For some, the relation between the body
and external objects is unclear, even
when buds are underfoot.
For others, it’s the symbolism of the vase
they fail to grasp.
For both kinds, the gap in understanding is
an effective tactic
to avoid censure.
For some, the vase marks the point
where the room ends
and nature begins.
For others, the petals imply
For all, a change of scene
has dramatic value.
For some, the flowers use the vase
to express themselves.
For others, the scatter of porcelain
describes a constellation.
For other still, it’s not the fear of
disapproval but of thorns
that stops them chewing the stems.
For some, the water links the past
to the present.
For others, it’s a symptom of debts unpaid.
For none does any of this
signify your second
Do your ideas
correspond to the things around you? Picture
her lying here, for instance, writing
‘one is the start of the pattern
two is just where it reveals itself’.
Shoulder clefts and an ill-timed blush.
A season of pauses. Nearby a gentleman
plums in his mouth, thinking ‘not all answers
you draw yourself up by the pond, still
in darkness or almost. The burrow discloses
an ambling mound, snuffling over
the threshold, thinking on what should’ve
happened yesterday, thinking ‘if not
why not?’ Only the curtain sees both sides
but––versed in discretion more than framing––
gives little away. Picture the parlour, then, with
she and he and a bearlike presence, where all
it takes is a careless glance
a sudden clutch of hearts, and a vessel
older than empires
meets its demise. The wombat jogs off
and no one is thinking ‘an iris
is also a flower’ or ‘regret is only a prelude’.
Light rain at daybreak. She is writing
when it gets interesting’.
- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- NO THEME VIII Editorial
- ‘A means of resistance’: Susie Anderson Interviews Alison Whittaker
- 10 Works by Richard Bell
- Shipwrecks in Modern European Painting and Poetry: Radical Mobilisation of the Motif as Political Protest
- 4 Self-translations by Danijela Trajković
- Brutalism: Poems by Alex Creece
- Imperfect Growth: a Travel Log
- 4 Translated Kim Seung-hee Poems
- Residence: Dwelling with The Shards (an essay)
- The Shards
- in yr swimming pool
- Sonar for Conception
- The slow clock
- nanny on the water
- Vernal Funks & Bluffs
- I’d Have Called Her Sooner
- Call of Summer
- Sunday, call me a squid
- Mother Bird
- The Wrong Colour
- Milk River
- House fitting : surprisingly
- Farewell to Sweet Pea