Well I’d been out there and I’d done stuff, and I didn’t meet anyone – or, if I did, we didn’t sit in a cafe and talk about our lives, but then, maybe I didn’t even go out, and maybe I didn’t do anything – maybe things did things, or maybe nothing happened, or everything did – everything did everything, though not simultaneously, but at anytime, or out of time, so maybe I was here or there and things were happening, and other people and other things we re doing things or not doing things – for instance, maybe I did something, and then I didn’t, maybe I walked down the street and picked up a plate, then I stepped on a twig, and then someone in Holland – maybe one of my cousins – picked up a paint-brush and painted nothing, or painted a trap, or a wing or a plate – he might have picked up an acorn and eaten it – he might have chewed it till it became a fine mash, then spat it into his hand and squished it into a hole in the wall, or into a bottle-top or a shell. He might have broken off the end of that shell and put it into the mouth of a suckling kitten. Maybe things were exploding everywhere, or, maybe not exploding, but constantly and dramatically changing. I might have walked into the street, when suddenly the floor beneath me dropped twenty metres and the building across the road leapt into the air. Peter, the guy I work with, came up to me, and maybe I didn’t even recognise him at first because his face had stretched and his mouth was still back at the cross-roads and it took a while for his words to reach me, but then he said let’s sit in a cafe and talk about our lives, so we were in a cafe and I said yeah, well, this and that’s been happening, and he said something about pillars – so many pillars in this cafe – but what about your life, I said, and he just laughed, he laughed and laughed – what was that funny something someone in the Gilbert and Sullivan Society said? oh yes, that’s right, now I remember, but on the subject of his life, he said, yes, it is sometimes like that – a horrible thing, horrible, horrible, but it’s also good cause that’s how we like it.
- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones