Leah Robertson

Porous Walls, or, Why don’t you join me?: Poems from the Future of Health

In Poetry and the Fate of the Senses, Susan Stewart writes that the use of caesura or enjambment ‘bring[s] pulse and breath to the poem itself’, at the same time opening ‘the text to the excentric positions of unintelligibility and death’.

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Uncertain Parts

In my notebook, I record you each in different colours, hoping this will help me work out who is saying what, and then why you are saying it. You are not audible; I perceive you each like a thought. Some …

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