[An edit from Journals, 1972-1983]
1
A sudden & brief thunderstorm over the house, the harbour.
A day in a car wash near Taylor Square.
Note on Brett Whiteley’s Zen:
all the detail is peripheral:
it was an easy step to bore a hole in the central panel & install a light behind it.I walk up the road to visit Terry Smith who is talking to a friend whose husband has left
suddenly so I accompany him to the nearby milk bar near the Rowntree and Darling
Street intersection followed by Colin Talbot we run into Mia Pithie who takes us to Robyn
Ravlich’s place and when she proves absent to “The Anchorage” which has been sold.
2
Cabramatta/light
an indescribable
(cerulean might be the word)
blueLiverpool:
a rush at the kiosk for the Daily TelegraphCathy (Scorpio) & Pauline (Sagittarius?)
in the back, cases & cushions, Guide to your Horoscope & Dreams
(Library copy)wrong turn thru Campbelltown
then back on 31 at PictonOutskirts of Goulburn / Service station
“might be better to abandon it lady”
(a cracked bearing)– guy in white ute
“used to work 7 days a week
have 4-5 months holiday
blow it all”occasional WHIRR of car
yellow
almost silent
MONARO COUNTRYTwo trainee army officers
back from Rugby League to Wagga
“not much fuckin doin this
fuckin weekend”
(Psychology, German/& French: Sydney University)car horn like a calf’’s cry
lures cows from fields
(son of a farmer)lift in a small yellow sports (drafty)
Monash Anthropology student w. long beardgolden sunset before Holbrook
half an apple.Fire glow on a log
smoky car light over the risetantalised by Melbourne lights.
Flinders Street 10.15.
Suburbs (the “Malvern house”)Clayton :
Allan Petersen & dog met in
the dark, Gentle Street.
3
it has an air of deja-vu,
an ease of execution:
it seems like a drawn out product of what precedes it(thirteen loose pages of jottings)
“a great mulch, a great compost”
4
“I thought of the possibility of the last letter going astray. Let me know if it has &
I’ll give you a breakdown of the New Year trip.”
“I still haven’t written anything and also am on the brink of total bankruptcy which
severely restricts my mobility. In order to overcome this I’ve done & am doing a couple of
odd jobs to supplement the dole which is often late in arriving & somewhat spasmodic. One
job was a class at East Sydney Tech. I raved on poetry for the duration culling examples from
O’Hara, Lew Welch, Jonathan Williams, Tranter, Allen Ginsberg & me (a found poem). I got
the job almost accidentally when I was very stoned at a party the night before.”
“A house in the country may spell death, but at the moment I contemplate
semi-permanent removal from the city with some degree of seriousness.”
5
rocks under the surface
the attempt to distance the actual from the fantasised,
a transmutationan alchemy renders rocks & stones
into words
(a piece of music entitled
“Quite early one morning”)(how does an “object”
become notable – why separate a tree
from the air around it)Sugarloaf Creek poems
like Cold Mountain – a way of giving form
– but how true to its subject?Han Shan writing on anything
paper, wood, water – only the moment of interest
6
yesterday’s ride through heavy rain
clearing at Armidale
hanging round waiting for a wheel balance
espresso in the Nectar milk bara long cloud bank stretched up & down the coast
the Putty road enveloped in deadness,
then Colo, Windsor, Ryde,
the scene at Stuart’s house
some dope in the car,
a French restaurant& this morning a letter from John Forbes in London
7
Ballarat
on an edge of basalt:
the main street widens at this pointbend straws in the Chinese Cafe
eat in a cold wind
Wendourie
on the divideAlan Wearne phones with polemical scherzo from Meredithian sequence:
“fuck Diamond
fuck McKuen”rain heavy, lightning more distant – in the single bed at 28 Eva Street, the window part open.
8
walk with Ken Bolton down Glebe Point Road,
a piece of paper blows towards us
– it’s part of the Surfers’ Paradise reading poster
– the lower part with feet of the surfer
Ken asks: “Will our shit return to us in paperback?”Fisher Library, 6th floor. stack.
Julie Rose working on her French MA thesis
me reading Unspeakable Visions of The Individual
#4/74
THE BEAT BOOK
on review for Magic Sam #3.it’s dull & cold
out over Victoria Park mowing lines,
swimming pool half full of dirty water
heavy traffic, City Road & Cleveland Street,
sky a medium grey, clear strip to the northwest.finish reading M. Conrad Hyers
Zen & the Comic SpiritInterruption
Denise Hare & Angela Korvisianos in the courtyard cafeteria
someone passes a hash joint
& then I’m reading the last third of
Whitman’s 1855 prefaceHome.
finish a loaf of bread
glance through Rolling Stone
drink four cups of English Breakfast Tea
wash the dishes
everyone’s in the kitchen
– I gotta get outa here –
(a place where conversation is like a novel of manners)From unknown sources: “Symbols, images, rhythmical perfection . . . has never been
considered as of primary importance by the great poets, since refinement of form has
often ended in triviality.”&
“Kids get your Davy Crockett bed with scenes of Davy Crockett in action on the mattress”
9
I live a primitive life in the city; know people who can wheel & deal, do amazing things
with tax forms. I simply barter my body for money in terms of labour; make forays into the
jungle to buy trinkets & food.“What strikes me about many of the modern works in the Art Gallery of New South
Wales is that they have never belonged anywhere though the category “art’ relates them
somehow to the Aboriginal and New Guinean artefacts downstairs in some kind of cultural
continuum. Martin Sharp’s collection of fragments from Luna Park has closer & deeper
connections with its surrounding culture than the works of the self-conscious artists.
“The Gallery is a kind of nowhere living-room where grey metal ashtrays sit half lost
in white shaggy carpet around a chromium glass-topped table which never has anything on it.
I look over a balustrade to see five men; one (the impatient one) not in a grey uniform, pacing
back and forward while the others with the aid of a small fork-lift elevate a large Hans Heysen
a certain number of centimetres from the floor.”A big colour poster of Johnny Rotten under Steve Kelen’s script: “Annette Funicello’s curse
still grips Sydney”.My poetry – a life watching curtains flutter.
10
Train down early Sunday morning to Coalcliff & a walk down to the beach while Ken & Sal
Brereton put together posters & magazines for the evening. By 2 pm. a lot of people have
arrived – Philip Hammial, Denis Gallagher, ΠO, Nigel Roberts, Phil Roberts & others. We go
to Wollongong and the Al Monte. Phil Roberts delivers a paper called “Death of the poet” then
there’s a break & the Wollongong writers read, Ken & Sal first, then another break followed by
the Sydney contingent. Phil Roberts is interrupted by a Pyrmont anarchist whose child is playing
with a soccer ball. Others read – Denis, ΠO (Mayakovsky & Nelson Algren & “the fuck poems”
shouted from a tabletop), John Tranter performs his “Foucault at the Forest Lodge” pieces. A
band play lounge music while everyone drinks & eats lukewarm lasagne.I sleep in the pantry & wake early, the sun up over the ocean. A long breakfast turns into a picnic
lunch in the back yard, then in the afternoon we go back into Wollongong to the Art Gallery (two
coloured photos of Micky Allen’s on display) & walk down to the beach – barbed wire &
factories – tankers out on the Pacific.
11
Very quiet, an occasional car sound.
I’ve crossed some kind of meridian:
that bit in Williams’ Descent of Winter where his pants feel “strange upon a strange thigh”.It’s grey out over the park,
these things come at once:
winter, bad colds, the end of love.Read Ted Berrigan’s “Sonnet LXXVI” (“It’s my birthday”).
Dinner at Fort Street,
walk home in a break in the weather thinking grandiose thoughts about my poems.
12
Arrive late at Coalcliff, nobody about. Enter through a window and find The Diamond Noodle
with a great picture of Philip Whalen on the back. Ken & Sal arrive half an hour before the train.Coalcliff again, in time to help Ken re-affix the posts of the front verandah. Ken says he & Sal
have split up. We walk halfway up the mountain round the old track & then cut across a dip
before the final ascending stretch. At dusk we walk back past the cows to the house imagining
bad poems about this.Strong winds sound like they’ll blow the roof off.
- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones