Sonic boom just flew off the page, leaving a trail of swooning fragments, feather and spore, all sentenced to prosaic yarn. Amid other murmurs, skyglow and cracking statistics, consolations filled dead zones and paragraphs, visible paragraphs, great clouds falling from aircraft, tankers and lorries. Distress tones intimated the massacre of passenger pigeons. Waste was visible from space, not that any but prosthetic eyes and acronyms were there for the money shot. The stain of chemicals ran off into the water table or joined with fatbergs. Niche violence echoed trade winds, while traceries and microplastics drifted into the mouths of plankton. Avatars found signs, fossils even, of prehistoric struggles, and attempted to map the faultlines of coming climate wars. All hail the ancient struggles for oxygen. Depletion was mined for compost. Newly deciphered lichens sang of slow revolutions, of solidarity against humanist pathos and succulent doom. When passenger aircraft first broke the sound barrier, the prospects for bone shaking jeremiads of sheer noise still seemed endless. The sky was no longer the limit it once was. Some subtle diminution of lyric fire was registered by composite wing structures. At supersonic speeds the air was taken by surprise, caught off guard. Cones bled and nightingales ducked. Once bitten, twice shy, third time lucky there was no going back. Identity formation buffered into so many imposed binaries and intransitive verbs, but hurricanes were still given alternating genders. Contrails lingered, bearing witness to the inscription of noise as the presiding tone of human sky. Second nature’s chorus was resisted but also kettled and tortured. Herbaceous borders are an index of lyric charm. Gardeners led the push for human geometry. The formal garden framed labouring peasants and ruminants in the middle distance, which in turn gave ground to distant follies and sheer landskips on the horizon. Picturesque hierarchies announced the pomp and circumstance of private property. Bioproles were unimpressed by heritage signage, but gleaned what they could. Proponents of zero nature and deep ecology tried and then failed to animate the ideology of the concept. Songs of constructed otherness leapt over ancient biology, but the pulling power was with cellular repetitions dragged screaming and kicking into world prose. Trinitite, also known as atomsite, was devastatingly apt. Its scree of human handiwork was harvested for private collectors. Accumulation of mined but unmanageable waste became the default setting. Amid boom and bust, resistance movements gathered reluctant clumps and microbial cells. From each to each met with unacknowledged substrates. Senators of sentience proposed rewilding grammar, but nothing was free and the emergency brake seemed too hot to handle.
- 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones