Rachael Wenona Guy

Porous Walls, or, Why don’t you join me?: Poems from the Future of Health

In Poetry and the Fate of the Senses, Susan Stewart writes that the use of caesura or enjambment ‘bring[s] pulse and breath to the poem itself’, at the same time opening ‘the text to the excentric positions of unintelligibility and death’.

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My Raucous, Singing Ear

On the Train I’m sitting on a blue seat, two red ones in front of me and a sign above them illustrating what priority seating looks like. Outside the window of the metro train, the day speeds past the planted …

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