Emptying an urn half her size of mosquito
larvae and water, the architect’s Australian
wife tells me of her husbands sister’s suicide.The family never speak of it; the Japanese
occupation of Singapore the need to keep
her inside – for fear of kidnap. Wrigglers
in their throes she returns the vessel to anupright position. As I write it now, it is
the conflation of two separate events:
the emptying of an urn, a suicide. Onepreceding the other by several days. Days
in which I attend the needs of the kampong
in which I am staying. The shutters closed
for the night, twenty four in all, the housecat without a lizard’s gut to puncture
playfully penetrating my hand. She draws
little or no blood that I can sense, certainlynothing has reached the page. Truth be told
I’m reeling still – from last Sunday’s storm,
I was warned against ‘making calls’ in such
apocalyptic circumstances. Some appliancesI have simply refused to turn back on…
P.S. An injured boar roams the property each day
at dusk, the sport and buckshot of adolescentMalays, men the world over – his wound
localised, his temper not. I know better than
to aggravate that animal with my presence
and so write or lip-sync nightly some titanicballad the cat will un-requite. Wishing
you were here, wishing you weren’t here
the urn, the suicide – love: a conflation.
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