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Recent Posts
- Review Short: Julie Chevalier’s ‘Darger: his girls’
- Foreword Viidikas: Reintroduction of the ’68 Poet
- ‘It was a place of force—’ Re-reading the Poems of ‘Ariel’
- Review Short: Luke Beesley’s ‘Balance’
- Review Short: Siobhan Hodge’s ‘Picking Up the Pieces’
- Angela Meyer Reviews Judith Rodriguez and Niall Lucy, John Kinsella
- Introducing No Theme II
- unAustralian English
- Recording Archives: ‘A Way with Words’
- X About X: An Interview with Shane Rhodes
- David Shook Interviews John Mateer
- Tara Mokhtari Reviews Amelia Walker
- Ali Alizadeh Reviews Chris Andrews
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- Wish Requirement: “to break down the urge to establish reputations and an entrenched position” if only...
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- Final Eighties Exposé (1)
- Brad Roberts: I enjoyed the way the focus shifts from a very public to a very intimate scene. Wonderful poem.
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- Annie Lovang: Thank you Alice! Very thoughtful work….X Anna
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- Louise McKenna: I love the dynamo that drives this poem, its taut language and onomatopoeia, (which is a challenge to...
- Haiku#575: there’s a lot to like about gull its general motors holden fx for starters i feel i know that gull...
- Tara Mokhtari Reviews Amelia Walker (1)
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- Gregory Horne: A very cool poem. Fresh lines. Utterly memorable.
- Moby Dick: Acrostic Sampling (1)
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- Haiku#575: yes, beware of all axioms is an axiom i have observed all my life
- Foreword Viidikas: Reintroduction of the ’68 Poet (1)
Recent Tweets
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- Cordite 41: TRANSPACIFIC is now live! - http://t.co/3fch0GO0f9 11:50:02 PM March 31, 2013
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Robert Hoffman
Sound, Rhythm and Meaning: A Pacific Northwest Chapbook Curated by David Wagoner
Featuring poetry by Lillo Way, Jacqueline Haskins, Jeremiah O’Hagan, Marie Hartung, Robert Hoffman, Leone Mikele and David Wagoner. American poetry has never been more diverse in form, content, and intention than it is today. All imaginable styles and mannerisms are …
Posted in CHAPBOOKS
Tagged American poetry, David Wagoner, Jacqueline Haskins, Jeremiah O'Hagan, Leone Mikele, Lillo Way, Marie Hartung, Robert Hoffman
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