a spirit jumping from the back of a falling star
onto a baby as it’s being born
gives the baby its breath and spirit
that’s how Murrawarri man, Fred Hooper, tells it
in a yarning circle of land and justice
this winter past, we were
on Gadigal land
never ceded, never ceded
and although this was not my story
in its telling Uncle shares vital learning
about belonging
to place, to country, to ancestors
and to the future
bending to collect a stone with her beak
she unfolds, fins synching
to Spring’s snap crackle pop
plink pinky pebble
build a nest of quartz
journeying across the ice
she passes the grave of her great-grandmother
a womb of emperor purple velvet
garlanded with emu feathers from Kupa Piti
passes the bluestone mound
where her grandmother had buried her placenta,
brother’s too
shuttling back and forth
between quarry and cradle
she heads toward a future present
bound with the past imperfect
robber Adélie makes a beak-line to this labour of lode
indolent ingrained in-veined habits of theft
captured by the famous naturalist’s panoptic eye
the stealing of another’s home makings
recast as no more than a ‘cheeky’ act
on this patch of clay
in an invisible glade
shaded by old hills
with witch of Agnesi curves
it’s where her father was conceived
she also, and later, her brother
here her grandfather’s and great-grandfather’s ashes
abide in linen cupboard limbo
wrapped in Corsican cloth
waiting to be returned to the earth
(when all has been forgiven)
then they too can join the skulls of our familiars
generations of non-human companions
who some nights dig themselves out
shaking off the magic dirt
to give us dream counsel
here the dispossessed have disappeared
into plain sight
a diaspora so often scattered far from home,
far from the bones of its peoples
’Can I have another bone,’ she asks,
momentarily becoming-human
my home, her home
on stolen land
Kaurna land
never ceded, never ceded
our ash and fat
our blood and bones
our bush wees
our shadow trees
all that we have
all that we do
all on stolen land
does a spell exist for undoing this?
to shift time and come in the right way
and, like a good guest
leave before welcome is outstayed, or
forge new forms of respectful reciprocity
she and I, we consult the ruins
and cast new hexes
summoning all our mothers, grand and great
dispossessed
and driven mad
abandoned
alone
fed by visions, yearning for
Paradise on Earth
she and I, robbers both
stones in our beaks,
seek out accomplices
in networks of nest work
to join the struggles
to repair and restore
relations and land
homes, hearths, hearts
never ceded, never ceded
never ceded
Francesca da Rimini is a writer, artist, performer, and co-founder of cyberfeminist group VNS Matrix. Her practice oscillates between solo and collaborative experiments, and she is currently working with Virginia Barratt as In Her Interior. Recent works, including
delighted by the spectacle,
hexecutable,
songs for skinwalking the drone,
lips becoming beaks, and
The Tender Alembicians Suite combine rule-driven poetry, fugue states and prophesies, producing hexes against Capital.
https://inherinterior.wordpress.com/