Cartography

31 July 2012

Territory is suburbia is an atlas of orange-bricked battlelines. Where driveway mouths spit mortar like broken teeth and cold wars cauterise domestic skin. This is where I have mapped you.

                                              mango pulp
                                              bruise-lidded sky
                                              a storm hymnal

When the sky bleeds out of this heat blister, it will wash away nothing. Passionfruit will lay defeated by the fence. Territorial birds will remain the aggressors.

                                              noisy miner
                                              mynah bird, mickey
                                              flick-flit dancer

I meet you at your depth and let your breath push blood around my body. We make an ampersand of arms and legs and you whisper “this is not a safe distance”.

                                              first star
                                              cicada thrum
                                              open-mouthed kiss

I remember thinking that forever might feel like this – eyelid-crepe delicacy (my lips), ear lobe softness (your teeth). A cup of tea gone cold beside my shoes.

                                              lights off
                                              snap-blink greyscale
                                              lips to cheek to neck to lips

Somewhere, a casement window bangs. First I taste blood then the thick blade of storm-metal. In the kitchen, AM radio makes leaf-litter conversation.

                                              second innings
                                              last session before tea
                                              willow-faced tock

You leave the garden hose running in the afternoon rain. Yesterday, curled up in the letterbox. Leatherwood pleasure is folded in a pocket, in a dovecote, in a crowded space.

                                              rain comes
                                              arrhythmic shrapnel
                                              tin-tin-tin

                                                                                            rain goes
                                                                                   downpipe-tick
                                                                                 melaleuca-drip

Territory is suburbia is an atlas of orange-bricked battlelines. Where cyclone wire fences protect us from nothing. Unsolicited mail keeps coming. I can always find your hand in the dark.

                                              cane-toad skin
                                              bitumen bite
                                              evaporation

QPF

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Vanessa Page

About Vanessa Page


Vanessa Page is a Rosewood-based poet who hails from Toowoomba in Queensland. Her first full length collection of poetry, Memory Bone was shortlisted for the 2010 PressPress Prize and in 2011, her manuscript The lost art of penning you a love note was shortlisted for the Arts Queensland Thomas Shapcott Prize for an unpublished manuscript. In April 2012 she launched her first micro-collection of poetry Feeding Paper Tigers as part of Brisbane New Voices III.



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8 Responses to Cartography

  1. Oh, that first haiku is especially delicious.

  2. Pingback: Gibberbird: Of Birds and other strings « The Worded Page

  3. Susie says:

    Another gorgeous one Vanessa. I love the interwoven Haiku’s too. Really looking forward to hearing you perform it at the festival.

  4. pete spence says:

    the first time i saw this form was a couple of poems by Frank O’Hara
    the poems ok and a step forward in a way! commentators
    please refrain from calling the interstices
    Haiku…the West uses the Haiku in a lazy non formula way i find most Haiku
    written by Westerners a pure joke why not just call ‘em short poems if you
    do not adhere to the rules of the Haiku!!!
    other than that the poem above as a poem is ok

  5. Vanessa Page says:

    Fair comment Pete. When I wrote this poem I certainly didn’t consider these little text blocks to be real haiku! Haiku is a poetry form I have not worked with much, but would like to. :)

  6. pete spence says:

    thanks Vanessa i’m pretty pedantik when it comes to using formula
    in writing if you do a sestina you follow the model the reason anyone would bother to
    use any of these straightjackets is to take on a challenge outside of
    your normal writing i really have a beef with how the west has made the haiku
    a short poem with a zennish feel to it! its just a short poem! so
    if you adhere to the rules of the Haiku it is way more difficult
    and worth doing in Japan the Haiku was something everyone should do once
    in their life poet or lay-person a social thing that interests me great if everyone
    wrote one good poem a better thing than seeing a poet tossing out formula
    poems every coupla years in a book!
    pete

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