Angelita Biscotti Reviews TAKE CARE by Eunice Andrada

By | 8 February 2022
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Works Cited

Araluen, Evelyn, Drop Bear, University of Queensland Press, 2021.

Artaud, Antonin, Theatre and Its Double, Translated by Victor Corti, Alma Classics, 2010.

Joaquin, Nick, Culture And History, Anvil Publishing, 2004.

Lico, Gerard, Edifice Complex: Power, Myth and Marcos State Architecture, Ateneo de Manila University Press, 2004.

Ramos, Mariejo, ‘Philippine Comfort Women: Statues Removed.’ Philippine Daily Inquirer. 24 February 2019. https://newsinfo.inquirer.net/1089317/ph-comfort-women-statues-removed-but-pain-remains

Ruhl, Sarah, 100 Essays I Don’t Have Time To Write: On Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children, and Theater. Farrar, Straus and Giroux, 2015.

Tadiar, Neferti XM, Fantasy-Production: Sexual Economies and Other Philippine Consequences for the New World Order, Hong Kong University Press, 2004.

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Angelita Biscotti’s work has appeared in Overland, Cordite, The Lifted Brow, Archer and elsewhere. She is a non-binary Spanish-Filipinx-unAustralian settler living in unceded Boon Wurrung Country. Her creative practice includes improvised performance, queer astrological counselling for millennials and Gen Z, poetry, design, experimental non-fiction, and baby steps in electronic music-making. The 2022 dream is to work on an EP inspired by planetary motion. Instagram: @angelita.biscotti

http://angelitabiscotti.squarespace.com

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