In single minute gulps like propranolol the night sways, steadies

to a short halt. And the neck stops. Stops wide open to the space it now

appears to be in: Belgium, on the north coast where it now seems that

it has been having a dream in which it is in Belgium with Camille
having an occasional polite hug. Not really knowing you just

who you are and what a part of you represents. It speaks to Camille,

but Camille speaks back in French and though when it is awake it can’t speak

French, nor can it in this dream, the French it hears is perfectly spoken.
It goes to Koksijde with her. They wander around staring at the knives

with bone handles in one of the windows. Suddenly it can explain

something it has come to understand: How on earth it might actually

feel at least some of the time now in its sleep or when she or they are
awake but mostly then it’s kept in silence, that thought interrupted

by the angry parent on the seat at the back of the bus. It goes

like this, for example: The heaping anxieties of, say, being

taken to a wedding to be shown off as some kind of sinking face,
an unspoken motion amongst all the other celebrants who sign

to one another and themselves, to be true or to be failing

“Hold. My. Hand.” pulling their willing or unwilling or half reluctant

faces into one another’s fields of vision where marriage flickers,
how the only satisfaction that it gets here is relief at not

invoking all that screaming which it comes here to feel guilty, when it

hits its digit at the dimming window to the next unliving waste

of food and gestures to the lighting of a world it doesn’t know. Help.
W hat it is, how much of a peculiar straight line turned deeply up

as it is into every line of consequential fire, families

become more deeply ingrained or lost. Or else it feels somehow going

back to its old job with its old rotas where the annual leave forecasts
the rest aside from sick days so long as what’s disclosed is now never

to be made again to choose. It wants (it is trying to tell you this)

to have silence and solitude, its own distracted time so it can

sort its own shit out in its own kind of broken distracted way. Or
not solitude but in fact the ones it often doesn’t get to see

who somehow don’t fit the usual configurations of names and souls;

who are beautiful yet also they are always. It wants again that

shield against another one’s mouth where it knows it might help. Need it. But
now it gets torn from the knife window down into a locker room filled

with towels and showers where it has to use them, the towels, in full

knowledge they belong to those that use the locker room and It cannot

withdraw money and owes Camille at least €60 for transport
into Koksijde alongside any incurred translation fee it is

dreading all that might come from the day ahead. Dreading getting it off.

Dreading when next it might swallow it or sharply inhale as if to

gasp, only to push again at what it knows won’t happen: Not heaven.
T he same songs in the same eyes blinking over in the same glissando.

It is those same faces make it still alive. Not allowing it dare

drop out. In what is called its real life it knows full well there are things

to be dealt with – things that never have. At that moment in general, teeth
and just later called “now”, its teeth. Saying things back to its life then

again into silence. Going to the hardest lengths to keep its things

so easy. Doing the hardest easiest to get jobs as opposed

to the easiest hard to get ones with air conditioning and breaks
and socials; training and tea and career development. It is

the mistress at deploying its scar tissue in place of its fate.

It chooses one of the wrong towels: A blue one – already wet. It sees

someone it thinks it remembers coming from a cubicle where it
finds a boy wet from the shower, about seven years old. The boy

is joking about horses. The jokes are crass and the adult from the

cubicle is cut, infuriated by their sense of Belgian pride:

Belgium, where horses will not be mocked. Another petrified gulp, the
other side. It looks on as the boy is hated for his infringement,

as he is set up on a bin, his leg spavined raw left arms askew

as if in the open palmed prerequisite stance of a new Christian.

But what he is there isn’t like anything except what he is. He is a boy;
made into a tower on a bin. An improvised example of a punishment

in the evacuated wet room. Camille tugs on its arm;

that it’s time to go. We think about leaving. The lights go off.

The administrator leaves the room. She comes back. The boy has slackened
his position and so she reinforces it. She commands him back

onto the tower. His leg out. His palms. It feels as though there ought to be

a hood like it had seen in the famous photo of this ritual.

It thinks when it is awake that really it is still on the other side
thinking that monogamy is like a really disgusting cult whereby

people are not just allowed to be jealous of other people who are doing them

no harm, but where everyone is allowed to enact more harm, to

persuade themselves their jealousy is well founded. That’s what cheating is.
T he boy listens to it having this thought but doesn’t allow himself

the pains, they well up in his body. It doesn’t know everything.

There are some solid facts. The traumatic ones have been so painted they

almost go. The easy ones feel as beautiful as fiction: It has
a memory of it being called I: I at the bottom of Kilburn

hill. Probably in 1991 when Pringles went international.

We were at the bottom of the hill and a man called Toby Pring

offered everyone Pringles. He was only eight. It had one. It goes
to the shower nozzle and unclips it. Under the disc with the holes

in like the holes in the back of a birthing toad there is a perfectly formed

ready salted Pringle; and the same for each nozzle. It feels disgusting.

Now speak slowly back to its pain. Here it goes. Speak slowly, back to it.
*
Regained to make its service all but ready for his impact as the

tower he is made from lossless like its fortitude hurts, very damp.

Damp. Opening locking damp. Removing locking damp. And then I woke.

It woke up and it was me. I walked into the day with a pleasant
gait. Walked through the park and the trees. I could still feel Camille’s left eye

on me. A musty smell and the brilliant sunlight told the approach,

and on through the sink estate, past the buddleias and the bee hawk

moths dancing in the faces of the flowers. As I passed the wall by
your flat I caught something from the corner of my left eye (-

1.8). It was an earlobe cleanly severed sitting on the blank

wall. The bricks flattened out. It shudders. Each day it shovelled itself back

up that winding path on the slope unaware of its trauma to live
in its penance. Giving back its pain as its own penance to itself.

It has an allergy. So it pushes its eye against the nozzle.

It’s sad inside the socket under the filter. Outside the tower

is tortured. She’s still coming back to him, screaming about horses and
about national pride and decorum. She’s snarling in radiant

righteousness meanwhile it is dead. Meanwhile

I am dying in my sleep, seancing her, him and it with that one

stunning memory – the crisp – the happiness afforded at the base
of Kilburn wilfully tethered to another memory I don’t

have – a dog dragging my tired body up another hill. Constant

expressions of parental kindness. Forcing that clearing human

weight in gallant unmarked penance from one leg to next evacuate.
C lean basins, mirrors, toilets, surfaces, call to correct, as it stacks

up its meanings go remorselessly into this sluicing cabin. No

break out for a moment stolen perhaps don’t beds, desks, and solutions

in this clotted category its neck juts out at the tortured
tower of boy. Incendiary. It finds a token shell of love.

Departures from the town of its birth, of its sadness coupling buckle

by the writhing tormented elements above and below the bridge.