Burial (after Louise Bourgeois)

By | 12 February 2026

There is no mercy in the glitter of cleavers. ‘Totem’, Sylvia Plath

child-dagger

clavicle—self

suspended seed hung liver

bristling of needles of hooks in eyes

i love you, maman

webbed wings pinioned insects

stitched flesh-seams

the room as long as a whole

days ,,, nights

mirror arch replicated re: reple-

-te && incomplete



***

yes, would very much

like to

bury the hatchet

// exactly where I can see it

inside of you //

***
Come, let us entwine

our limbs and our souls

After all, we fed from the same source

release my hand (please do) )not)

***

threads unspooling cut up / tablecloths

scarves / dresses / stockings

skin / limbs / innards

dreams / language / memory

one eye open

other eye sealed forever

***

I HAVE BEEN
TO ______ AND
_______.

AND LET ME
TELL YOU,
IT WAS
______________.

***

I beg of you, mother

catch me

I fall

I fall



Note:

The poem responds to the following artworks by Louise Bourgeois, in approximate order:
Dagger Child (1947-49), Fée couturiere (1963), The Quartered One (1964-1965), Janus fleuri (1968), Eugénie Grandet (2009), I Love You (1987),
The Winged Figure (1948), Umbilical Cord (2003), Arch of Hysteria (1993), Arch of Hysteria (2004), Knife Figure (2002), À l’infini (2008-09),
Couple (2001), The Couple (2002), The Couple (2003), Heart (2004), Untitled (no 7) (1993), The Trauma of Abandonment (2001),
Nature Study (1986), The Good Mother (2003), Untitled (Broom Woman) (1997), The Waiting Hours (2007), The Hidden Past (2004),
Untitled (I Have Been To Hell and Back) (1996), I Redo (1999-2000) and The Woven Child (2002).

In particular, the penultimate section quotes the text from the embroidered artwork of Untitled (I Have Been To Hell and Back) (1996)
but replaces the words ‘HELL’, ‘BACK’ and ‘WONDERFUL’ with blank spaces.

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