GLIDE / ELIDE

travel by train
women
a fox

her neck
a rage my father

married
Life
sex
unconscious harm
for my

suicide need
at least
disguised as
very fox
animal
I think
if I died

very bad day[s]
exciting
realization
of a desire

so very difficult
present

terror abandoned

it is a fact

complete

I cannot help

I feel


Note:

This is an erasure poem utilising the text from a loose sheet of writing from Louise Bourgeois’s
archive, titled 10 October 1958 (LB-0449), which is held in the Collection Louise Bourgeois Archive,
The Easton Foundation New York. The original text, selected from Louise Bourgeois’s dream
recordings by Philip Larratt-Smith, was reproduced on page 70 of Louise Bourgeois: Has The Day
Invaded The Night Or Has The Night Invaded The Day?
(ed. Justin Paton, 2023, Art Gallery of New
South Wales).

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Slippery

rocks. The link is coming from inside
the biography. Especially given this
inbox is not monitored. Do not
curtain the rail with me, warmly
tenant. There is never going to be
a holiday from rent. The ‘in’ in
‘inbox’ is short for inferno

(Dante). Trigger a mercy ticket
with our friendly chatbot. 24/7
is here. Before you could squeeze
water from afar, many were window.
The house? I don’t know about
the house. Maybe it’s mental health,

maybe it’s the property manager. Or none
other than the pigeon’s office where
the corner of the bathroom used to be.
Not like the sky is a tombstone. Maybe
you have a new lease on outside things
becoming inside things. Maybe a candle
stabbed into a urinal cake can be a happy
birthday. A wish-making moment. A panting
sucker for a happy medium. Not many
would sit here. True, I forget the username
for my blood. Used one neck too many. When
miracles attack: what do we do?

Bourbon. In moderation. Heaps of moderation.
Not too much bourbon. It’s a weak night. Keen,
not keen. To be fair, even the butteriest flowerheads

bask, wobble shitful. It is nearly the year
2055. Why are people still going
online? No more can the dustmite
mung skin, are we engorged by
nostalgia. Welcome to landlord
or cake? (Only one way to find out.)
The game where you, warmly
tenant, can have your landlord
and eat it, too. It’s always, let them eat
cake
but never let them eat landlord.
That’s so society. So glacially
erratic. When memories have their
little leadership spills, I like to think
they are criticising what passes for
insight around here. Alas, old mate
will be back. His headlamp won’t
charge itself and I’m not doing it.
That’s my glass half full of habitable
atmosphere instead of bourbon-dread
for you. Opened the window to dry my lips
but nothing happened except I put on
a hoodie. I can see old mate from up here.
Here he comes. Got his laptop. He loves
that thing too much. Maybe it’s mental health,

maybe it’s the overinvestment in the dominant
symbolic regime? I’ve heard pink batts mumble
slurs. Swear. Print emails without first considering
the environment. I threw the window out of myself.
Evening was there and moths pattered the decorative
gravel, round river, tumbled sandstone. Delectable
seed borers met those rocks stunned or worse.

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Little Brain

The cerebellum—
from Latin means little brain,

learns by repetition.
It stores the choreography
of walking, writing,
wanting.

MRI speaks in code,
metallic syntax,
bone grammar,
an alphabet of damage.

I calcify in hospitals,
a fossil under fluorescents,
stillness taught
like a second language.

There’s a measuring tape
curled in my gut,
a snake,
too tired to strike.

Clipboard, murmur,
needle—
tooth, claw, prey.

I keep naming it
with flowers,
yew, larkspur,
bonewort.

Astrocytoma
a star-shaped cell.
I feel its root system
branching in me
like lichen,
or grief.

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boyhood

one night i intervene
as he gores my mother
my pinprick then
the tomcat’s magic kill
loyal mouse
toyed with
dismembered
you reconfigure
like lego overnight

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Another Notice to Vacate

Forced to move. Again. Here now in a house I hate. This house is hard. This house is cold. Freezing. To sit on the toilet. To take. A shower. Shower over the bath. Narrow. Deep. Leg over slowly. Don’t fall. The other leg. Stand in that small space. Try not to fall. Keep your thighs tight. Don’t spread out. If you do. The sides of your feet curve. Into. The side of the bath. You feel unstable. Don’t move too much. You can hardly move your arms. They bang up against the tiles. The shower curtain. You can’t do chicken wings. You have to hold them close. To your side. You can’t stand straight under it. Feel the water on your face. It’s the angle of the shower head. To feel it on your face, you have to turn. Right round. If you step back any further, you’ll be on top of the drain. To wash your hair, you have to throw your head back. Far as it can go. You think of The Exorcist. Are you supposed to swivel your head here? I used to love taking a bath. For my bad back. But not now. Surrounded by chill. You move through cold air. As if you’re outside not in. But who cares about the bloody bathroom. The not wanting. Never now wanting. To go to the loo. To take a shower. So what. How long are you in there anyway? How long does it take. To take a shit. Shower. You can survive 3 minutes surely. But that’s under the tap. Then. You’ve got to get out. Dry yourself. Freeze. Seems here I am frozen too. I am stopping. I am not getting to the main thing. The most important. Room. I haven’t got to that. Yet. I could go on about the bathroom. The outside laundry. The two separate taps in the laundry. My handwashing. My cheap clothes. Wanting to rinse. Have to do it now. In cold water. Two separate taps in the kitchen. The dark lounge room. The light I used to work by in other places. This is a hard place to live and work. My bedroom. The place where I work. Where I live. The room that matters more than any other. I am a homebody. I am at my computer. I am attached to my desktop. My chair. But this room. The cold. My feet now. Are always freezing. My face. I don’t recognise this face. This body. In this place. In this room. Take the light. For instance. There’s a blind. I have to constantly. Put up and down. All day. I’ve had to move my desk. It was in front of the window. The light the glare. My eyes grew sore. I couldn’t stand it. Now my desk. Is at the side. 90 degree angle to the window. But still. The light the glare. The blind up and down. I don’t know what. I’ll do in the summer. To get away from the sun. The room utterly black. When the blind is down. Then there’s the debris that fell. From cracks in the wall. This land. Built on a swamp. There’s structural movement. Debris on top of my computer. Into the back of my printer. Had to move the desk the table. Everything in front. Of that window. For the handyman. To seal the cracks. To stop the debris. Falling on top of me. Into spaces. Nooks and crannies. My tools. I spent each day. Escaping. After I moved in. Not wanting to be. In this place. Hard dark cold. Even in summer. No insulation. Double brick. Old. The best I could get. The Notice to Vacate. The 60 – 120 at inspections. Could hardly move or see. Anything. The high rents and shit houses. Worse flats. Tiny. Terrible. It hurts to hear. The word home. I can’t say it. I can’t call this that. When I say I’m going – where? ‘The place where I live.’ What a mouthful. ‘Back. There.’ I don’t know what to call it. I still can’t believe it. I am here. There is nowhere else to go. There is no way out. At every turn. Every room. Like waging a war. My body in battle. I feel strange here/there. I don’t know to live. Here. Or how to launch myself. Into the world. From here/there. It feels like I carry it. Around with me. I rarely get away from it. It waits for me to come back. I see it in my mind all the time. I never knew how the cold. Gets into your bones. My mother’s previous rental. Of forty-three years. Bitterly cold too. She never complained. Said she was used to it. Her old brick house. Sure it had a heater. In the lounge room. Threw out so little heat. All my friends, my boyfriends, my ex-partner saying. That house. Is fucking freezing. That kind of cold. You can’t think straight. Can think of nothing else. Heating doesn’t help. Sure, there’s a split system in the lounge room. But it doesn’t heat. The whole house. Doesn’t help the kitchen. The bathroom. The bedroom. The laundry outside. Such cold. You can’t put it behind you. You carry it. You carry the image. Of the place in your mind. You carry the cold. You know you have to return to it. There are people all over this country. Living like this. I have told myself. Hate doesn’t help. I have read books. Know/n struggling friends. Family. I know I know. Things could be worse. I could lose my sight, a limb; my life too young. I could be living in some other country. Or even here. Floods. Fire. Losing everything. I have lost so many so-called homes. So many times. And now. Had to get out. Just before I turned sixty. Happy Birthday to me. Merry Christmas. Packing again. Looking again. December. January. Applying again. I can’t tell you. How much time. And energy. And exhaustion. That takes. I said to a friend. In the middle of it. My life is a nightmare. She didn’t like it. She was shocked. Perhaps disapproving. She said Your life isn’t a nightmare. Look at all the support you’ve got. Including her. She could see it. I was surrounded. This time I’d put out a call. Asked friends to help. The packing. The moving. Usually it’s only my family. And my old best friend. I was beyond that this time. They’ve all grown older. All have bad backs. They still helped. But I had a whole band of others. Still, when I said my life felt like a nightmare, I meant it. The packing. The looking. The moving. All the help. They can’t keep doing this. Neither can I.
Posted in 118: PRECARIOUS | Tagged

the writing life

After Grace Yee



post-VPLAs we pile into ShanDong MaMa.
order dumplings by the dozen.
gossip. avoid ‘what we’re working on’.

i almost walk into a pole while texting.
J calls, ‘TAXIIIII…’
i yell at him for not protecting me from the pole.

in little bourke street we ramble
tipsy, idle, inept and mutinous.


‘the writing life’ was written for, and first performed at, the launch of Grace Yee’s Joss: A History.
It was inspired by her poem ‘for the chinese merchants of melbourne’.

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Closing night

My life has ended and I’m living in encore,
each muscle shrivelled, each gland sucked of the salty
sweat of life. Lopsided lipstick smile,
the fading evidence of performance.

Clapping clapping clapping clapping clapping
clapping I’m bowing bowing bowing bent
over arms brushing the sticky stage floor.

Last season I lived army crawl as my only mode
of mobility. Not with military efficiency. Like I’d been
stabbed over and over and I needed to get to my phone
but I didn’t know what room it was in, didn’t know
if I’d left it on the bus last night. Survival
was exhausting so I labelled it a tomorrow problem,
and fell asleep, face down in my smeared blood.

This season I’m on a merry-go-round and instead of a pony
my ride is a big slab of newly drying concrete I have to walk
through. Tap the red runny nose of the clown face
on the other side. Turn around, walk back, fast
as I can. Turn back towards the grin in the mirror. The merry
-go-round is on its side, close to the wings.

There’s an identical one
in my brain, gaining speed before it thwacks against the top
of my spinal cord every time it goes around. Nightly performances
for months and I stay in character, sleep in the cockles of the concrete
bed kept-ever gluggy by leaks in the roof and industrial humidifiers.

I want the audience to go home so I can too
but they want autographs, drinks, dancing. They want me
to come home and fix their roofs, their relationships,
their climate anxiety, their dinner –
something leafy and colourful
and not from a packet.

They need massages and hope and streaks and streaks
of my laughter enthusiastically smacking
their bright plump
days and warm, sticky nights.

I am turning to heavy dusty curtains, to the historic
kitty litter preserved backstage, to disintegrating
front row tickets in a scrapbook of regret, to a jumble
of licked wounds still thriving on occasional sentimental
thoughts in a garbage bag that refuses to suffocate me

because it too was in the audience of my life
and wants me to carry on, to strut and strut, and fret.

I lift my head up from my deep bow and I see
the next season, promises of script all dark wit, raw
dripping performances. My wonky smile
crudely drawn on, stares back
from the glossy flyer.

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The problem with society is heteronormativity

The problem with society is heteronormativity. The problem
with everything is heteronormativity. There is no other problem
if you are somebody’s wife, mother, daughter, which I am no good
at being, but can’t escape. They were always using Mum, Dad,
Billy and Jane as their example. Rather than moving to a lesbian
commune in Ecuador, I hoped my husband would be gay. And
here I am, divergent, disordered, definitely queer. When people
write about culture, they say that you need it to belong, to thrive.
What is it to belong and what, on God’s green earth, is this verb
they dub, thrive? Returning to heteronormativity, for two decades
I participated in a nuclear family in suburbia. After seven years
the sound of his key in the door made me twitch, then there was
the sound of dogs; it was a suburb of pensioners, Shih T-
zus everywhere. When I left, naturally, he disowned me.

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Dromaius novaehollandiae

Dear Gugaamgan1

Too long – since your plumes traced the ocean in abundance
Now, salted feathers fracture into splinters – a memory
They named us dying and waged war on us, too
Named us unworthy of their false flag
Or any flag
Named us savages
Named this place, terra nullius
Named her, last of her tribe
daughter of the last king, they insisted
But kings wear crowns and we wear kinship
not to mention, we smuggled survival in our blood
sixty thousand years nestled underneath our tongues
Our bones hold memories of your shadow
a feathered prophecy stitched into an autumn sky
we still remember seasons charted in the shape of you
But you are not an exhibit
nor in a museum
are the living rendition of a constellation
a fleshed and embodied memory
a hero within a long-ago story
This is our duty
to gather up adornments you leave behind
to wear a revolution you carried in your wings
to protect your nesting grounds against highways
and forgetting
When we fly again, they will say your name
and hold you in reverence – Gugaamgan

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Brunswick Park

Wind sharpens
the March air—

seed fragments in fast forward
and the grey rags
of pigeons

a sprinter trailing dreads as she practices

everywhere the strain
into life
of an early season.

No centre to truth,
only these small-holdings—

urchins of skeletal burrs
caught in the rasp

a woman between home
and work thumbing rind off an orange—

each saying
loudly don’t refuse this

each saying
it contains us.

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Swamp Thing

I impersonate a body
By becoming body itself;
An assembly of mangrove

Limbs that even the fog
Could not conceal, a hand deciphering

Where foliage ends
And skin begins. An aorta

Of branches convinces me I am still
Somewhere—Life

In between cracks of conscience.
A ghost in muscles of lichen and weeds,
All facsimile. Life nonetheless.

How would you feel If you found out

You were mere protozoa
Fantasy—a eukaryote plucked from dream

And desire. What Adam took
From the garden I became. He failed
To realize I wanted him more —

To be permissible. I make conversation with roots and vines
To disappear my conversion of root and vine.

My face is a cocoon and underneath it
Was not another face, but a prayer

Or negotiation. My pleas turned elegy.
I envied caterpillars for what comes after.

Instead of genesis, I was autopsy.
Not mine but I inherited his pain

And claimed his want. I knew
the world

Before I knew the word for it.

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transport tissue

it’s a strange thing – this loss of focus
my consciousness turning from what the graphemes say to
the effect of this monitor screen against billowing gums


I’m doing my readings amidst this
struggle to translate letters into leaves


learning about the 19th century split between the
material and aesthetic
cramming concepts as if into an Amazon warehouse
limbs itching to dance them into being


why are the trees behind glass
my consciousness fragmenting
each distraction like a knife through the
xylem of a wildflower?


before this muted canopy
like cool water over jagged neurons
stories get projected in cells of light
kept in supercomputers that need air conditioning
to breathe

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Personae, or, Goodness

‘goodness makes me want to be sick’
—Clarice Lispector,
Near to the Wild Heart



Her revenge will be
personal and artistic: she wants it

each way—poems spiked
with spite—a familiar face:

I think of Lydia Deetz’s
neat features, peach

eyelids, cheek and brow bones,
Winona’s cartoon counterpart

bubbling out in my slow brain.
‘You have to be good’, you’re not

just getting an academic
job in this country

this clown says, crunching
numbers and casual causalities.

She’s not getting off
the treadmill, but her spite will

be elusive and allusive: her once
friend’s face

front-paged with
wage theft (shock her dead).

There’s a Smirko sneer she knows
but no one’s here to kiss crumb

maidens, spiders
would be more sociable, I mean

a particular kind
of aetiology: arachnids

in patient repetition, mending
and knowing. It’s not straightforward

misanthropy, mise-en-scène
of the hot-desk hallway, its hubris.

Her fair-weather friends in poetry
said she was sleeping

her way ahead. You have to
be good, you’re not

paying attention, finger
on the possibilities, pulsing. Better off

banging out some
shock jock expressions, appropriating

the pain of others, it’s okay
to fake it a while. I think spiders might

do it better though, thread
with integrity. Her insecurity,

doubling, could meet its own
dull brain in a meme.

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Fucking Autumn

+
My mother went mad

comets flutter
rain snarls
the hardest things
to do
to say
don’t get easier

+
I ran away

43 degrees Preston
strange/r men
collapse
on sidewalks

is it a bad batch of goey?

awkwardly beat poets waltz
in a Fire Station café

Ken searches for a missing snow leopard
we drink glass necks
of two white rabbits
skinned pale

Me: I never learnt to waltz in my gender.
Ken: I can’t walk in this body.

+
For a moment
I thought
I belonged (hold that thought)

I forgot
Whatever
I was scribbling
fell from present tense
to past

memory to madness
flaunted
poetry and physics

+
The Son of Sam was arrested the same day they carted her off
It must have been at least two decades
before
I told you:
it (those leaves . . . that season)
doesn’t get
any easier

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Observations On a Friday Evening When It Might Rain, When It Might Change

Does language always fail or simply tear itself up
into gaps, like flakes
of papyrus and ink like love

All the words wriggle away into earth
blow into tonight’s suburban haze
flush into stormwater or waiting seas
but also to where thought works itself out

Maybe I want to call to other beings
but they squirt back in my face cry out
run from me, burn, crumble, rot, die away

Sometimes I stand stupid, nonplussed, curious
angry, withdrawn as if
I should get something more back

Sometimes I should just howl, cry coo a little
empty my mind welcome the wrong foot
forget being an adult of any history any gender
forget being solemn, cool, wary important

I’m not what I believe myself to be
I’m the one afraid of stains Cleanliness
is next to murder

There are powers we don’t know in every garden
rubbish dump, fatberg, forest the spray of
a spoken word slag heap, supermarket toilet, dam

A beach never stays the same
just ask the shells and seaweed beach glass
discarded towels and sunscreen the floating shit

Our stories break up like geological eras
or transmissions from stars gashes, ruptures
orgasmic oblivion, platonic slippage

Or curve forwards to an end as so many facts
dense as the milky way
or root systems fossils, graveyards, sea beds

Is water a consciousness or simply a stream
a throughway as it pushes us
towards another stream, and another

So, I’m looking for form like some poet?
I’ll never find it
Every form remakes itself
Every genre begets another or crosses it out

What if I sing like the wind, a whale
so many birds
a dog the whole eisteddfodau

If I’m a wrong one, will you also be that
with me almost righted
in the stream, holding on or going down together

But time to stop talking
time to show up, hear the other sounds
They don’t care about me, about us

And that is what matters
What is without us And what we are without

It’s an emergency
But also, where different forms emerge
Entwined?
Yes, sometimes we are

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Philippinitis, Three Movements

The disease seemed to attack the most refined
and productive members of society, the caretakers
of civilization.
—Warwick Anderson, Colonial Pathologies



When I was depressed, I was looked at crazy for not wanting
to take my meds. The Americans didn’t take medicine,
they went to Baguio and played golf. When the doctor asked me
why I wanted to take my own life, I looked at him like, Really?
The Americans blamed it on the heat, the climate.
It made them sluggish and sad just like the natives, the brown folk.
If I said that shit today, doctors would prescribe me Lexapro
two thousand pesos a month and two thousand for the consultation.
What I would actually say: I’m tired of being colonized.


When I was depressed I was
looked at crazy for not wanting
to take my meds The Americans didn’t take meds
they went to Baguio played golf
When the doctor asked me
why I wanted to take my own life
I looked at him Really?
The Americans blamed it on the heat the climate
made them sluggish and sad just like the natives
the brown folk If I said that shit today
doctors would prescribe me Lexapro
two thousand pesos a month two thousand for the
consultation What I would
actually say: I’m tired
of being colonized


When I was depressed
crazy not wanting
to take my meds The Americans
went to Baguio played golf
asked me
why I wanted to take my own life

The Americans blamed it on the heat the climate
that shit
Lexapro
two thousand pesos a month
What I
say: I’m tired
of being colonized

Posted in 118: PRECARIOUS | Tagged

Or Archaeology

Fasten fragments dug up
only just reborn from dirt
which conjures a phone
screening a text two thousand
years late, originally built on the face of
a thumb anointed in the bed of sweet ink
approximating moonwet years in regress
from where you continue adding
day to day, casually eloping at convenience
stores to search for a fragility resembling
life before subscribing to self
mythologizing LRT commute routes
where you cease to understand
company in favor of a starpunctured city.
Fumble open scarce remainders of your past
living regret in unsent postcards
unmended drafts
unused sticker palettes
never meeting their own shadow; elsewhere
deposited in an emptying couch
covered in soot or sweatvapor or cum
are anonymous hair strands
barely registering as something akin to a neutrino.
Fear or despair serves no practical
purpose in your mistaken eternity
walking into another collapsible year
head held low, hoping
bus fares remain fixed
and procession breaks you
out of the adamant landscape
a holdingbody of anatomy
gluing you to your rust.
With Herodotus failing,
you dislodge records
let time go into what
dead poets cried as forever
(he keeps failing) you
snap out to your actual phone
screening an actual text
“how are you feeling?”
carry me home

your job is to deal with the dead
never having really lived
decay grows into decay
confront Sappho on promises of remembrance:
condemned to papyrus she speaks severed
half-truths decreated as a candle
skinning off Elektra.
Hold dirt up to the sky and see it remain stupid.

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Naked Snail


I was sitting in front of Triptych 1974-1977 by Francis Bacon at the gallery, waiting for its clear sky to visit outside. It was time to run away from that deep bellow and rough hand to where outside ribbons of water danced in the air, velvet rebellion, mixing with soil, painting my soles like woodblocks, bistre. Morning athletics, I hurdled the train turnstiles all the way, backpack flailing. A stop later, a dozen boys got on, filled the top-car with swearing, taking proud sips of cheap beer, chuffing vapour down into the neckline of hoodies. Young as 13, nursing broken knuckles. The other commuters diagnose discipline deficiency. They need a good kick in the pants.

Reading the little plaque, this is one of those rare outdoor works in his oeuvre. Renders a beachfront getaway for his vacationing models of pink amorphous body and ominous black square.


Rain patters outside, a tremulous eulogy. Pink Amorphous Body makes kissy faces at me through what I think is its mouth, or kicks me with what I think is its foot. Why my sudden fear? Pink Amorphous Body whispers through its foot that its name is George and that he used to be a boxer. In my shrinking I wonder why anyone would step into a place that would beat them. My hurt mouth flubbers this question, and George asks what’s going to happen when I go home.

I tell him I’m staying here until they close, and through his feet he kisses me and the ground beneath him before retreating back to his dimension, his big purple shadow a bruise. My own foot puckers to kiss him back, but he’s gone and I’m left on the little seat, pulling myself, skin, hair, over myself, shell, Shetland shield. Home is where no one never wants to touch you.


These beautiful creatures that live everywhere. The few pairs of lips, the dead and others busy dying in the far background dressed in black suits, everything is sweating without breath in the shade of dark umbrellas. I feel myself tired, knotted and beginning to hunch over, mirroring the pink bodies like oysters, extroverted, raw. My lip stings from an ulcer, a drunk mouth that forced itself on itself. Hot tongue digging in the sandy fibrin.

Pink bodies, sunburnt or blushing or feminine or foreign. They have taken my backpack and given me some little card, warming itself in my right pocket. Shetland is the wool of outerwear but it’s all I could find in my haste and its dank dew and bristle, like beardhair, itches perverted and desperate on my skin. It is the sensation of everything made to scratch and I wish I could be made of hair all over, or something, anything less tender.

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Status Effects

As if a perfect vision means the day is in order, I watch with calm the news of murders.

As if the recent months weren’t enough, I pen a confession on a postcard.

As if taste isn’t a warning, I take another swig.

As if virtue has a single definition, I fashion my mouth into an agreeable shape.

As if experience is not a reliable guide rail, I summon a supernova of scenarios.

As if habit, I pocket a fist of pleases.

As if the holidays are supposed to be otherwise, I swim in fever blue.

As if the rush is a symptom, I quote the wisdom of quagmires.

As if the arc of wanting, I release.

As if tomorrow is another today, I brace for the lonely impact.

As if light could be held, I trace the fault lines on my palm.

As if hunger is an excess, I swallow the wishbone whole.

As if the body is a lack, I speak in third-person.

As if offense is an unwelcome mechanism, I stance a stone exterior.

As if waiting is the only option, I put my phone face down.

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Mammal response

There was shame when my hands shook.
When the nurses asked if I suffered
from seizures, I said, No. They said it was shock.

I never did just sit there when babies or blood left me.
I would become the shuddering sides of the deer,
the tremor that comes with the canine whine.

I read somewhere that it is the way animals
release the day’s damage so I have decided
not to deny the mammal inside me. After all,

I am only half tame. Let me fall back
against the grass, see only sky above me.

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Animal

The autistic clerk who attends late-night bebop gigs down the arse-end of a cobblestone laneway then sleeps in a van by the park. The scuffed one whose hair is overdue for a wash and whose glasses are scratched and finger smudged. The one who wears duffle coats and hand-knitted vests and licks the wooden spoon. The chaos gardener and lapsed weeder who eats leftovers off strangers’ plates in cafés and always pays in cash. The subterfuge with moth holes who steals fair-trade chocolate from Woolworths and leaves post-it notes on badly parked cars. Who turns off footage of bombed hospitals and rocks like an infant on a hand-loomed rug, sourced, according to the dealer, from the most primitive tribes of Iran. Who remembers the quiet patina on her mother’s loafers long after her mother has gone. The louche-laced one who walks with her right foot in the gutter, sprig of Silver Wattle in hand, and only the vaguest of plans. Who trips and face-plants fearlessly into the lovely dirt. Who always provides an orthogonal response to a straightforward question. Who cannot see past the spelling mistakes in the instructions. The one who is sworn off social media from now until death. Who has a diagnosis of Borderline Personality Disorder and thinks it is an asset. Who understands that identity is slippery, not a Pinterest board. Who refuses to pathologise every human tic and tendency. Who lives and feels and dies resolutely, unashamedly, mad flesh, sweat and desire. The homo sapiens who is more than an inefficient robot. Who sits every morning on the front verandah and greets every passing dog that lifts its leg on the gatepost. Who recognises another animal when they meet one.
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Red Right Handfish

a Golden Shovel

Liberty-spiked, I rock on the current. You should
cut and run
my complexion sputters. The sea, unintermitted
synthesis, grasps its parts. It would pickle vengeance,
if it were you. Three killed. Four missing. Still, your polychloroprene arm
assumes it can soothe water’s prickly heat, and mine. Think again
my infinite filament spits. It sensed sudden ahis’
new-salt sensitivities, golden streaks breaking away in the reef’s red
aqua regia. Lobsters’ cresting shrieks : urchins’ wandering fire : my nurseries’ bright
-ening absence. The thinned out instincts of kin you sent back. A big hand
for the transgressor
surf seethes. You can’t not lend your name to
conservation, but can you love me, warts and all? Unplague
yourself? Unkeel? The moon wheels its shelfless basalt ocean towards us.






Note: fewer than 250—100, according to one source—red handfish (Thymichthys politus; warty excrescence, polished)
are living in the wild; ‘wandering fire’ is from Paradise Lost

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BITE HISTORY

Click image to zoom.


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The Lammergeier Diet

What was happening now to desolate these patients was a predation
pure and simple, nested on villages of cliff, the consumption of non-
steroidal anti inflammatories in the marrow of their tracts – a lethal
dose for vultures of worlds both old and new. This brief of evidence
dropping from crowded skies like a big idea onto blood-fabric: pilots
abandoning manifest, UN World Food Programme baskets feathered
with corroborating bones, full-dome projects of celestial excarnation
ferrying tiger dust to Garuda left ferrymanless before the dim zodiac.
Tibias and tarsals of ibex and sheep left whole upon a shattered earth.
Here was the only living vertebrate to dine contentedly on vertebrae,
rushing to bequeath its own. The lofty desert never gave her thanks
though for the odd length of bovine spine local wild dogs made a gift
of their rabid brood. Om Mani Padme Hum. Medicine is a closed loop.

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