EKPHRASTIC Editorial: Poetry that Sees

By and | 1 March 2017
Pages: 1 2 3 4

Works cited

Alexander, Michael 1981 The Poetic Achievement of Ezra Pound, Berkeley: University of California Press.

Auden, W.H. 1991 Collected Poems, ed. Edward Mendelson, New York: Vintage.

Barry, Peter 2002 ‘Contemporary Poetry and Ekphrasis’, The Cambridge Quarterly, vol. 31, no. 2, 2002, pp. 155-65.

Benton, Michael 1997 ‘Anyone for ekphrasis?’, The British Journal of Aesthetics, vol. 37, no. 4, 1997, pp. 367-76.

Berman, Art 1994 Preface to Modernism, Illinois: University of Illinois Press.

Braida Antonella and Giuliana Pieri 2003 Image and Word: Reflections of Art and Literature From the Middle Ages to the Present, Oxford: European Humanities Research Centre.

Fenollosa, Ernest and Ezra Pound 2008 The Chinese Written Character as a Medium for Poetry, New York: Fordham University Press.

Goldhill, Simon 2007 ‘What is Ekphrasis For?’, Classical Philology, vol. 102, no. 1, 2007, pp. 1-19.

Gross, Philip 2016 Personal Correspondence.

Hedley, Jane, Nick Halpern and Willard Spiegelman (eds.) 2009 In the Frame: Women’s Ekphrastic Poetry from Marianne Moore to Susan Wheeler, Delaware: University of Delaware Press. ‪‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬

Heffernan, James A.W. 1993 Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery, Chicago: The University of Chicago Press.

Hollander, John 1988 ‘The Poetics of Ekphrasis’, Word and Image, vol. 4, iss. 1, 1988, pp. 209-19.

Hollander, John 2001 ‘Speaking Pictures: Poetry Addressing Works of Art’, podcast, online

Homer, Robert Fagles, and Bernard Knox 1998 The Iliad, London: Penguin.

Jones, Peter 1976 Imagist Poetry, London: Penguin.

McClatchy, J.D. 1988 Poets on Painters, Berkeley, CA: University of California Press.

Kennedy, David 2012 The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere, London and New York: Routledge.

Pound, Ezra 1952 Personae: Collected Shorter Poems of Ezra Pound, London: Faber & Faber.

Pound, Ezra 2011 ‘The Serious Artist’, The New Freewoman, 1. 9 (1913): pp. 161-63. Web. 21 September 2011, online

Pound, Ezra 1914 ‘Vorticism’, The Fortnightly Review, 96, 1 September, pp. 461-471; also The Fortnightly Review, online

Webb, Ruth 1999 ‘Ekphrasis Ancient and Modern: The Invention of a Genre’, Word and Image, vol. 15 , iss. 1, 1999, pp. 7-18.

Webb, Ruth 2009 Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice, London and New Yourk: Routledge.

Williams, William Carlos 1985 Selected Poems, ed. Charles Tomlinson, New York: New Directions.

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Cassandra Atherton Cassandra Atherton is one of the leading international scholars on prose poetry and an award-winning prose poet. She co-authored Prose Poetry: An Introduction (Princeton UP, 2020) and co-edited the Anthology of Australian Prose Poetry (Melbourne UP, 2020) and Dreaming Awake: New Contemporary Prose Poetry (MadHat Press, 2023). She is currently co-authoring a book, Ekphrastic Poetry, for Princeton UP and writing a book of poetry on the atomic bomb with funding from the Australia Council.

More by Cassandra Atherton on Cordite Poetry Review →
Paul Hetherington has published 12 collections of poetry and six poetry chapbooks. A volume of his prose poems, Moonlight on Oleander, will be released by UWAP in June, 2018. He won the 2014 Western Australian Premier’s Book Award (poetry) and was shortlisted for the 2017 Kenneth Slessor Prize for Poetry. He was a finalist in the 2018 international Aesthetica Creative Writing Competition (UK) and the 2017 international Bridport Prize Flash Fiction competition (UK). He is Professor of Writing in the Faculty of Arts and Design at the University of Canberra, head of the International Poetry Studies Institute (IPSI) and one of the founding editors of the international online journal Axon: Creative Explorations. He founded the International Prose Poetry Group in 2014.

More by Paul Hetherington on Cordite Poetry Review →

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