a brothel run out of an apartment (high-rise on Eglington
those places were asking to be busted, basically, the neighbours
don’t like it); I only worked there a few shifts, later
I saw it in the paper
but for some other crime thing
it had a fountain with no water, a Grecian sculpture
verdigris bowl and circular driveway
cracked, plants grown over. I want to saythe owner had rabbits. I want to
say that but it may not be true. The room floats
not so much hazy as a blown-out photograph
whisked in front of my face repeatedly as I try to glimpse
a cage on the floor
in front of the window/balcony? Hexagonal wire? A cloud of fur?
And an idea
that there was a baby or babies (human ones
that is), rather than an image of it/them, was thisthis apartment, or some other? Trying
to get to the truth
of images like this, it doesn’t
get you anywhere but the itch, once scratched, hard
to leave alone and you think (little addict you)
this time (maybe) you’ll get through…these images
I can no more control when they come as I could
the impulse to take that first drink
a hallway arrivesand a room on the right, a futon, a man
in a checkered jacket, oranges and browns
a gold necklace snaking in a nest of chest chair
acne scars along cheekbones like cordilleras, mustagiven him my number because later we’d meet at his donut store
and he’d drive us to his house in Scarborough
(his wife visited her mother on weekends)
pictures of the wife, mermaid-long hair and flawless
almond eyes, why would he cheat on her with me
I thought, and felt embarrassed about
that aspect? (Yeah I know); this manone of those who liked to tell me how much money he had
pull out hunks of silver and gold, shove watches under my nose
gesture at dining room table candelabras; affix
dollar amounts. His low-roofed house cluttered
as a tchotchke emporium
he never tipped me
and often counted out the last ten in loonies and toonies. Youare the best
he’d tell me…for sex
and with that pause there, every time, I thought maybe
meant to be half a sentence
e.g. You are the best, for sex, BUT
no good for x, y, z…?
But he never added anything so maybejust mantra/reassurance: that I was money well-allocated
the best product at the best price. I
smiled and laughed (of course). This may have been the extent
of our conversation. He liked
to sit with me in the donut store before we went to his house
wanted his employees to see me
he said, for them to know he had a mistress
(if they thought he was paying me that was fine too
I think, maybe better, not sure), well
they didn’t appear interested in anything their boss was doingone time I showed up in a leather jacket I’d found at
Kensington Market, totally funky, oversize with square pockets
motley like peeling paint
or desert topographies
he went straight to the car (an SUV, I want to say beige
a flash of beige coffee cup holders; is that real? was that
this SUV?) well
he motioned for me to get in. No mistress of minehe said, should wear rags like that. I felt red and hot
arrows and pinned to the seat, mumbling apologies
into my lap. I hated
to displease anyone, especially in person. I had fewerproblems with disappearing however, so later I stopped
answering his calls. The whole rigmarole
as I saw it, took a lot of time, and he only ever paid me for an hour
- 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones