I look in here—this
notebook—& see
the notes for thelast review I did,
& note—that I am
about to write another.Tho I would rather
write something else.
I whistlebop a bit
try not to think
of thevast tide of crap
the exhibition represents,
checkthe sky: sere,
grey, pale up
one end of the street,almost Neapolitan
at the other:
pale, but a distinctblue,
with some dark smudged stain
drifting over it,much closer to
than the far blue behind—
blown,
in those paintings,
from a volcano nearby—
almost like flakin the old movies.
(Goya’s mantilla,
& parasol—& the rumour
that nothing lasts forever)#
It makes the sky darker too
an atmosphere
not a backdrop#
a small figure, further down
Hindley Street
is crossing the road—I recognisethe coat
as much as the figure—
but who?#
It is about time
I had a drink with Crab.
About timefor a lot of things. What
to do about this
art?I whistle ‘You’re My Thrill’,
the beginning—but, whistling it,
I end up, as always,with the ‘Perry Mason Theme’
(I think)
(it isso long
since I have actually heard it)
Instantly recognisablewhen I was a kid.
I thought I didn’t like it—now it
seems I do
or something
cousin to it.
‘You’reMy Thrill’. Then
‘Couldn’t It Be You’—
I wonder whatthe connection is —
the key, the pattern,
somehow relates?Its
calming effect
when I whistle it.
So,
resignation, ‘getting on with things’.
Hate to turna beautiful tune
into a tic, a
neurotic responsetho again, luckily,
it is only the first few bars
I remember this way,the rest of the song
is safe,
unretrievable.When I play it
I smile.
Thisart then,
what to do about it?
Inflated in scale, naive,‘done’ when its theme is recognised
— like slogans
for a moral position.As if the viewer
should tick a
box, in approval,& move on
perhaps ‘liking’ it
on their facebook page.(their ‘mental’ facebook page)
Does anybody do that,
like it that muchthat they could bother to register
this vote (?) their
‘shared concern’?
I doubt it.But then
I am whistling the wrong tune.I read in Denton Welch
(the Journals)
of some gypsies he hearscoming home from the pub
singing ‘Bye Bye Blackbird’
1946My father used to sing that song.
I love it.
The opening notesof the John Coltrane version.
My father
sang it often enough
for me to know the words.Denton, near the end—
“Chopin pours over me from the wireless.
Nothing but this small picture will be left
of the day. Many years after, people may
be able to read then say, ‘He was cold; he
watched the sunset; he ate a chocolate,’ but
nothing more will be left to them.”#
Today I worried happily,
wrote stuff, ‘asseverated’,
was alive.It was supposed
to get cold—but it didn’t.
- 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones