CCC Spoken Word Mix

By | 10 October 2010
[audio:http://cordite.org.au/audio/I-will-grab-their-bytes-and-they-will-secretly-not-like-it_MP3.mp3,http://cordite.org.au/audio/02-Not-Some-Racist.mp3,http://cordite.org.au/wp-content/uploads/2010/07/a-text-tale.mp3,http://cordite.org.au/audio/ladygabyandzimmerparadisefasterversion.mp3,http://cordite.org.au/audio/Jorja-Free-Information-Poem.mp3,http://cordite.org.au/audio/A-Night-on-the-Town.mp3,http://cordite.org.au/audio/cordite33creativecommonsyarranjenkins.mp3|titles=I will grab their bytes and they will secretly not like it,Not Some Racist,a text tale,Paradise,Free Information Poem,A Night on the Town,Creative Commons: Bastion for Utopia or Just More Creative Culture Juju?|artists=klare lanson,Paul Mitchell and Bill Buttler,klare lanson,Lady Gaby and Zimmer,Jorja Kelly,Eleanor Jackson,Yarran Jenkins]

Various Artists

Cordite Creative Commons Spoken Word Mix (20:23)


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Track Listing:


    
Klare Lanson: I will grab their bytes and they will secretly not like it (1:16)
    
Paul Mitchell and Bill Buttler: Not Some Racist (1:57)
    
Klare Lanson: a text tale (3:58)
    
Lady Gaby and Zimmer: ‘Paradise’ (3:40)
    
Jorja Kelly: All We Wanted / Free Information Poem (3:36)
    
Eleanor Jackson: A Night on the Town (1:25)
    
Yarran Jenkins: CC: Bastion for Utopia or Just More Creative Culture Juju? (4:31)
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David Prater was Cordite's Managing Editor from 2001 to 2012. His first poetry collection, We Will Disappear, was published by papertiger media in 2007, and Vagabond Press published his chapbook Morgenland in the same year. His poetry has appeared in a wide range of Australian and international journals, and he has performed his work at festivals in Australia, Japan, Bulgaria, Canada, the United States, the Netherlands and Macedonia. He has also undertaken two writers’ residencies in Seoul, Republic of Korea, and has worked extensively as a teacher, editor and researcher. He currently lives in Stockholm, Sweden.

http://daveydreamnation.com

More by David Prater on Cordite Poetry Review →

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