-
- 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
CONTRIBUTORS
Stu Hatton
doom piles
for Sarah I write in a notebook with Gautama Buddha on the cover, his right hand making the Vitarka mudra, signifying teaching & discussion. Having called myself a Buddhist. I kept re-wounding the wound. The urge to be schooled: discuss. …
Posted in 114: NO THEME 13
Tagged Stu Hatton
ludic (II)
The game seemed a hustling object, a whatever. Who was adjudicating? Perhaps the field. The whole mob performance, pleading the point. Our heads were just to sit there content. A carnage never free from chance. Money’s short-lived hum, a pretence. …
Posted in 102: GAME
Tagged Stu Hatton
confession 2
it was Wed night in a tryst & what was my nom de scène? I was either getting ahead of or tailgating myself, you were dressed in skin I would be your cowl cowling at all hrs to make sure. …
Posted in 78: CONFESSION
Tagged Stu Hatton
ha rd-won
in the y ear of our rar est digit al flow er the de ad ’re i n the ir g rid the algo r it him’ ll give u their stat em ent who can clean for get the …
Posted in 75: FUTURE MACHINES
Tagged Stu Hatton
Review Short: Liam Ferney’s Content
Liam Ferney’s Content is a book of poems largely composed out of memes, or slices of culture. The notes at the back of the book state: Some of these poems contain allusions, sentiments, words, phrases, sentences and images that have been lifted from the culture. And Cordite’s comments. If you’re not sure, Google it. At this stage your guess is as good as mine.
Posted in BOOK REVIEWS
Tagged liam ferney, Stu Hatton
a trainspotter-journalist’s demise
To dedicate oneself to writing contra the daytime empire equates to working five jobs, to be rewarded only with endless grime upon your thinking, & no pay. Any coin that falls is not likely to be legal tender, & leads …
Posted in 72: THE END
Tagged Stu Hatton
After Auden
Control of such questions (or the cloaking of control) would, you saw, be key to these disputed zones. You, a trained philosopher, had fallen for the ruse Of a bogus position, seduced by the usual appearances. Near Blackheath was a …
Posted in 68: NO THEME IV
Tagged Stu Hatton
January
(porcelain erasure, after Cynthia Cruz) A Califormia of snow Of illness. I throned myself in the white Noise of its silence and watched the world Fell away. All the silver flickerings of possibility Going out like the sound of Clicking …
Posted in 63: COLLABORATION
Tagged Stu Hatton
Nightside
(a cento, for/after Jill Jones) hours may not be to scale as when there becomes here & stars reach output’s end the stadium birds equally bluffed by meteorology could you understand breath as a casting of doubt now the bottle’s …
Posted in 63: COLLABORATION
Tagged Stu Hatton
Lunch Poem, University Square
When I say I have a tree for lunch I mean I sit under it & eat something I assembled from bits of a supermarket. Uni students pass by, pointing out the sun, which they have been learning about. Today’s …
Posted in 62: MELBOURNE
Tagged Stu Hatton
Poetics
read the poem many times wasn’t sure i liked it a bit landscapey like walking west at sunset not deletionist enough too bound in boundedness probably best viewed at random kind of poem that doesn’t return calls but nevertheless keeps …
Posted in 61: NO THEME III
Tagged Stu Hatton
Rims
[audio:http://cordite.org.au/audio/Rims.mp3|titles=Rims – Stu Hatton] Ambient backing ‘126 Suburbs Neigbourhood Spring Evening Leaves Light Wind Kids Singing Chimes’ by freesoundrecordiss is licensed under creative commons attribution 3.0
Posted in 52: INTERLOCUTOR
Tagged Stu Hatton
syd
overw eight s tubble d dow n too m any on e-ways glitter harbo red a r ing tra fficking dags in noted p ark be at head offices i n shape of head aches + we arg ue hom …
Posted in 49: SYDNEY
Tagged Stu Hatton
apropos (celebration instructions remix)
1. relation between exposure & strength: poppies touch it to the point of no hands 2. sunflowers not anchored by old coins to make art their invisible 3. insect vision a nonblind blind their treasure buzz 4. celebration of husks 5. the rain- framed germination clock not the seed instructions 6. electric grains soft spools of early seedlings purple with the dark
Posted in 41: CC - THE REMIXES
