In Confederates we Couple

By | 1 November 2017

(Q.E.D.)

To speculate on compound vision, the world reprizes: one and one is one. Each arc of a lover’s conjecture creatures toward incendiary light. The soul’s algebra draws upon an angle of landscape at once perishable and precise. We sup on the circumference of a single Brain with warm Logarithms for Drink. I admire the turn of a plump Binomial Theorem flush in your hand. Furnished with concave witness, we talk hesitating fractions, intercede in hunger’s ratio with iron buds. This ear’s more than average, less than storm clouds with their pressing sleeves. What was omitted by mistake? What proofs made Area the shore? The consternation of bell curves in gulf-stream forecast. Neighbourhoods airing their heat as Climbing seconds play. Copies upon copies in satisfied labour, suckling on leaves of chiffon. Curtained diameters soon become mouthy in a degreeless Sovereign noon. You knew that each syllable was reversible; sprung forth swift regardless. Tiptoe Amherst, court your meteors wisely. Neither the Day nor the Tongue remembers the process by which we first became series.

 


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Ann Vickery is Professor of Creative Writing and Literature at Deakin University. She is the author of three poetry collections: Bees Do Bother: An Antagonist’s Care Pack (Vagabond Press, 2021); Devious Intimacy (Hunter Publishers, 2015); and The Complete Pocketbook of Swoon (Vagabond Press, 2014). She is also the author of Stressing the Modern: Cultural Politics in Australian Women’s Poetry (Salt, 2007) and Leaving Lines of Gender: A Feminist Genealogy of Language Writing (Wesleyan University Press, 2000). She co-edited Poetry and the Trace (Puncher and Wattmann, 2013) and co-authored The Intimate Archive: Journeys through Private Papers (National Library of Australia, 2009). She has been editor-in-chief of HOW2, an online journal of innovative women’s poetry and scholarship, and poetry editor of Puncher and Wattmann. She is currently series editor of Palgrave’s Modern and Contemporary Poetry and Poetics.

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