Comics Poetry: The Art of the Possible

By | 1 November 2014

Works Cited

Apollinaire, Guillaume. Selected Writings of Guillaume Apollinaire. Trans. Roger Shattuck. New York: New Directions Publishing Corporation, 1971. Print.

Badman, Derik. ‘Comics Poetry, Poetry Comics, Graphic Poems’. The Hooded Utilitarian. 30 August 2012. Web. 21, November, 2012.

Baetens, Jan. ‘Abstraction in Comics’. Substance # 124, Vol.40, no.1, 2011. pp. 94–113. Web. 16, January 2012.

—. Baetens, Jan. ‘A Cultural Approach of Non-Narrative Graphic Novels: A Case
Study from Flanders.’ Teaching the Graphic Novel. New York: MLA, 2009. pp.281–87. Print.

Bennett, Tamryn. Comics Poetry: Beyond Sequential Boundaries (Thesis). Sydney: University of New South Wales, 2012. Print.

Clough, Rob. ‘Rhythm & Rhyme: Asthma, The Blot and Comics-As-Poetry’ The
Comics Journal
. 8 December 2009. Web. 5, March 2010.

—. ‘Comics-As-Poetry: Badman, Moulger Digest, G. Thomas, Moreton’. High Low. 20 August 2011. Web. 21, November, 2012.

Cohn, Neil. ‘Closure’s assumptions.’ The Visual Linguist. 16, March, 2008. Web. 12, April, 2014.

—‘Un-Defining “Comics’. International Journal of Comic Art, Vol. 7, No. 2. 2005. pp.236–248. Web. 20, January 2012. p.1

—. ‘The limits of time and transitions: challenges to theories of sequential image
comprehension’. Studies in Comics, Vol. 1, Issue 1. 2010, pp. 127–147. Web. 20, January 2012.

Craghead, Warren. HOW TO BE EVERYWHERE. Merryland: Gallery Neptune,
2007. Print.

de Campos, Augusto. ‘Concrete Poetry: A Manifesto’. Trans Tolman, John. UOL online. Originally published 1956. Web. 5, May 2014.

DuPlessis, Blau Rachel. (2006). Blue studios: Poetry and its cultural work. United States: University of Alabama Press. Print.

—. DuPlessis in Cary Nelson, Ed. Oxford Handbook of Modern and Contemporary
American Poetry
. United States, Oxford University Press, 2012. Print.

—. ‘Interview with Rachel Blau DuPlessis (RBD)’ in Comics Poetry: Beyond Sequential Boundaries (Thesis). Sydney: University of New South Wales. 2012.

Einspruch, Franklin. Comics as Poetry. USA: New Modern Press. 2012. Print.

Eisner, Will. Comics and Sequential Art. Princeton: Kitchen Sinks Press, Inc: 1992. Print.

Farrell, Michael. BREAK ME OUCH. Melbourne: 3 Deep Publishing, 2006. Print.

Fawkes, Ray. ONE SOUL. Portland: Oni Press, 2011. Print.

Franklin, Eroyn. ANOTHER GLORIOUS DAY AT THE NOTHING FACTORY. U.S.A. Self-published. 2009. Print.

Groensteen, Thierry. The System of Comics. Trans. Bart Beaty and Nick Nguyen. The University Press of Mississippi, 2007. Print.

Hahn, Richard. LUMAKICK # 1. New York: Lumakick Studio, 2002. Print.

—. LUMAKICK #2. New York: Lumakick Studio, 2004. Print.

Hankiewicz, John. ASTHMA. Canada: Sparkplug Comic Books, 2006. Print.

Harkham, Sammy. Ed. Kramers Ergot. Issue Two, Volume One. Canada: Avodah Books, 2001. Print.

Hatfield, Charles. Alternative Comics: An Emerging Literature. Jackson: University Press of Mississippi, 2005. Print.

Heffernan, James A. W. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: University of Chicago Press, 1993. Print.

Horrocks, Dylan. ‘Inventing Comics: Scott McCloud’s Definition of Comics.’ The Comics Journal #234, 2001. Web. 20, November 2012.

Koch, Kenneth. The Art of The Possible: Comics Mainly Without Pictures. Canada: Soft Skull Press, 2004. Print.

Madden, Matt. A Fine Mess # 2. Canada: Alternative Comics, 2004. Print.

99 Ways to Tell a Story: Exercises in Style. New York: Chamberlain Bros, 2005. Print.

McCloud, Scott. Understanding Comics: The Invisible Art. New York: Harper Perennial. 1993. Print.

McHale, Brian. ‘Beginning to Think about Narrative in Poetry’. Narrative. Vol. 17, No. 1, 2009 pp.11–27.

Molotui, Andrei, Ed. Abstract Comics: The Anthology: 1967–2009. Seattle: Fantagraphics Books. 2009. Print.

Moore, Alan., Williams III, J.H., and Gray, Mick. Promethea Book # 1. New York: DC Comics, 1999. Print.

Pai, Shin Yu. Equivalence. Albuquerque: La Alameda Press, 2003.

Rothman, Alexander. Versequential – Comics Poetry. Web. 14, April 2010.

—. Circulating Drafts. New York: Versequential. 2011. Print.

Shange, Ntozake. Ridin’ The Moon in Texas: Word Paintings. New York: St. Martin’s Press, 1987.

Shringer, Katherine. ‘Perceiving Text and Image in Apollinaire’s Calligrammes’. Paragraph, Vol. 34, No. 1, 2011, pp. 66–85.

Solt, Mary Ellen. Concrete Poetry: A World View. UbuWeb Papers. Web. 14, April 2014.

Spurgeon, Tom. ‘A Short Interview With Warren Craghead’. The Comics Reporter, September, 2007. Web. 16, January 2014.

Stone, Bianca. I Want To Open The Mouth God Gave You, Beautiful Mutant. Massachusetts: Factory Hollow Press. 2012. Print.

—. THE SECRET INTIMACIES OF INSECTS. New York: Poetry Comics, 2009. Print.

—. OUR BODIES, OURSELVES. New York: Poetry Comics, 2010. Print.

—. Someone Else’s Wedding Vows. New York: Argos Books. 2010. Print.

Surdiacourt, Steven. ‘Graphic Poetry: An (im)possible form?’ Image [&] Narrative #5. 21, June 2012. Web. 19, November 2012.

Tunis, Paul K. ‘Death By Orphans’ webcomics. Web. 21, November 2012.

Vicuña, Cecilia. The Precarious: The Art and Poetry of Cecilia Vicuña + QUIPOem. M. Catherine de Zegher, Ed. Esther Allen, Trans. Middletown: Wesleyan University Press, 1997.

Ware, Chris. Jimmy Corrigan, the Smartest Kid on Earth. New York: Pantheon, 2000. Print.

Wolk, Douglas. Reading Comics: How Graphic Novels Work and What They Mean. Cambridge: Da Capo Press, 2007. Print.

— ‘Abstract Comics’. New York Times Book Review, Holiday Books edition, December 6, 2009. Web, 23 June, 2011.

This entry was posted in ESSAYS, SCHOLARLY and tagged , , , , , , , , , , . Bookmark the permalink.

Related work: