Sarah Dillon

Gondwana and palimpsests appear as largely historical entities as, respectively, a continent that existed millions of years ago and a kind of manuscript from ancient to medieval times. Yet, within Caroline Caddy’s 1996 poetry collection Antarctica, published after a journey to the continent sponsored by the Antarctic Division in 1992, the two are combined in a way that suggests not only their contemporary relevance but also their ongoing influence. Through her use of place, Caddy layers references to India, Australia and Antarctica in ways that form a palimpsest. This layering acknowledges the connections between India, Australia and Antarctica historically but also insists on their continued contemporary relationship. In this way, the combination of two historical entities, Gondwana and palimpsests, allows Caddy to probe present relationships and engage with our contemporary layered existence.