Emotion and the Self in Games

By | 1 September 2013
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List of references

Bateman, Chris. ‘The Thin Play of Dear Esther,’ ihobo. 2012. Web. 30 June 2013.

Chen, Jenova. ‘Designing Journey,’ Game Developers Conference. San Francisco. 2013. Web. 30 June 2013.

Crawford, Chris. Chris Crawford on Interactive Storytelling. San Francisco: New Riders. 2004. Print.

Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. New York: Vintage Books. 1988. Print.

Lazarro, Nicole. ‘Why we Play Games: Four Keys to more Emotion without Story.’ XEODesign. 2004. Web. 30 June 2013.

Pratt, Maddox. ‘Depression Quest and Writing without Power.’ The Orts. 2013. Web. 7 July. 2013.

Stone, Brendan. ‘Towards a Writing without Power: Notes on the Narration of Madness, Auto/Biography 12: 16–33.

Swink, Steve. Game Feel: A Game Designer’s Guide to Virtual Sensation. Burlington: Morgan Kaufmann Publishers. 2009. Print.

Tan, Ed. ‘Film-induced affect as a witness emotion,’ Poetics 23: 7–32. Print.

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Christy Dena is a writer-designer-director who works in digital and transmedia forms. She was granted Australia’s first Digital Writing Residency at The Cube for her project Robot University, thanks to the Australia Council for the Arts and QUT. In 2012, she was the Digital Writing Ambassador for the Emerging Writers Festival; and a prototype of her web audio adventure AUTHENTIC IN ALL CAPS was Finalist for the Best Writing in a Game Award at the 2012 Freeplay Independent Gaming Festival. She has worked on global alternate reality games and scalable pervasive games. She presents and mentors worldwide; has written numerous articles on writing and design; been published in numerous books; and wrote a PhD on Transmedia Practice.

http://www.universecreation101.com/

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