Essential Gossip: Allen Ginsberg, Robert Duncan and U.S.-Australian Poetics

By | 15 February 2023

Works cited:

Adamson, Robert. Mulberry Leaves: New & Selected Poems, 1970-2001. Paper Bark Press, 2001.

–––. (31 October 2012). The Ambassador from Venus (Paper presentation). University of Technology Sydney, New South Wales, Australia.

–––. interviewed by John Kinsella, Salt, no. 11 (1999), pp. 315-345.

–––. to Robert Duncan, 6 September 1972, Box 35, PCMS-0110, the Robert Duncan Collection, circa 1900-1996, the Poetry Collection of the University Libraries, University at Buffalo, The State University of New York. Manuscript.
Adelaide Writer’s Week Committee meetings 1972, 1971, box 34, file 4, MS 7285, Papers of Geoffrey Dutton, National Library of Australia. Manuscript.

Allen, Donald (ed). The New American Poetry. Grove Press, 1960.

Bowering, George and Robert Hogg. Robert Duncan: An Interview, 19 April 1969. A Beaver Kosmos Folio, 1971.

Bloom. Harold, The Western Canon: The Books and School of the Ages. Harcourt Brace and Company, 1994.

Coetzee, J.M. Elizabeth Costello. Vintage, 2004.

–––. ‘The Poetry of Les Murray’. Late Essays. Text Publishing, 2017, pp. 243-58.

Creatrix, Cheryl. Papers of Cheryl Creatrix. MS 6422, box 11, folder 4. National Library of Australia.

Derrida, Jacques. Of Grammatology, trans. Gayatri Chakravarty Spivak. John Hopkins University Press, 1997.

Dobrez, Livio. Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry. University of Queensland Press, 1990.

Duggan, Laurie. Allotments. Shearsman Books, 2013.

Duncan, Robert. ‘Warp and Woof’, lecture. Jack Kerouac School of Disembodied Poetics, Naropa University, Boulder, Colorado. 10 July 1976.

–––. Robert. The H.D. Book. Berkeley: University of California, 2011.

–––. Robert. Collected Early Poems and Plays. Peter Quartermain, ed. Berkeley: University of California Press, 2012.

–––. Collected Essays and Other Prose. James Maynard, (ed.). University of California, 2014.

–––. Collected Later Poems and Plays. Peter Quartermain (ed.). University of California Press, 2014.

Edwards, Chris. ‘“Here at the last minute” Letters from Robert Duncan to Chris Edwards, 1977–1980 (excerpts)’, Jacket, no. 28 (2005): online (last accessed: 28 August 2021).

Ellis, Catherine. Aboriginal Music, Education for Living: Cross-cultural Experiences from South Australia. University of Queensland Press, 1989.

Faas, Ekbar. Towards A New American Poetics: Essays and Interviews: Charles Olson, Robert Duncan, Gary Snyder, Robert Creeley, Robert Bly, Allen Ginsberg. Black Sparrow, 1978.

Ferlinghetti, Lawrence. Writing Across the Landscape: Travel Journals 1960–2010. Giada Diano and Matthew Gleeson, (eds.). Liveright, 2015.

Forbes, John. Collected Poems. Brandl & Schlesinger, 2010.

Fragopolous, George. ‘Robert Duncan’s Derivative Poetics: Community, the Metaphysicals, and the Nature of War’. Stephen Collis and Graham Lyons, eds. Reading Robert Duncan Reading: Robert Duncan. University of Iowa Press, 2012, pp. 25-45.

Friedman, Susan Stanford. Planetary Modernism: Provocations on Modernity Across Time. Columbia University Press, 2015.

Giles, Paul. ‘Antipodal Turns: Antipodean Americas and the Hemispheric Shift’. Debjani Ganguly (ed.), The Cambridge History of World Literature. Cambridge University Press, 2021: pp. 477-494.

Ginsberg, Allen. Collected Poems, 1947-1997. HarperCollins Publisher, 2006.

–––, ‘Midnight blues, Hotel Windsor’, 16 March 1972. The Papers of Allen Ginsberg. Stanford University. Libraries. Audio.

––– . ‘Sydney Australia Airport Interview’, 19 March 1972. The Papers of Allen Ginsberg. Stanford University. Libraries. Audio.

–––. ‘Adelaide, Australia Supper Conversation – Mr and Mrs AD and Penelope Hope, Geoff Dutton and Lawrence Ferlinghetti, March 1972’. The Papers of Allen Ginsberg. Stanford University. Libraries. Audio.

––– and Gary Snyder, The Selected Letters of Allen Ginsberg and Gary Snyder, 1956-1991. Berkeley: Counterpoint, 2008.
Giorno, John interviewed by Winston Leyland in July 1975. Winston Leyland ed. Gay Sunshine Interviews, vol. 1. San Francisco: Gay Sunshine Press, 1978, pp. 129-162.

Golding, Alan. ‘New, Newer, and Newest American Poetries’, Chicago Review, 43.4 (1997), pp. 7-21.

Harrison, Martin to Robert Adamson, 25 October 1981, MS 5713, box 14, folder 98, the Papers of Robert Adamson, National Library of Australia, Canberra.

Hart, Kevin. ‘Smooth and Troubled Passages Across the Pacific’. Robert Dixon and Nicholas Birns, eds. Reading Across the Pacific: Australia-United States Intellectual Histories. Sydney: Sydney University Press, 2010, pp. 199-48.

Hemensley, Kris. ‘…The Wild Assertion of Vitality’. Australian Literary Studies, vol. 8 no. 2 (1977), pp. 226-39.

Hill, Barry. Broken Song: T.G.H. Strehlow and Aboriginal Possession. Vintage Books, 2003.

Hollenberg, Donna. The Poet’s Revolution: The Life of Denise Levertov. University of California Press, 2013.

Ingamells, Rex and Ian Tilbrook, Conditional Culture. Adelaide: F. W. Preece, 1938.

Jarnot, Lisa. Robert Duncan, The Ambassador from Venus: A Biography. University of California Press, 2012.

Johnson, Andrew. ‘The Orphic strain in Australian poetry’, Jessica L Wilkinson, Eric Parisot, David McInnis, eds. Refashioning Myth: Poetic Transformations and Metamorphoses. Cambridge: Cambridge Scholars Publishing, 2011.

Johnston, Devin. ‘A Note on the Editor’. Poetry, vol. 208 no. 2 (2016), pp. 111-114.

Kerouac, Jack. The Portable Jack Kerouac. Ann Charters (ed.). Penguin Books, 2009.

Kinsella, John. ‘Groups and Mavericks’, ed. Peter Pierce. The Cambridge History of Australian Literature. Cambridge: Cambridge University Press, 2009, pp. 473-97.

Levertov, Denise. Candles in Babylon. New Directions, 1982.

–––, Life in the Forrest. New Directions, 2008.

Marmer, Jake. ‘Technician of the Sacred’. Tablet, 14 March 2018: online (last accessed: 28 August 2021).

Marx, Karl. ‘Economic and Philosophic Manuscripts of 1844’, Collected Works, vol. 3, Marx and Engels: 1843–44. International Publishers, 1976, pp. 229-59.

McDowell, Tara. The Householders: Robert Duncan and Jess. Cambridge: MIT Press, 2019.

Mead, Philip. ‘American Model II’. Assembling Alternative: Reading Postmodern Poetries Transnationally. Wesleyan University Press, 2003, pp. 169-191.

Micheals, Eric. Bad Aboriginal Art. University of Minnesota Press, 1994.

Minter, Peter. ‘Writing Country: Composition, Law and Indigenous Ecopoetics’. JASAL, vol. 12 no. 1 (2012): online (last accessed 28 August 2021).

Ovid. Metamorphosis. A.D. Melville (trans.). Oxford University Press, 1998.

Pound, Ezra. Selected Poetry, ed. T. S. Eliot. London: Faber & Gwyer, 1928.

Rasula, Jed The American Poetry Wax Museum. National Council of Teachers of English, 1996.

–––. This Compost: Ecological Imperatives in American Poetry. Athens: University of Georgia Press, 2012.

Reid, Ian and Robert Duncan. Friendly Street Poets, and 5UV radio interview. September 1976. The Ian Reid Collection, Library at Flinders University. Audio and transcript.

Roberts, Nigel. In Casablanca For the Waters. Wild and Woolley, 1977.

Róheim, Géza. The Eternal Ones of the Dream: A Psychoanalytic Interpretation of Australian Myth and Ritual. New York: International Universities Press, 1945.

Rothenberg, Jerome. Technicians of the Sacred: A Range of Poetries from Africa, America, Asia, Europe and Oceania. University of California Press, 1985.

––– and Diane Rothenberg. Symposium of the Whole: A Range of Discourse Towards an Ethnopoetics. Berkeley: University of California Press, 1983.

Sakaki, Nanao. Break the Mirror: The Poems of Nanao Sakaki. Blackberry, 1996.

Shakespeare, Nicholas. Bruce Chatwin. London: Vintage, 2000.

Silko, Leslie Marmon. ‘An Old Time Indian Attack Conducted in Two Parts’. Shantih, vol. 4 no. 2 (1979), pp. 123-130.

Sneathen, Eric. ‘Utopian Gossip: “The Homosexual in Society” from Robert Duncan to New Narrative’. Sillages Critiques, no. 29, Robert Duncan’s Legacies: A Centennial Celebration (2020): online (last accessed: 28 August 2021).

Snyder, Gary. ‘Uluru Wild Fig Song’, Clayton Eshelman, ed. A Sulfur Anthology. Middletown: Wesleyan University Press, 2015, 92-4.

Stevens, Wallace. The Collected Poems of Wallace Stevens. New York: Alfred A. Kopf, 1971.

Strehlow, T.G.H. Songs of Central Australia. Sydney: Angus and Robertson, 1971.

Tranter, John. ‘Anaesthetics: Some Notes on the New Australian Poetry.’ Joan Kirkby, ed. The American Model: Influence & Independence in Australian Poetry. Sydney: Hale & Iremonger, 1982, pp. 99-116.

––– Urban Myths: 210 Poems, New and Selected. St Lucia: Queensland University Press, 2006.

Tipping, Richard to Robert Adamson, undated, MS7967, box 3, folder 18, Adamson, Robert. and Creatrix, Cheryl. and Poetry Society of Australia. Records, 1966-1985, National Library of Australia. Manuscript.

Weaver, Andy. ‘Divining the Derivers: Anarchism and the Practice of Derivative Poetics in Robert Duncan and John Cage’, Reading Robert Duncan Reading: Robert Duncan. Iowa: University of Iowa Press, 2012, pp. 189-210.

White, Richard. Inventing Australia: Identity and Images, 1688-1980. Sydney: George Allen and Unwin, 1981.

Whitman, Walt. The Portable Walt Whitman. Michael Warner (ed). Penguin Books, 2004.

Weinberger, Eliot. Works on Paper, 1980-86. New Directions: 1986.

Wilding, Michael. ‘My Name is Rickeybockey: The Poetry of Robert Adamson and the Spirit of Henry Kendal’, Southerly. Vol. 46 no.1 (1985), 24-43

Wilson, Ashleigh. Brett Whiteley: Art, Life and that Other Thing. Text Publishing, 2016.

Wright, Judith. With Love & Fury: Selected Letters of Judith Wright. Patricia Clarke and Meredith McKinney, eds. Canberra: National Library of Australia, 2006.

–––, Judith Wright: Selected Essays. Georgina Arnott (ed). La Trobe University Press, 2022.

Wright, Tim. ‘Migrating Ears: Kris Hemensley’s The Merri Creek, Or, Nero and H/EAR, with some brief comments on the earlier publications Our Glass, Earth Ship, and The Ear in a Wheatfield’. Among the Neighbors, no. 7 (2019).

This entry was posted in ESSAYS, SCHOLARLY and tagged , , , , , , , , , . Bookmark the permalink.

Related work:

Comments are closed.