사랑하는 이의 얼굴
그 유일한 얼굴
내게 말하는 얼굴
이파리의 한쪽 끝이 다른 쪽으로 말리고
잎들은 안으로 바깥으로 접힌다,
불어오는 가을 바람에 따라.
그녀의 땀, 그녀가 닦아 내리는 이마
그녀의 노력은 결실을 맺고,
쉼에 들어간다. 오 사랑이여.
피아노를 치는 그녀의 아름다운 손.
더 없이 아름답게 뱅글을 드러내는 그녀의 손목.
내 등 좁은 곳에 놓인 그 손바닥.
Barry Hill is a distinguished Australian writer in several genres. He has won Premier’s Awards for poetry, history, non-fiction and the essay, and in 2009 was short-listed for the Melbourne Prize for Literature. His fiction has been widely anthologized, he has written extensively for radio, and his first libretto, ‘Love Strong as Death,’ was performed at the Studio, at the Sydney Opera House in 2002. He is possibly best known for his monumental, multi-award winner, Broken Song: TGH Strehlow and Aboriginal Possession (Knopf 2002)— ‘one of the great Australian books,’ (Professor John Mulvaney) and ‘a landmark event in the history of Australian high culture.’ (Professor Robert Manne). His poetry regularly appears in the annual editions of The Best Australian Poems. Of his most recent books of poems, As We Draw Ourselves, was short-listed for the 2008 Victorian Premier’s Awards, and Necessity: Poems 1996-2006 won the Australian Capital Territory’s 2008 Judith Wright Prize. Between 1998 and 2008, he was Poetry Editor of The Australian. He has recently completed a Post-Doctoral Fellowship at the University of Melbourne. He has been writing full-time since 1975, and lives by the sea in Queenscliff, southern Australia, with his wife, the singer-songwriter, Rose Bygrave.