John Shaw Neilson



Possession, Landscape, the Unheimlich and Lionel Fogarty’s ‘Weather Comes’

A great many Australian poets are in an interesting and ironic state of dispossession, although perhaps only a small proportion of them actually feels that way – that proportion, let’s say, whose subjects and predispositions draw them towards the landscape, its flora and fauna, and their human experience thereof and thereupon.

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