In the aching light.
I stand for a long time thinking how small your hand.
I had held at some previous time,
though it was nothing I could put my tongue to.
My personality at this time:
say, elusive at best
an annihilated jumble.
The throbbing in my leg
becomes audible time.
The central question
I was forced to revisit time and time again
in his sessions was: ‘Where did?’
I slipped in and out of consciousness.
At times when I opened my eyes he was sitting beside me.
By this time his voice radiated menacing intensity.
Disaster, he had told me.
If ever there was a time
when a little external structure was required.
Sounds settle into a dull murmur.
By the time I have dressed they are completely silent
Swedenborg was explicit this time:
we must take one of the ambulances to the crash site
and blend in with the other rescue crews.
Over the clumped terrace houses:
a pyramid flashes four times in the sky
I pull off my latex gloves.
It is time.
Did I love you enough
at the time?
Lifted into warmth
that time on the barge
that may or may not.
There are not many boats moored this time of year,
still fewer residents. Just you. Just I.
A signal lodged in the sky.
Throbbing into existence four times.
Four is the heart’s time sequence:
equal by equal.
Some genetic paradigm
to orient myself next time around –
But she may have died in the end this time.
I hope so.
Remember what happened last time?
Over the lens.
I study her boat for a long time
extrapolate her movements from the shift of the hull in water.
We both turn our heads
to the timer
watch the last sand drain from the glass.
Suddenly and stare
at the ceiling through your eyes.
I hear your childish voice for the first time.
For the first time
it is some time else.
It is time to meet the sonic chambers.
He laughs again,
this time as a baby might – all gums and drawn lips.
He walks away, a column.
Of the building’s staggering height.
In recent times it has come to serve another more private purpose
Obelisk Enterprises reserves all rights
to manipulate time, space and any collected data.
Three times in the sky ridge a void in the dream.
Channels I have calved.
Her mouth moves all the time
breath squeezed from between lips in a repetitive, controlled gesture.
She mumbles ‘life can be hard sometimes
but I really quite like it.’
Three times it has all fallen through my fingers.
If you fail to materialise at this time you will receive no further communications.
Time is very big.
- FREE: 20 Poets anthology
- 91: NO THEME VIIISUBMIT to C Gaskin 90: MONSTERwith N Curnow, coming soon! 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
- Review Short: Judith Beveridge’s Sun Music: New and Selected Poems
- Melody Paloma Reviews Keri Glastonbury
- Submission to Cordite 91: NO THEME VIII
- Judith Bishop Reviews Phillip Hall’s Fume
- Bella Li on as Associate Publisher
- Alex Creece on as Production Editor
- Review Short: Diane Fahey’s November Journal and Carmen Leigh Keates’s Meteorites
- Review Short: Vahni Capildeo’s Seas and Trees and Jennifer Harrison’s Air Variations
- To Outlive a Home: Poetics of a Crumbling Domestic
- ‘The Rally Is Calling’: Dashiell Moore Interviews Lionel Fogarty
- Jackie Ryan: Teaser to Burger Force 3
- Dispatch from the Future Fish
- Introduction to Cordite 89: DOMESTIC
- 7 Portraits by Ali Gumillya Baker
- Selections from 3 Yhonnie Scarce Series
- Kathy Acker and The Viewing Room
- To Live There: on ‘Dispatch from the Future Fish’
- The Wild Workshop: The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett
- Externalising the Symptom: Radicalised Youth and The Membrane
- On Deep Breaths and Friends Forever: Im/materiality and Mis/communication in Happy Angels Revisited
- Letter to Anne Carson: Work of Remembrance and Mourning
- Translated Extracts from Chantal Danjou
- Translations from Old English
- The Poets: Pejk Malinovski Self-translates