for B.R. Dionysius
cut with postmodern wit
i can carry the million pound tag
that will not release me
back into the wilddraw your outline on the glass
as you decipher the self
(in formaldehyde)
to witness again
how your mother pulled the teeth
you never knew she had
until you found them in your chestthe animal
you chose not
to cut in half
is the animal
known to leave
half an animal
in your handsdid we float
in this publicly listed company
along with other shareholders
who invest in the potential
for our deaththis animal ←
was born when a photograph
could only persuade us
in the negativeso step back in the water
lean forward in the polaroid
your trial bite is free
unusual for a killing
to be launched
immediatelya bite made
so gently the victim
is unawareas a survivor
you came ashore to describe
how you were bumped
by something →← taken aback
by the sight of blood
streaming from a dozen incisions
harp notes on the skin
demonstrating how a life
could have been
unbuttonedso step out of the water
many attacks are nothing more
( ) than a →
catch/
hold & release/
exercise/your childhood never knew
the colour in a polaroid
would not lastthis is a notable exception to there
a moment we re/hearsed
that cannot take its big idea to the grave
until either the lungs or the laughter
subsidethis line was thrown out
because it was not needed
because one nightmare is efficient enough
energy equal to the substantiation of itself
fuel in a vein
pumping liquid cinema
into a lonely tank
rivets scalded to pinched sleep
where images combust in a rib brazier
intent on self defence
against our own cold thoughtdrifting in our craft
you offer the assurance
that with fourteen lines
you can pull in sharks
by the metreon the fourth day
the lines yielded a large tyger
which you towed ashore
and opened on the beach
belt-tight in an underglow of rutile glare
poorly shielded by wind-shook hessian
as you felt the bulging stomach
you went cold as i ran
as you ran your hands
ran my hands over a smooth dome
→ obviously
the head of the unfortunateyou have altered the head
by not noticing
it’s thereyou have altered the head
by not noticing
its facethis great blunt head
almost square edged
attacking a bait at speed
the teeth unmistakable
oblique blades deeply notched
rearward and cockscomb like
the flesh untethered from the bone
salted blue in a myth is deep fear
catapulted powerless to its red endthis great blunt head
almost square edged
abates its attack at speed
in its current life
unrolled over clean cartilage
is the physical prayer
is the swim in an uneven hunt
to bite off hands together in pairs
in communion in communion
incommunicadoyour head was dismantled
by the fishbone
dreaming in your throatevery hour awash from every hour
the tide nothing but a broom
to sweep its infinite flooritems to recover
from the recovered animal
includea lump of coal
a tattooed arm with rope around its wrist
a handbag containing a watch in perfect time
you have been sent here
to pay excise on lost memoryyou are the only live bearer in this sentence
given the dubious honour
of evaluating every letter
to redecorate irrational probability
with the fresh stomach contents
from one suggestionsuch an animal
is not easily brought
to the weighing station
much simpler to send it
to the auction house
to let an adman’s account
swallow gold value added as fillings
to a theoretic smilewhite belly to white belly
position switched you stand above
lie below your uncut gnathic beast
held palm to sweated palm
its skin again the handle to an art
taut same-kawa on a Japanese sword
as sharp as sharper than mutual emulation
the price too to not cut it in half
to see ourselves in the same body
on this same linewe are hooks set back to back
only to have our animal escape
by straightening one hook
and breaking off the otherour kiss can only consist of teeth
we circle in the moment before
our spiracles ventilate cold steam
unthought through necessary instinctour eyes will be reported as being
‘gleaming black’ protected by objective spirits
living inside transparent white eyelids
which will slam shut across our vision
when we launch the attack
on each otherthis is the only known instance
where two lives were lost
in one sharkthe physical death
of impossibility
in the mind
of someone livingin water
the shadows are too skilled
to pay their ransomthis broken ocean
will push these broken eyes
to the unfixed surface
of our last eye
in spacei was not said to myself
because you named me
without saying anything
*Or: remembering when B.R. Dionysius & Damien Hirst (both) wearing sharkskin suits met in the bar
of a luxury hotel – clinked glasses – but said nothing because they (both) knew Vic Hislop was still out
fishing.Note: some passages, phrases and words were transcribed, copied or adapted from Fishes of Australia
by E.M. Grant (E.M. Grant Pty Ltd, Scarborough, 1987) and Guide to Fishes by E.M. Grant (Department
of Harbours and Marine, Brisbane, 1982).
- 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones