Trods Which Follow

Upon each trod, given goes to trail by margins of lay; each shelter earth’s satellite in all our betweens, step pilgrims soil and sky. Ever beneath such plenitude, desire in unfounded ambush, which plots divide upon humility as tendril to …

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Peter Larkin’s Knowledge of Place

There are many distractions surrounding the everyday, so many asides busy vying for our attention, alleviating us of our time. Objects are seen less for themselves and more often as materials which become products, products which remove the things themselves from an originated state. Landscapes are demarcated in terms of their service.

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Excerpts from ‘Brushwood by Inflection’

The ‘inflection point’ on a branch is where the direction of curve outwards changes to the direction of curve upwards, and is usually a play-off between elastic bending and thickening growth. A branch bends continuously even while it thickens and as such the shape of a branch can be seen as a function of time. But any break-off from that branch provokes a compunction of space across a strewnness which wrangles with its proneness before horizon.

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Introducing Peter Larkin

To my delight, and profound confusion, one morning there was a message in my inbox from Peter Larkin. Peter contacted me after reading my poem ‘a continuous plain’, which was published in Cordite’s Pastoral issue, edited by Stuart Cooke, and which quotes a line of his: ‘true scarcity of no trespass.’

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