Picture me pure centaur, sure astride
my chestnut steed, the both of us wild maned
and pacing with untamed grace, synchronised limbs
most undeniably stallioned among the ungulates.
In the city I can swing this vision – hot to trot
with my stolen horse girl valour. It’s true enough
I rode him, true he carried me, true we flew in tandem
through fields and river fords, two hearts stomping
in our chests like hooves in wet turf. But there is
no couple’s therapy that can solve the severance
of the sacred bond between a girl and her gelding.*
As is proper, the boys of the school were possessed
by a fascinated horror of the horse girls. How openly
they theorised on the coupling of the canter,
palomino musculature flexing between thighs. Clearly
they envied the means to achieve our need for speed
that would mash their aching testes to mincemeat
in one galloping contusion. And the pony club’s
dainty dressages only proved that the girlies owned ferality
as a concept. Grooming brushes incited hayfever redeye
and unbridled rivalries. We raced each other under
the lowest hanging branches at the showgrounds’ perimeter
to see who’d topple, winded, in a flurry of sycamore helicopters.
My horse once kicked a kid heartily across the arena
but still I stood behind him to braid ribbons in his red tail, believing
if I caught that crescent bruise, I’d have earned every blot of it.*
It doesn’t end with the equestrians.
Since highschool I have formulated
extensive psychosexual theories of sports…
the queercoding of netball, repressed passion
of the supposedly contactless encounter
thrumming with impermissible violence.
Sharpen your harpy nails, mark your opponent
and hover closer than her own shadow
or throw down your bib like a goal attack gauntlet
shrieking this was supposed to be a social game!!!!!
Though I’m no real referee of the court, preferring to play the field –
I was a hockey jock, hefting my composite wood,
idly swanging my stick like a slazenger strapon
in my strategically asthmatic defence position.
Phallic appropriation girlies rise up! But all the games
never came so close to another body as when riding. Closer
to another killer body. To a killable body,
reined in full harness, the original pony play
always two animals that could murder each other
but are choosing – for now – to trot about together looking sillay.*
On a riding camp we sat in our saddles and watched
an older girl demonstrate the triple bar jumps. We sat
as the two ascended like one whole holy dove, we sat
as they stayed aloft – suspended like a flesh rainbow casting
an arc of bone and sinew in the grey sky – we sat
as the first hoof to touch again on mortal earth slipped
and we sat as the rest of the body crumpled over it,
saw the horse faceplant in the wet grass
and the body fall the other way, his neck a furred horseshoe
collapsing, his girl steadfastly in the saddle until our supervising adult
dismounted and coaxed her out of it, stepping over
the horse’s legs spasming. The magpies swooped in from the pines.
And when the vet finally came with his needle of ketamine dream
to put down the paralysed horse, girl sobbing as she stroked the long face laid in
her lap, we sat on our own horses as they did not watch at all,
but continued to graze.*
I talk a big game as a retired horse girl
but the big guy and I did not maintain a high trust relationship.
Cold metal caught us both, twisted past forgivable tenderness:
the bit forced sore between his lips; stirrups that caught
my feet to be dragged by, screaming, thrown again
on the mercy of the paddock. Sure I kicked his sides,
as surely as he sank his teeth into my thigh,
or nipped my fingers instead of the clover offered in my palm.
But it was love! Or that which an activated nervous system
transmutes to some similar devotion. I having not yet learned
any smirking meaning for bareback, he a lifelong gelding –
we were two animals rampant with urges we could not contemplate
except as the itch to disobey. And when we both felt it we moved as one,
his red mane licking like flames down his neck, one ear pointing forward
and the other turned back to hear me, something like freedom resounding
through us as loud as horseshoes beating down the stable doors
to run and run, further and faster than the last rays of the lucky sun.
- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones