Transplants, I

By | 13 May 2024

—For Shin Hae-uk

It was reported that no one knew her well enough
to befriend her—this is the genius of her con
as this word clips onto this word and so on, forming
a pattern beneath the bustline of her figure patiently
standing on wooden floorboards in the centre of a room.
If you listen, a voice above wills you to shut your eyes—
inhale a deep breath and whisper—even though I have
been stripped of installation I know I deserve money
in my life.
For the sake of a scene, the room is in a house
with no fence, yet mounds of dirt indicate barriers to regard
the yard as plot. And who is actually addressed here?
If you outline lips with gloss, eyes with shadows and hair
with layers, a loose embodiment may be skulled. After
swallowing, you grasp that the line beneath her bust is no
small thing. Trembling, she guides you into another room.

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