This poem does not have a spacious deck for entertaining after a hard day’s reading itself.
It lacks a million dollar view of surrounding majestic mountains, or even filtered sea glimpses.
A poem like this boasts no walk-in wardrobes, parents’ retreats, media rooms, or en suites.
European appliances do not grace the non-existent kitchen in this poorly equipped poem.
Similarly, the bench tops are neither marble, stainless steel, stone-rich, or, indeed, extant.
This poem’s location is not convenient, as there are few shops, schools, or parks nearby.
Public transport does not run within a stone’s throw of this poem’s old, invisible front door.
Although this poem contains three words with the letter ‘x’ in them, it lacks a so-called X Factor.
Speaking of letters, its letterbox is shaped like a transparent snail. That is both lie and joke.
The poem’s garden lacks any sign of birds, toads, water features, trees, grass or space.
The curtains that cover the windows of this poem are all wonky, smoke-coloured Venetians.
A real estate agent has hanged himself using the cords of one of the poem’s most ugly blinds.
One window has a yellowed sheet of newspaper crumpled and pushed into a very large hole.
That improvised plug is made from a page of the real estate section of last week’s local newspaper.
Out of curiosity, you remove the paper, and smooth it out, to see if it reports something interesting.
That is because you do not know, until smoothing it, that it is from the real estate section.
It will not be interesting, but will contain far too many details about a hard poem to market.
Your hopes of finding a bargain are flattened. You leave by that bland, elusive front door.
- 97: PROPAGANDASUBMIT NOW with M Breeze and S Groth 96: NO THEME IXwith M Gill & J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones