A buzzing in the ears as if bees
were swarming in my thoughts
or as if my head had become
a clearing in the forest
filled with the never-too-late serenades
of cicadas at summer’s end
makes me long for the gritty obscurity
of the west’s waves
or the suave silence of eastern lagoons
through which pouting fish
mutely swim. On the other hand,
if I listen carefully enough
to the sound of my own listening,
I might eventually hear something.
The hum of longing seems to fade at last
into a kind of aural impasto,
thick and bland, without apparent surface
but also without depth.
Neither meniscus nor void, without perspective,
not flat and not profound,
without extent or distance, not able to be touched
and incapable of penetration,
not flattened so as to stack up the shoreline,
the sea, the salty spume, the sky,
but not tricked out as a mirrored infinity
or a beach-walk into the never-never,
neither free nor necessary,
not imaginary and not a law of nature,
not spirit, not matter, without colour
but not the whiteness of all colour,
not abstract, not phenomenal,
not even the kind of paradox
that would let me end this
hapless catalogue, not ‘a jar’
both round and empty that might make
the wilderness gather itself
around a hollow core of form, nothing like that,
nothing like ‘a long-legged fly’
walking lightly on water
as a metaphor for the mind
moving across the surface of silence,
nothing like that –
so what am I saying? That this may be
the sound of consciousness?
But how, then, to imagine the silence
of oblivion, a kind of oxymoron,
since there can be no silence
where its opposite doesn’t equally prevail,
the waterlogged yells of those
whose upraised arms
mark places where the frothing rip
drags forests of kelp
in the direction of shipwrecks
whose phosphorescent ribs
flicker above their beds of black iron-sand,
or the hilarious shrieks
of revellers impacting
on the dawn-flushed harbour?
Yes, this could be the no-sound no-silence
of oblivion, but what
would I know? It’s the busy world
that sits outside my window
as if across a table
with wine and food on it.
Indifferent to the buzzing in my ears,
asking only that I listen and respond,
the world tells me stories.
That car whose windscreen glints across the bay
has a sad man in it. That yacht whose bow
pecks the wrinkled harbour
will still be tethered when
the next tide turns. The squawky sound
of talkback radio seems to come
from a patch of sunlight
or from the cat that basks there.
I want to call out to my lifeguards,
the one who watches my hope
flailing at the rip, the other
incurious as I loll in dismay:
Over here, guys. Find a seat. Fill a glass.
Help yourselves. Has anyone told you
what a great job you do?
It’s never too late. But listen to that.
You’re not going to believe it.
Tell me, friends –
what does that sound like to you?
Tell Me Like You Mean It v5
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- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones