In her comment on my poem about Borges in Geneva
—where he and the Archetypal Critic from Australia,
on the blue shores of the Lake, haunted each other,
both bluely haunted by the Nobel Prize—a reviewer
remarked she could think of no better contender
for the Nobel than I was. How could any responder
not revel in the mischief that would cause? I wonder
how it would fit in with the real Prize’s agenda,
as seen in its history, such as conflict between Russia
and the CIA in the Fifties: Operation AEDINOSAUR
was what the CIA called their careful strategy for
creating Boris Pasternak’s anti-Soviet persona
to win the Nobel Prize, which the Russians in their
turn blocked but got it for Sholokhov (who was better
actually at writing, but that’s perhaps a lesser matter).
John Maury, AEDINOSAUR’s busy Director,
wrote in a memo to CIA Operations Head, Frank Wisner,
establishing a credo: ‘The heresy[against Russia] which Dr.
Zhivago preaches—political passivity—is,’ he can reassure:
‘fundamental.’ So it must have caused bother later
when the great acceptance-speech by Pinter,
in his 2005 Nobel Prize lecture, defied America:
‘Hundreds of thousands of deaths…Did they take place? The answer
is yes…But you wouldn’t know it. It never happened. Nothing ever
happened. Even while it was happening it wasn’t…It didn’t matter.
You have to hand it to America…a quite clinical manipulation of power
…masquerading as a force for universal good,’ said the Nobel winner:
‘a brilliant, even witty, highly successful act of hypnosis…A writer’s
life is a highly vulnerable, almost naked activity…You find no shelter,
no protection—unless you lie…When we look into a mirror
…the image changes. We are actually looking at a never-
ending range of reflections. But sometimes a writer
has to smash the mirror—for it is on the other side of that mirror
that the truth stares at us…the real truth of our lives,’ concluded Pinter,
‘and our societies is a crucial obligation…It is in fact mandatory.’ There
the CIA clearly had conniptions. There, might have gone forever
the attempt to turn the prize to pure introspection. Neruda,
quoted succinctly by Pinter, wouldn’t have helped that either,
before he died mysteriously in Chile. Lord, would I rather
a Mercedes or the Nobel? Lord, the Mercedes is safer,
although the CIA have now devised a controller
of car electronics from a distance, the revealer
of this being Wikileaks’ Vault Seven. Paul Robeson’s fear
that they’d damage his brakes seems gentler
in comparison. At any rate some accusation of mild gender
molestation meant the Nobel was postponed until later
this year, this time, and that gives a double chancer
to the Company, if their act is quite together,
the Russians being more involved in Syria.
In my poem, Borges seemed jealous a Salusinszky manoeuvre
would win Murnane the prize, but the Critic could reassure
him that this meant nothing sinister. And labyrinths of art never
preclude mirroring any blackness behind the mirror.
I am dazzled by glass fragments trodden under,
rippling light as blue as mountain lakes, but colder.
- 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones