for Arjen Duinker
1
Christ Child with Whirligig (Bosch)
twirling until Kingdom Come.The Word is like the hold of a ship:
Heemskerck, its timbersshivering in a spring tide, heavy
with antiques from the New World.
*
Batavia – a rainstorm drowns out talk of borders, where
fungi phosphoresce for our Lord.Horses lose their shoes, carts
capsize as we ford the Almighty’s deepermeaning. Wood holds onto the nail’s faith, wood
splinters on the nail’s dogma.Paradise is here, between the thighs of a slave,
the taste of sea mixed with sky …
*
Existence is useless
unless you are a hammer – stillyou need someone to pick you
up. The hammer ignores the nail -they both rust but not equally
because nothing is equal; they are stillbecoming nothing.
*
Absence makes the heart go
nowhere. Near the clearing, neverin. To revere is to fear
the emptywhen all’s said and undone.
*
The hand that grabs at air
vanishes.A net of names
drops into the illiterate sea.The ambition of blood to overcome
ambition.An arrowhead of cormorants
strikes the horizon.The hand that grabs at water
evaporates.
*
The waves are available to all.
They do not discriminate.The king also goes
underfor the third time, three
being the number of the unseenOne who wills but will not
intervene -even to direct the dove.
*
But a wing must scan the air,
countingtime. And the sky is held
accountableby the wing, as the sailor
and the wavebeat one another.
*
The ship needs the sea.
The sea does not need the ship.The bird needs the mast.
The mast does not need the bird.
*
Atlantic, rain on the palm of your hand,
salt in the crease of your thighs.Pacific, the palm of your hand salty
in the crease of your thighs. Rain.
*
Father is away on business, Mother
late. The birds are not of this world,you hear them when you stop
listening. Every ship that ever setmisread the sextant, steered
beyond the known, the named, makinglandfall on a beach of bones.
*
The solar system is a bangle
on the ankle of a god. Shellsinlaid on its rim, our hopes
shine for half the time, timebeing illusory yet
divisible. What will we find, losingour lives to endow museums?
“Provenance unknown.”We thought of ambition as our rudder,
it is an anchor that drags …
*
The Word was not ready yet
the devil was a tailordouble-stitching Dutch sails
with Cain’s sinews.A dove is not a god but
a dove with a sprig is godly.The explorer draws his chart
on water, concentriccircle after circle …
In the centre his ship of bones.
*
To port the sign of the fish
rather than fish.A wreck becoming coral,
the cross on all fours.
*
What was horizon presses
blood from the genitals.This is love, the last
commandment: the tongue of a bellfracturing air. There
the promissory note of the choir,the cry of the godforsaken gull
swooping on a fish-headleft in the wake of a waka.
*
The sea monster was Appetite: it annexes
common from sense, strippingprayers then oaths from master and mate -
they go down before the roaringlord of savages, hermit crabs, and vitrines. Heads cracked
open, hold the Great Southern Land.
*
There’s a lot of space
left. We claim that space in the name of.We use the voice of a futures broker -
it is an anachronism
and we own that anachronism.When we said bread we meant hunger.
When we heard men we thought women.When it grew dark we cried
Hallelujah! the night is ours.
Soon the stars will be beneath us.
33.0: CREATIVE COMMONS
Poetry Editor Alison CroggonReleased August 2010
Index of Poems
The guest poetry editor for this issue was Alison Croggon, and the cover image was created by Fortner Anderson. It was published under a Creative Commons Attribution Non-Commercial Share-Alike (3.0 Australia) licence. In October 2010, we published CC - THE REMIXES (33.1, 2010), a selection of re-workings of the poetry in CREATIVE COMMONS. You are free to share and remix these works under certain conditions.






David, this poem is like a well designed sailing vessel–not a wasted bit of material and exactly matched to its task. Thanks.
Breathtaking poem. It forced the wind out of my lungs and knocked my sail in a new direction. Thankyou.