Laurrie Duggan

Alternate Version

Ken writes the unwritten poem as I once planned the unfinished poem (that would be finished) in fact I planned a whole book of them Unfinished as in [ ] the blurb: ‘anyone can write finished poems . . . …

Posted in 106: OPEN | Tagged

Review Short: Laurie Duggan’s East & Under the Weather

It’s possible to say now, I think, that Laurie Duggan’s massive, monumental and documentarian long poem entitled The Ash Range (collected in 1987) has done for Australian expansive poetics what William Carlos Williams did with Paterson, and Charles Reznikoff with Testimony. Duggan is a practitioner of the serial and modular long poem par excellence. The long poem, in its weighty transfer from the epic, inaugurates a new kind of impure capaciousness, an ability to include modes, styles, citation and quotation, to document change, compromise, the whole mess of culture, all the rich materials that define the modern and contemporary long poem. A recent example of a modular long poem of the kind Duggan has engaged since the 1970s is Kate Middleton’s disjunctive, difficult and sprawling Ephemeral Waters (2013).

Posted in BOOK REVIEWS | Tagged , ,

Review Short: Laurie Duggan’s Allotments

In 2012 Puncher & Wattmann published Laurie Duggan’s serial ‘Blue Hills’ poems in one collection. The ‘Blue Hills’ – a sequence that first appeared in Duggan’s The Great Divide (1985) and then reappeared intermittently through a number of subsequent books until being brought together in The Collected Blue Hills – are notational works concerned with the idiosyncrasies of place, or perhaps space, depending on one’s theoretical allegiances [if any].

Posted in BOOK REVIEWS | Tagged ,

Life on Mars

‘Am I a light bulb?’ – tortured Iraqi No, my friend, you’re an ‘electric pear’

Posted in 55: RATBAGGERY | Tagged