“proper meanings were the last to be found”
1. Deckard consults Roman Jakobson about a possible replicant.
I put the picture of a man –
someone with aphasia –
in the Esper Machine. [Track left. Enhance. Stop]
I seem unable to grasp
the multiplicity of his details.
The portrait is lost. [Pull out and track right. Stop. Enhance]
I place a photo of a worker –
someone with mealy mouth –
in the doovalacky.
I appear incapable of holding
his broken shards.
The facsimile disintegrates. [Track forty-five right. Stop]
I insert an image of a lover –
a confused person –
into the ancient computer. [Centre and stop]
I lack the skill to handle
his whole being.
His essence dies. [Enhance thirty-four and forty-six]
I thrust a stranger –
a figure bordering another figure –
into the slot.
I look sure to let slip
his inner complexities.
The message is garbled. [Enhance fifteen to twenty three. Stop]
I analyse him –
the mis-speaker –
I can’t read
Select all. Delete. [Give me a hard copy right there]
2. I am the business
He found Zhora in the bath so easily.
Scales of snakeskin in the tub
= danger and sex = femme
fatale. He caught her in a .dos net,
overlaying her photograph with a screen
made of intersecting green lines.
He pinned me down the same way.
But to find my hiding places is not to
penetrate them. That the grid exists
is syntax and sign. Yes, I am the business,
but I am also music, I am also rain.
3. GAFF: “When keels plough the deep”
Rachel’s selection of an uncertain future with me
is contiguous with my whisky glass.
My whisky glass was chosen for its vertical lines,
which reminded Ridley Scott of Raymond Chandler.
Phillip Marlowe is a bruised peach
next to the cold glass bowl of Los Angeles.
She and I set sail in the cinematic ending
because of clammy hands in the test screening
and I choose to begin with brand new words
because she is next to me.
- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones