There is no mercy in the glitter of cleavers. ‘Totem’, Sylvia Plath
child-dagger
clavicle—self
suspended seed hung liver
bristling of needles of hooks in eyes
i love you, maman
webbed wings pinioned insects
stitched flesh-seams
the room as long as a whole
days ,,, nights
mirror arch replicated re: reple-
-te && incomplete
***
yes, would very much
like to
bury the hatchet
// exactly where I can see it
inside of you //
***
Come, let us entwineour limbs and our souls
After all, we fed from the same source
release my hand (please do) )not)
***
threads unspooling cut up / tablecloths
scarves / dresses / stockings
skin / limbs / innards
dreams / language / memory
one eye open
other eye sealed forever
***
I HAVE BEEN
TO ______ AND
_______.AND LET ME
TELL YOU,
IT WAS
______________.***
I beg of you, mother
catch me
I fall
I fall
Note:The poem responds to the following artworks by Louise Bourgeois, in approximate order:
Dagger Child (1947-49), Fée couturiere (1963), The Quartered One (1964-1965), Janus fleuri (1968), Eugénie Grandet (2009), I Love You (1987),
The Winged Figure (1948), Umbilical Cord (2003), Arch of Hysteria (1993), Arch of Hysteria (2004), Knife Figure (2002), À l’infini (2008-09),
Couple (2001), The Couple (2002), The Couple (2003), Heart (2004), Untitled (no 7) (1993), The Trauma of Abandonment (2001),
Nature Study (1986), The Good Mother (2003), Untitled (Broom Woman) (1997), The Waiting Hours (2007), The Hidden Past (2004),
Untitled (I Have Been To Hell and Back) (1996), I Redo (1999-2000) and The Woven Child (2002).In particular, the penultimate section quotes the text from the embroidered artwork of Untitled (I Have Been To Hell and Back) (1996)
but replaces the words ‘HELL’, ‘BACK’ and ‘WONDERFUL’ with blank spaces.
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