Conquer Slaughter’s

By | 1 August 2016
Digger lion’s goal






 have to =====$$

No warrior’s cult threats invisible vibes

  Dumb bounded by digging a lions genocide

Syntax blotched greed;

Let the frontiers frontline wise surface non greed

A destruction end when poison tongues gave

      Honouring obligations.

‘’Tablespoons off set futures sip dip lips

Reinforce white dominance makes,

Mind set by create divisions 


Negative gate mouth where always

  Titled by question of how too

  Boardrooms perspective.

Syntax text of battles honour

  Will give repression modern

  Ancient engaged fights.

To show history one sided “shines no’’

Tow stories echo as designed Oh.

Capitulation stole spiritual origin

Madden disadvage discrimination.

No conversation are needed on

  Who knows?

No common mutualists’ occupants

Rich order governance supremacy

Measures apply by bestow devils.

Live no reoccupy every sites are taken

Revitalizing extraction

Dispossessed continuation by connection

Sacred histories, well severed on impacted reclamation;

Unique face living being present off grandfathers lived

Being vital resource pride reoccupy truth shield,

Museum treating history declaration

Debates be activity movements in highest

       Attempters conquer slaughters


       Lionel G Fogarty 2015 16 11 time 8’22 am tried on these day.

Sat day time wrote 3.29 14 /11/20`15
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Lionel Fogarty was born in 1958 at Barambah, now known as Cherbourg Aboriginal Reserve, in the South Burnett region of southern Queensland. Since the 1970s he has been active in many of the political struggles of the Aboriginal people, from the Land Rights movement, to setting up Aboriginal health and legal services, to the issue of black deaths in custody. His first collection of poetry, Kargun, was published in 1980, and he has gone on to publish eight further collections, as well as a children’s book, Booyooburra, a traditional Wakka Wakka story. Fogarty has also travelled widely in the United States and Europe, reading from his work and participating in conferences of Indigenous peoples. An unabashedly political poet, Fogarty’s poetry employs Aboriginal English in innovative ways, challenging readers to reconfigure cultural assumptions.

More by Lionel Fogarty on Cordite Poetry Review →

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