‘How do the angels get to sleep when the Devil leaves the porch light on?’ – Tom Waits
1.
If you consulted your own cipher-mind (if what presents as yours could be
compressed in such a lazy line), would it encircle this whole ball of string theory
or only what lies beneath? Every oceanic floor peak, all those pre-lung
beasts that beckon us back, ever back, while we struggle up here in the
arc of your earth-wing? It is suffocating under your airs, Old Birdman,
we don’t know enough about our own night terrors to ever consider yours.
To claim you frighten the children with your silent staring is like
naming the midnight ocean mysterious, to sing out your secret symbol
through all this typical cataclysm might boil our blood.
Still, see you slip and slide out of heaven into the foam pits of human love:
more, elevated, other. Exotic, no matter how well disguised, for we
blinks of one of your manifold eyes don’t claim to tune into our own timings.
There is a connection octave-plinking through this mystical equation,
yet this is not another symposium examining the intricacies of angels.2.
Perhaps some planet put you up to it. You didn’t want so many eyes on your wings:
it’s embarrassing, it’s a job. Hard to refigure you without, yet once in the annals of this
endless processing, perhaps you were writ down as feather-skin, transitional form.
If only we had come down from the birds, we too could be haunted by memory of flight.
We did not fling down from the firmament; we squelched up from watery depths, aquatic
apes. You are a terraform failure. Fire-sword bearing man-birds could have ruled, yet
water monkeys made it through. Your trajectory, defeated, exited earth for heaven.
The fall went up. You did not win. We did not rejoice in the progression.
This murky wet won’t leave us – even now we are swamp and slime. You: air or light or
both, descend on passage-ladders right before our very minds. We grasp hold of the base,
steady it with a sick grin. You can at least go back up the way you came down.
We can never return; we left our gills on the shore and the tide snatched them back.
If we, green with envy or slime, are seeking Return, it is to pond and puddle;
yours is to some flaming red aerial heart of everything.3.
You cut the fancy-free heart right out of us. In the witching hours, when night dervish
morphs into night mare, you are stilled, silenced, scribbling and scribing, saving it all
up to sing it out later. Some Lizard-God wants to know the electro-magnetic reading of an
attempt at meeting. Circling the throne, later and always reporting, you proclaim the heart
to be still beating – that pink-to-blue mass, alone in the shadow of all horrors,
what can go on between lovers: smashed telephones, shared appliances, night. Watcher,
you are never still, you whisper continuum to these moments even as you raise the knife.
Left to our own devices, we could be the scribes of our own autopsy, the records of
entanglement’s dissection. We could carve up the shared ventricles, the cleft aorta,
discover what was never beating to begin with. We could bathe our empty cavity in a
plenty-more-fish sea, decide what cut out means, what we will do with the
etch-mark-once-heart, what new world our new work will break forth into.
But with you here, light bleeds along the wall, the shuddering is of presence and we
know – clinging and ejecting aside no matter on whose behalf – we are poppets.4.
You burst forth as a woman. We thought this soft body too moist to house an angel.
Murky spirits aplenty, but pure swords of light? When the Heavenly Grace stabs in,
it will leak out through all those holes. To where will it escape? How will we find it all to
shove it back in again? We saw those frescos, believed them, for they were birthed out of
Holy Father. The Devil with breasts, leaking out everywhere to all sorts:
constantly shadow, probably dark matter and other arcane fears of science.
We suppose you could be our Mother, angel, you are cold and removed, set in marble. Yet
we overlooked you for centuries, you were so far away, and we certainly forgot
you could possibly be true, what with all that loft and strength and absence.
Isn’t absence of the father? If you were allowed to choose,
you might seek woman out because here we seek out our names through pain.
You want your own gender angst, a category other to Holy. We won’t tell,
we will watch you watching us as you reflect sheen on this Leviathan’s back,
drag the frescos towards your breast for spring cleaning, a bath in new light.5.
Blood. You are out for it, we try to keep it in, at all costs. Blood:
The way to tell if we are here or not is whether we can hear it circling. Or not.
It’s unlovable, really. It is smelly and of metal and is awfully difficult to remove from
cashmere once it all floods out. We are constantly managing it, feeding it, giving it away,
taking it all back. It’s essentially a connector, even magnetic.
We wonder why you want to exchange pulsating white for toffee apple sticky.
We don’t think you would if you really knew what it meant. Blood, Blut or Bloed,
might be our earliest word. It has always been there, unforeseeable just like you.
Blood is the very opposite of you: intermediary, link, vapid passageway.
Blood raises spirits and runs to the sacred places. Blood is in the family. Anything but
pallid, blood of an other contains your revenge. You can never have revenge, Watcher.
Say we don’t know how lucky we are to own it, say what you will. We are bloody-minded,
moving onwards over bones that birthed the whole bloody mess is all we know.
Our red warmth runs cold against all your white. We have always been afraid of this.6.
As the glory pours in and through, even the Throne of the Most High is merely a tube.
There are innumerable zillions even in our own brains without considering the external
piping we construct to extend the nexus out. To echo the universe, which is one
Giant Conduit sucking us all in, out, round and round, we recreate the cylindrical vessel.
Inside the spaces of subatomic nothings, how many cylinders? We etch on the lining of a brain-tube
while cannulas poison to near-death, while lines to arms and throat and heart ensure life
persists with a tube no longer viable inside where evolution always requires it.
Inserted tubes suck out the pooled blood like pulped prayers. TV is The tube,
we yearn to recall when thrown out of your tunnel of Graceful Light, yet by that time pain,
and not-remembering, are the new profound. The nostril tube floods oxygen,
floats brains so far away that blood-prayers creep in and add up somewhere outside all
tubing: the dark energy inside. Isn’t it enough that you ensure our continuing?
That exploding would have burst all persistence even as we received The Annunciation,
sipping from a chipped teacup while scrawling the word ‘Grigori’ at the top of the page.7.
So hard to tell if the birds are mating or fighting. The koalas are attempting both,
here in last the pocket protected enough for them to keep at it. We too keep at it:
against, always against. It’s not your fault, messenger, yours is to intone the Great Law.
The Great Law is Always. We are to blame – bifurcate is all we do down here. Small
wonder the axis teeters, unsure of whether to shift or remain safe in stasis. It will break,
this is Occam’s Razor. Now, while our hair falls out (it’s the anaesthetic, it’s the morphine),
you gibber endlessly, something about the Great Glory, what was
before until then. As our wounds pus and blister, we grow tired of this obfuscated babble.
You are doing it deliberately, jiggling these abstractions, these meaning-carrots,
before our puny brains. Say what you mean to say, Watcher, is this all? Here? This
everymorning dying? Last koalas grunting in blind continuing, whip birds and koels
bouncing beckon or warning against the everywhere-everything hills. Clouds so sneaky,
when we turn our backs the sky is something else entirely. Light on new leaf, trembling.
You gibbering on, some non-direction-everywhere, while our best awe is silence.
- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones