Picture me pure centaur, sure astride
my chestnut steed, the both of us wild maned
and pacing with untamed grace, synchronised limbs
most undeniably stallioned among the ungulates.
In the city I can swing this vision – hot to trot
with my stolen horse girl valour. It’s true enough
I rode him, true he carried me, true we flew in tandem
through fields and river fords, two hearts stomping
in our chests like hooves in wet turf. But there is
no couple’s therapy that can solve the severance
of the sacred bond between a girl and her gelding.*
As is proper, the boys of the school were possessed
by a fascinated horror of the horse girls. How openly
they theorised on the coupling of the canter,
palomino musculature flexing between thighs. Clearly
they envied the means to achieve our need for speed
that would mash their aching testes to mincemeat
in one galloping contusion. And the pony club’s
dainty dressages only proved that the girlies owned ferality
as a concept. Grooming brushes incited hayfever redeye
and unbridled rivalries. We raced each other under
the lowest hanging branches at the showgrounds’ perimeter
to see who’d topple, winded, in a flurry of sycamore helicopters.
My horse once kicked a kid heartily across the arena
but still I stood behind him to braid ribbons in his red tail, believing
if I caught that crescent bruise, I’d have earned every blot of it.*
It doesn’t end with the equestrians.
Since highschool I have formulated
extensive psychosexual theories of sports…
the queercoding of netball, repressed passion
of the supposedly contactless encounter
thrumming with impermissible violence.
Sharpen your harpy nails, mark your opponent
and hover closer than her own shadow
or throw down your bib like a goal attack gauntlet
shrieking this was supposed to be a social game!!!!!
Though I’m no real referee of the court, preferring to play the field –
I was a hockey jock, hefting my composite wood,
idly swanging my stick like a slazenger strapon
in my strategically asthmatic defence position.
Phallic appropriation girlies rise up! But all the games
never came so close to another body as when riding. Closer
to another killer body. To a killable body,
reined in full harness, the original pony play
always two animals that could murder each other
but are choosing – for now – to trot about together looking sillay.*
On a riding camp we sat in our saddles and watched
an older girl demonstrate the triple bar jumps. We sat
as the two ascended like one whole holy dove, we sat
as they stayed aloft – suspended like a flesh rainbow casting
an arc of bone and sinew in the grey sky – we sat
as the first hoof to touch again on mortal earth slipped
and we sat as the rest of the body crumpled over it,
saw the horse faceplant in the wet grass
and the body fall the other way, his neck a furred horseshoe
collapsing, his girl steadfastly in the saddle until our supervising adult
dismounted and coaxed her out of it, stepping over
the horse’s legs spasming. The magpies swooped in from the pines.
And when the vet finally came with his needle of ketamine dream
to put down the paralysed horse, girl sobbing as she stroked the long face laid in
her lap, we sat on our own horses as they did not watch at all,
but continued to graze.*
I talk a big game as a retired horse girl
but the big guy and I did not maintain a high trust relationship.
Cold metal caught us both, twisted past forgivable tenderness:
the bit forced sore between his lips; stirrups that caught
my feet to be dragged by, screaming, thrown again
on the mercy of the paddock. Sure I kicked his sides,
as surely as he sank his teeth into my thigh,
or nipped my fingers instead of the clover offered in my palm.
But it was love! Or that which an activated nervous system
transmutes to some similar devotion. I having not yet learned
any smirking meaning for bareback, he a lifelong gelding –
we were two animals rampant with urges we could not contemplate
except as the itch to disobey. And when we both felt it we moved as one,
his red mane licking like flames down his neck, one ear pointing forward
and the other turned back to hear me, something like freedom resounding
through us as loud as horseshoes beating down the stable doors
to run and run, further and faster than the last rays of the lucky sun.
- 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones