for B.R. Dionysius
cut with postmodern wit
i can carry the million pound tag
that will not release me
back into the wilddraw your outline on the glass
as you decipher the self
(in formaldehyde)
to witness again
how your mother pulled the teeth
you never knew she had
until you found them in your chestthe animal
you chose not
to cut in half
is the animal
known to leave
half an animal
in your handsdid we float
in this publicly listed company
along with other shareholders
who invest in the potential
for our deaththis animal ←
was born when a photograph
could only persuade us
in the negativeso step back in the water
lean forward in the polaroid
your trial bite is free
unusual for a killing
to be launched
immediatelya bite made
so gently the victim
is unawareas a survivor
you came ashore to describe
how you were bumped
by something →← taken aback
by the sight of blood
streaming from a dozen incisions
harp notes on the skin
demonstrating how a life
could have been
unbuttonedso step out of the water
many attacks are nothing more
( ) than a →
catch/
hold & release/
exercise/your childhood never knew
the colour in a polaroid
would not lastthis is a notable exception to there
a moment we re/hearsed
that cannot take its big idea to the grave
until either the lungs or the laughter
subsidethis line was thrown out
because it was not needed
because one nightmare is efficient enough
energy equal to the substantiation of itself
fuel in a vein
pumping liquid cinema
into a lonely tank
rivets scalded to pinched sleep
where images combust in a rib brazier
intent on self defence
against our own cold thoughtdrifting in our craft
you offer the assurance
that with fourteen lines
you can pull in sharks
by the metreon the fourth day
the lines yielded a large tyger
which you towed ashore
and opened on the beach
belt-tight in an underglow of rutile glare
poorly shielded by wind-shook hessian
as you felt the bulging stomach
you went cold as i ran
as you ran your hands
ran my hands over a smooth dome
→ obviously
the head of the unfortunateyou have altered the head
by not noticing
it’s thereyou have altered the head
by not noticing
its facethis great blunt head
almost square edged
attacking a bait at speed
the teeth unmistakable
oblique blades deeply notched
rearward and cockscomb like
the flesh untethered from the bone
salted blue in a myth is deep fear
catapulted powerless to its red endthis great blunt head
almost square edged
abates its attack at speed
in its current life
unrolled over clean cartilage
is the physical prayer
is the swim in an uneven hunt
to bite off hands together in pairs
in communion in communion
incommunicadoyour head was dismantled
by the fishbone
dreaming in your throatevery hour awash from every hour
the tide nothing but a broom
to sweep its infinite flooritems to recover
from the recovered animal
includea lump of coal
a tattooed arm with rope around its wrist
a handbag containing a watch in perfect time
you have been sent here
to pay excise on lost memoryyou are the only live bearer in this sentence
given the dubious honour
of evaluating every letter
to redecorate irrational probability
with the fresh stomach contents
from one suggestionsuch an animal
is not easily brought
to the weighing station
much simpler to send it
to the auction house
to let an adman’s account
swallow gold value added as fillings
to a theoretic smilewhite belly to white belly
position switched you stand above
lie below your uncut gnathic beast
held palm to sweated palm
its skin again the handle to an art
taut same-kawa on a Japanese sword
as sharp as sharper than mutual emulation
the price too to not cut it in half
to see ourselves in the same body
on this same linewe are hooks set back to back
only to have our animal escape
by straightening one hook
and breaking off the otherour kiss can only consist of teeth
we circle in the moment before
our spiracles ventilate cold steam
unthought through necessary instinctour eyes will be reported as being
‘gleaming black’ protected by objective spirits
living inside transparent white eyelids
which will slam shut across our vision
when we launch the attack
on each otherthis is the only known instance
where two lives were lost
in one sharkthe physical death
of impossibility
in the mind
of someone livingin water
the shadows are too skilled
to pay their ransomthis broken ocean
will push these broken eyes
to the unfixed surface
of our last eye
in spacei was not said to myself
because you named me
without saying anything
*Or: remembering when B.R. Dionysius & Damien Hirst (both) wearing sharkskin suits met in the bar
of a luxury hotel – clinked glasses – but said nothing because they (both) knew Vic Hislop was still out
fishing.Note: some passages, phrases and words were transcribed, copied or adapted from Fishes of Australia
by E.M. Grant (E.M. Grant Pty Ltd, Scarborough, 1987) and Guide to Fishes by E.M. Grant (Department
of Harbours and Marine, Brisbane, 1982).
- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones