Judith Beveridge

Feature Poem with Judith Beveridge: Sunflowers

What strikes me in Andrew Stuckgold’s poem ‘Sunflowers’ are the graceful curves of the syntax, and the way he has masterfully employed sound. Reading the first sentence, which runs over three and a half lines, we hear that the ‘o’ …

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Feature Poem with Judith Beveridge: The H Word

There are many levels of identified pain in Omar Sakr’s poem: deprivation, despair, violence, oppression, shame, mortality, the brutal inevitability of loss and disenfranchisement, yet the poem’s interrogation of these issues is often playful and comic, tender and deftly alert …

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Feature Poem with Judith Beveridge: October

What strikes me as most compelling about Nadia Bailey’s poem ‘October’, is the way in which she portrays the horror of the October bushfires in the NSW Blue Mountains by telling it ‘slant’. The poem is redolent with suggestion and …

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Feature Poem with Judith Beveridge: Kalutara

For many poets, place is an enormous point of inspiration. These places may not necessarily be places where the poet physically resides or has resided in, but they may be the imaginative or spiritual places where the poet is most …

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Feature Poem with Judith Beveridge: Prawn Heads, Oil Rigs and Infidelity – Kuala Lumpur 1977

‘Prawn Shells Oil Rigs and Infidelity – Kuala Lumpur 1977’ is a highly dramatic poem full of tension and suspense. The poet builds these elements into the poem through the astute use of short, sharp phrases which also deliver their …

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Feature Poem with Judith Beveridge: a poem is not a meme

Miro Sandev’s poem ‘poetry is not a meme’ is an ironic take on poetry’s refusal to be subsumed by technological culture. In the octave of the sonnet, the poet uses web jargon and terminology in intelligent and witty ways, effectively …

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Libby Hart reviews Judith Beveridge

Storm and Honey by Judith Beveridge

Giramondo Publishing, 2009

Throughout Judith Beveridge's career we have seen her take an element from one volume of poetry and expand on it in her next book. Take for example her first collection, The Domesticity of Giraffes (1987) where she wrote of 'Hannibal on the Alps'. This theme was then redeveloped to become 'Hannibal Speaks to his Elephants' in Accidental Grace (1996). Again and again the subjects of these poems breathe new life into Beveridge's subsequent work, whether it be poems about India, birds and animals, Buddha or the water life of Sydney and beyond. With this as a guide, it is perhaps no coincidence that the three fishermen we were first introduced to in Wolf Notes (2003) reappear in Beveridge's new collection, Storm and Honey, in a series of thirty fictitious poems called 'Driftgrounds: Three Fishermen'.

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Woman in a Street Stall

She makes torn shapes above a pot; and I love to watch how the moon adds its cool, transparent edge to her lips. She tests for enough spice, enough distance, and I watch those sticks of cinnamon float among her …

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