The figure of the tyrant-monster is known to the mythologies,
folk traditions, legends, and even nightmares, of the world; and
his characteristics are everywhere essentially the same.He had not been down that way under The Hill for ages and
ages, not since his friend the Old Took died, in fact,‘I – well, my name is Richard Papen –’
He put his head to the side and blinked again, bright-eyed,
amiable as a sparrow.
‘– and I want to take your class in ancient Greek.’Great white bearskins lay about underfoot, and the only
furniture was a lot of low beds covered with Indian rugs.
Instead of picturesDolly saw it was his right hand. His bloody working
hand. A man could hardly pick his nose with a thumb and
half a pointer. They were done for; stuffed, cactus. Thank
you, Lady Luck, you rotten slut., I carry
and nurse, my diffident twin, I’m often morose, and think
of those statues that lean above themselves in water,
Horses
tossed their plumes. The Queen had come.The shutters and doors of the Radley house were closed on
Sundays, another thing alien to Maycomb’s ways: closed
doors meant illness and cold weather only. Of all days SundayDAY FIVE
I let Irene cut my hair today. It’s kind of horrible. She’s only
twenty, and her skin is all broken out from PCP and heroin. I got
so absorbed listening to her stories of blackouts and arrests forprostitution that I didn’t notice how badly the haircut was ac-
tually going.
Julie is so cheerful I want to punch her.LORD DARLINGTON [still seated L.C.]: Oh, nowadays so many con-
ceited people go about Society pretending to be good, that I think
it shows rather a sweet and modest disposition to pretend to be bad.
Besides, there is this to be said. If you pretend to be good, the world
takes you very seriously. If you pretend to be bad, it doesn’t. Such
is the astounding stupidity of optimism.
LADY WINDERMERE: Don’t you want the world to take you
seriously, then, Lord Darlington?
LORD DARLINGTON: No, not the world … youSimi-
larly, if we question someone on well determined events in his private or
public life, he may reply, “I know nothing.” And this nothing includes
the totality of the facts on which we questioned him. Even Socrates
with his famous statement, “I know that I know nothing,” designates
by this nothing the totality of being considered as Truth.“It sounds darling,” Mrs. Carpenter agreed.
“Sybil, hold still, pussy.”
“Did you see more glass?” said Sybil.
Mrs. Carpenter sighed. “All right,” she said.
She replaced the cap on the sun-tan oil bottle.
“Now run and play, pussy. Mommy’s going up to
the hotel and have a Martini with Mrs. Hubbel.I’ll bring you the olive.”
- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones