I look in here—this
notebook—& see
the notes for thelast review I did,
& note—that I am
about to write another.Tho I would rather
write something else.
I whistlebop a bit
try not to think
of thevast tide of crap
the exhibition represents,
checkthe sky: sere,
grey, pale up
one end of the street,almost Neapolitan
at the other:
pale, but a distinctblue,
with some dark smudged stain
drifting over it,much closer to
than the far blue behind—
blown,
in those paintings,
from a volcano nearby—
almost like flakin the old movies.
(Goya’s mantilla,
& parasol—& the rumour
that nothing lasts forever)#
It makes the sky darker too
an atmosphere
not a backdrop#
a small figure, further down
Hindley Street
is crossing the road—I recognisethe coat
as much as the figure—
but who?#
It is about time
I had a drink with Crab.
About timefor a lot of things. What
to do about this
art?I whistle ‘You’re My Thrill’,
the beginning—but, whistling it,
I end up, as always,with the ‘Perry Mason Theme’
(I think)
(it isso long
since I have actually heard it)
Instantly recognisablewhen I was a kid.
I thought I didn’t like it—now it
seems I do
or something
cousin to it.
‘You’reMy Thrill’. Then
‘Couldn’t It Be You’—
I wonder whatthe connection is —
the key, the pattern,
somehow relates?Its
calming effect
when I whistle it.
So,
resignation, ‘getting on with things’.
Hate to turna beautiful tune
into a tic, a
neurotic responsetho again, luckily,
it is only the first few bars
I remember this way,the rest of the song
is safe,
unretrievable.When I play it
I smile.
Thisart then,
what to do about it?
Inflated in scale, naive,‘done’ when its theme is recognised
— like slogans
for a moral position.As if the viewer
should tick a
box, in approval,& move on
perhaps ‘liking’ it
on their facebook page.(their ‘mental’ facebook page)
Does anybody do that,
like it that muchthat they could bother to register
this vote (?) their
‘shared concern’?
I doubt it.But then
I am whistling the wrong tune.I read in Denton Welch
(the Journals)
of some gypsies he hearscoming home from the pub
singing ‘Bye Bye Blackbird’
1946My father used to sing that song.
I love it.
The opening notesof the John Coltrane version.
My father
sang it often enough
for me to know the words.Denton, near the end—
“Chopin pours over me from the wireless.
Nothing but this small picture will be left
of the day. Many years after, people may
be able to read then say, ‘He was cold; he
watched the sunset; he ate a chocolate,’ but
nothing more will be left to them.”#
Today I worried happily,
wrote stuff, ‘asseverated’,
was alive.It was supposed
to get cold—but it didn’t.
- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones