as curiosity
and welcome, its eyes contained black slashes, as though identical
cuts were still healing, then it stepped back and chewed sideways

before my forehead was printed and opened by twin mounds
of horn. I was laid out cold on my cousin’s farm by a head-butt
from a goat called Cobber. Years later, my father told me

that Cobber had been led by his rope to be prepared, then served
with beer and salad to cricketers by the Bendemeer River.
I can still see myself in a small way, leaning forward in my need

to be nuzzled and accepted into that eaten-down world.
I can imagine the shape of my mouth before the country light
went out, it was trying to make all kinds of sounds for hello.

Posted in 80: NO THEME VI | Tagged

Yesterdays

They think they can just slip away
given there´s always another coming.
Film with the volume turned down
like tinnitus, a background humming
the office of lost, never found.

They believe they are safely dead
that each sunrise prints a full stop.
A new crowd is knocking to enter
mind´s overwhelmed workshop;
tangents once again defeat centre.

They lie deep within Jung´s dark
but there is a way to trick time past.
Don´t release, say, 5.10 yesterday,
one certain moment, hold it fast,
that feeling no clock can gainsay.

With winter sun littering the floor,
we curled on the couch, as we do.
I was stroking one of your small feet.
5.10 again, alone, more than déjà vu,
time returns, my heart´s still replete.

All our yesterdays have lighted fools …
and a lesson of love is to let it go,
accept dusty death, all that´s gone.
But we fools against the tide row,
hearts holding, holding, holding on.

Posted in 80: NO THEME VI | Tagged

The First Four Hours

‘Give me six hours to chop down a tree, and I will spend the first four sharpening the axe.’
– unknown; often misattributed to Abraham Lincoln

However blunt the blade was
to begin with, one must admit:
the time allocated to undertake the task

seems excessive. Four hours
with the stovepipe hat set aside, the shirtsleeves
rolled, four hours whistling as he held

the weapon to the whetstone’s happy edge
or brought it to the wheel, then depressed
and depressed his hefty boot,

scraping out sparks in a celebratory
cascade. He must have stopped
every so often to roll his shoulders, to stretch

the presidential neck and quadriceps —
nevertheless, patience is the lesson,
patience while his waistcoat darkens

from perspiration, while he ignores
a sacral ache, patience while state business
remains in stasis, patience while the thing

is whittled sharper than the republican
cheekbones from which his gravitas hung. Surely
there comes a point at which the thing

can be no keener, when the dream
of raw timber becomes sweeter
than any genuine sap could be, varnishing

one’s palms with its dark, deciduous gleam.
There must be a moment in which
preparation extends past itself,

past readiness, into the pleasure inherent
in tension; some unstatesmanlike frisson,
too impolitic to mention.

Posted in 80: NO THEME VI | Tagged

Seeing Francis

after Francis Bacon’s Self portrait, 1980

I’m embarrassed by your lips
voluptuous almost dewy focal point

oil masquerading as pastel is bleeding
in unfinished fibres you keep your eyes back

near your ear crimson cross hatches
while below your sharp collar jaw
you are undefined and float in blue

a curtain absorbed a permeating mist
we see your weave near to instinct

this is not the colour palette of wounds
but every indelible mark on the unprimed
canvas is as blunt as raw meat

it’s no wonder I can’t hold your gaze
you ask that I stake everything

Posted in 80: NO THEME VI | Tagged

Brothers

My cousin the farmer is laden with death
he tells me each morning he checks the chickens
while I sleep. The weaklings need killing,
so he walks amongst them, dawn-spectre,
and takes their lives. It has to be done
he tells me. While I sleep, the long sheds
hot as summer’s guts, are home to lone
acts of kindness. Among ten thousand
fluffed bodies, his eyes hawk upon
the others, the strange-winged, hobbling,
he tells me: I get a little rope, noose
it round their necks and hang them
from the ceiling. He laughs at my belief.
I’m kidding. I just snap their necks,
like this—his huge hands twist the air
so sharp I’m surprised it doesn’t crack.
Ravens haunt the nearby treetops
and foxes stalk the feathered earth
outside the sheds the survivors yet
live, for now. My cousin tells me
Cain and Abel were the first
to farm, to keep and raise animals
as sacrifice. A lamb for God. A brother
for the devil, who taught a man how
a stone could crack a skull, but not
why. When the devil brought news
of her son’s downfall, Eve said, “Woe
to you. What is murder?” “He eats not.
He drinks not. He moves not,” said he
in reply. Many months I have lain
as if felled by a fallen angel
unable to move I tell my cousin
Maybe I lose half my days
in penance, maybe I die a little
every night, for this. The absence
of a brother. He walks away
from belief. He will sleep tonight
in the hot house, lying in the reek
of their living. He will be covered
in a cloak of wings, hear the song
of too-many hearts, and his hands
will be stone-less, still, all of them
waiting for the crack of dawn.

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