Nadia Niaz

Nadia Nuiaz is a Melbourne-based writer and editor. She has a PhD in Creative Writing and Cultural Studies from the University of Melbourne where she teaches Creative Writing. Her work has previously appeared in Mascara Literary Review, TEXT, Strange 4 and The Alhamra Literary Review.

Review Short: Elif Sezen’s Universal Mother

There is something delicious about a collection that doesn’t open itself up to the reader on a first or even second reading and yet compels them to come back to it, something delightful about lines that lodge themselves in your brain and demand a third, fourth, fifth reading to reunite them with the poems they come from.

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Review Short: Ken Canning/Burraga Gutya’s Yimbama

Reading a book by an Indigenous Australian author comes with a certain mythos attached. There is an uncritical expectation of explanation, of being taken by the hand and taught profound lessons that are appropriable, then displayed as trophies to liven up ‘Western’ society. Because indigeneity is often imagined as oppositional to modernity – and because modernity is assumed to belong to the ‘West’ – it’s as if the reader is sneaking off and doing something a little naughty, a little rebellious, by peeking over the fence at the fascinating and magical world of the ‘ethnic’ writer. And there is a reward for this, be it gratitude from the authors for deigning to listen, or kudos from one’s own cohort for being so very brave and ‘open minded’.

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