Late Responses

By | 3 December 2025

For JF

as well as can be
calendars remind us of contract-
negotiated days, time in lieu of
time. on your morning walk you
flinch when a runner passes, swift
second breath in the shock of cold.

a strange and challenging year
do less with more. do more with
more. do less with less. do more
with less. with less do more. with
more do more. with less do less.
with more do and do and do and do.

running by the house
footprints become quote marks
reminding you of an ironic dist-
ance between self and world.
many rooms, many rooms; are
we allowed to head for home?

who’s counting?
the numbers only work for
those in control: hours saved,
positions removed (never re-
membering the time spent
putting on the data-driven coat).

walking the hill
our paths cross in theory, your
photos trying to grab the words
that spilled from my head hours
ago, my poems attaching to scenes
that have not been developed yet.

a darker turn
predawn sky like a locked phone-
screen. halfway up beauty point ave-
nue the airways constrict, forcing you
to stop. still, there are planes flying
overhead, holding everything together.

leaning into this new direction
see, I am doing a new thing! I am
changing playlists, I am updating
the operating system, I am taking
up exercise and k-pop fandom in
non-ironic ways [insert applause].

something living in a notebook
that’s a poem or at least part of
a poem. or perhaps the offcuts
of a poem. who knows until
the thing actually writes itself? so
keep walking, moving, ma(s)king…

add to the images
the burned-out car atop willans hill
testifies to a sacred immolation. stolen
bike cast into stolen scrub. two roos sur-
prised by footfall and appearance. below,
industry illumines industry over and over.

the same paths
…nearby couches risk exposure, cast off
or positioned. when you run the same route
you can only see the same things. at least,
that’s what some change-managed moment
declares to a treeline that shivers in the wind.

never meet
you are almost present, the after-effect
of a long exposure. dawn’s darkroom
bringing focus slowly at first, then all
at once. lorikeets shriek and shoot
through these accidents and shadows.

between images and text
sunrise pictograph, lawnmown riv-
erina firmament. there is no language
for what the crunch of frost gifts you
(crisp imitation of an urtext disturbance,
margins dark with the traces of failure)

associations and departures
regionally-engaged thinktank agri-
business community entrepreneurial
health-related local area startup con-
sultancy success story: eucalypt leaf
turned sideways, creek bed dry and silent.

take your time
I attempt to divide a day into quarter
hour segments but soon give up when
magpies crowd consciousness and morn-
ing fog refuses to lift. a voice calls across
the billable-billabong, ghost on unseen shore.

everything that is happening
night audits day at dawn, then again
at dusk; management consultants get
you both ways. crows arrive and pick
over a wombat, dense with fur and car-
stopped dignity (in the black/ in the red).

no rush
the kelpie runs from her owner but
returns when called. this mistbreath
and earnestness becomes you: learnt
fervour vs inbuilt restraint, more tiny
reminders of grace reversing the darkness.

find the time
lost, lost, forever lost! I forgot to press
the workout button so these steps aren’t
even being recorded. What’s the point
when a heartrate can’t be monitored?
just take the hard path and don’t ever stop.

take care
birdsong on the hill, waiting music on
the employee assistance line, sessional
directives on looking after one another, sky
fracturing into outsourced mini-dominions.
grab a heel, james, we may soon be lifting off…

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