I spent quality time after her memorial
The absoluteness of her being
here, then ™Photoshopped out.
What is it that anyone
remembers? Most of the speakers
were not and could not be
eloquent. Everyone nibbled
at the borders of her life
and of the unspoken.
you can’t articulate it, any
of it, either in part
or as a whole.
Of course, memory itself
is one culprit: iterations,
inventions, re-castings, thoughts
escaped, home movies, rifts,
pretensions, chains, scraps of fabric
and frozen evanescence.
Did you so believe in soul?
I didn’t know! I thought the word was odd—.
Someone stripped away the black
of the beleaguered words,
to reveal the shadows
beneath their nakedness.
The heavy doors of travel
pivoted on hinges and turning points.
Sometimes hinges make a sound
like vermin. The mist
between landmarks encouraged earworms.
A Chopin étude, caught in a loop
and never resolved.
Or the “Chiquita banana” ditty,
pert, didactic, unforgettable,
a Potemkin village of kitchen pleasantries,
stereotypes and housewife-ry
under which tentacles
of collusion, massacre, preferential
access, policed economies,
and paramilitary activities
far away from home.
You can see right away there are
two stories—the palpable, but insignificant
and the hidden, real enough but all obscured.
What? That number is patently
ridiculous. Two says nothing. It’s wrong already.
It’s certainly simultaneous conflicting,
overloaded presences of “story,” crossroads, the honey of personal life,
one tiny part of a well-built honeycomb,
done beautifully, with compassion,
sweetness, and the rocks onto which
some jump or fall–all that
narrates nothing, all that loses everything,
though a number like two or three might do to symbolize this
so long as one doesn’t forget intricacy and the networks
of collusion, themselves limiting us to the
binary, the trifecta, the 4 cardinal points of mists
neatening or sweetening all of it, the lot.
Time’s pale light upon the trees blinded the viewer
as the rushing stream rushed on.
Of course we spoke
awkwardly, a translation
without an original.
How could we have not?
The poem, unwritten, is concealed by the poem, written.
It’s kind of a disgrace.
There is a lot of blank paper in this notebook.
Perhaps it should be left there, empty.
Time is gone, emphatically lost.
Its feeling tone
That’s what you say
because you want to say it–but
does it really?
Perhaps there is no choice.
This unwritten–reliably as
a force that unwrites itself–
creates spray and backwash,
recriminations in the holes and crevices
that fill, some seasons,
with the powerfully dangerous tide
of what some person meant to do
Especially sediments of unfinished
stories, eroded stories–
Any solid page of print
is a bluff–or I guess, that
It should truly be full of
ripped paper, holes,
- FREE: 20 Poets anthology
- 91: NO THEME VIIISUBMIT to C Gaskin 90: MONSTERwith N Curnow, coming soon! 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Submission to Cordite 91: NO THEME VIII
- Judith Bishop Reviews Phillip Hall’s Fume
- Bella Li on as Associate Publisher
- Alex Creece on as Production Editor
- Review Short: Diane Fahey’s November Journal and Carmen Leigh Keates’s Meteorites
- Review Short: Vahni Capildeo’s Seas and Trees and Jennifer Harrison’s Air Variations
- To Outlive a Home: Poetics of a Crumbling Domestic
- ‘The Rally Is Calling’: Dashiell Moore Interviews Lionel Fogarty
- Jackie Ryan: Teaser to Burger Force 3
- Dispatch from the Future Fish
- Introduction to Cordite 89: DOMESTIC
- 7 Portraits by Ali Gumillya Baker
- Selections from 3 Yhonnie Scarce Series
- Kathy Acker and The Viewing Room
- To Live There: on ‘Dispatch from the Future Fish’
- The Wild Workshop: The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett
- Externalising the Symptom: Radicalised Youth and The Membrane
- On Deep Breaths and Friends Forever: Im/materiality and Mis/communication in Happy Angels Revisited
- Letter to Anne Carson: Work of Remembrance and Mourning
- Translated Extracts from Chantal Danjou
- Translations from Old English
- The Poets: Pejk Malinovski Self-translates
- Carnage, Crosses and Curiosity: 13 Images by Yvette Holt
- Body of Sound
- ‘Eat’ from Horse
- Stereocilia for 2 Ears of 1 Person