The Ocean’s Tide: Parentheses in Kamau Brathwaite’s and Nathaniel Mackey’s Decolonial Poetics

1 November 2017

Works cited

Attali, Jacques. Noise: The Political Economy of Music. Minneapolis: U of Minnesota P, 1985.

Barthes, Roland. Camera Lucida: Reflections on Photography [1979]. Trans. Richard Howard, New York: Hill and Wang, 2010. Print.

Brathwaite, Kamau. conVERSations: with Nathaniel Mackey. Santa Cruz: We Press & Xcp, 1999. Print.

—. History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry. London: New Beacon Books, 1984. Print.

—. Jah Music. Mona: Savacou Cooperative, 1986. Print.

—. Masks. London: Oxford UP, 1968. Print.

Colbert, Soyica Diggs. Black Movements: Performance and Cultural Politics. New Jersey: Rutgers UP, 2017.

Farrell, Michael. Writing Australian Unsettlement: Modes of Poetic Invention 1796-1945. New York: Palgrave Macmillan, 2015. Print

Mackey, Nathaniel. Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. Cambridge: Cambridge UP, 1993. Print.

—. Paracritical Hinge. Madison, Wisconsin: U of Wisconsin P, 2005.

—. Splay Anthem. New York: New Directions, 2006.

Moten, Fred. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis & London: University of Minnesota Press, 2003. Print.

Mulcaster, Richard. Mulcaster’s Elementarie [1582]. Ed. E.T. Campagnac. Oxford: Clarendon, 1925.

Renkin, Anna. ‘Tidalectic Lectures: Kamau Brathwaite’s Prose/Poetry as Sound-Space.’ Anthurium: A Caribbean Studies Journal, Volume 1, Issue 1, Article 5, 2003. Web. 9 December 2016.

Shockley, Evie. ‘Going Overboard: African American Poetic Innovation and the Middle Passage.’ Contemporary Literature, Vol. 52, No. 4, Winter, 2011: 791-817.

This entry was posted in ESSAYS and tagged , , , , , . Bookmark the permalink.

Related Posts:

Comments are closed.

Please read Cordite's comments policy before joining the discussion.